3:19
Female vocals
Synth layers: Bright, shimmering synths and side-chained pads give it that “lift” in the chorus, • Bassline: Punchy electronic bass — adds groove and warmth, • Drums: Tight, processed pop drums — with reverb-heavy claps and snappy kicks, • Vocals: Polished and stacked — double-tracked harmonies in the chorus for a full, anthemic sound, • Effects: Reverb and delay to create space and emotion, especially in the pre-chorus
2:37
Female vocals
Synth layers: Bright, shimmering synths and side-chained pads give it that “lift” in the chorus, • Bassline: Punchy electronic bass — adds groove and warmth, • Drums: Tight, processed pop drums — with reverb-heavy claps and snappy kicks, • Vocals: Polished and stacked — double-tracked harmonies in the chorus for a full, anthemic sound, • Effects: Reverb and delay to create space and emotion, especially in the pre-chorus
3:21
Overall Style female vocals
Genre
• Dance Pop
• Synth Pop
• Emotional Pop
Tempo
• 132–136 BPM (upbeat, energetic)
Mood
• Sad lyrics
• Uplifting music
• Nostalgic but danceable
This contrast is what makes songs addictive, ⸻
Intro
• Bright synth chords
• Light kick drum
• Atmospheric pad
• Small vocal echo
Should already feel rhythmic and moving, ⸻
Verse
Keep it rhythmic but lighter, Add:
• Punchy kick
• Soft bass groove
• Clean electric guitar or plucky synth
• Light hi-hats
The verse should make people nod their head already, ⸻
Pre-Chorus
Build excitement, Add:
• Rising synth
• Faster hi-hats
• Snare build
• Vocal echo
Everything should feel like it’s climbing toward the chorus, ⸻
BIG CHORUS
This is where the song explodes, Add:
• Full dance drums
• Big synth chords
• Strong bassline
• Vocal harmonies
• Bright lead synth melody
The chorus should feel like a festival pop moment where everyone sings:
“We’re like an old love song losing
3:16
Tonight
v5
Female vocals
Overall Sound
• Bright, emotional pop with a heavy drop
• Mix of vulnerability (verses) + explosive chorus
• Clean but hard-hitting low end
⸻
🥁 Intro (0:00 – 0:15)
• Soft ambient pad
• Light finger snaps / muted claps
• Subtle heartbeat kick (very low)
• Chopped vocal: “ooh ooh ooh” with reverb
👉 Keep it intimate, almost empty
⸻
🎤 Verse (0:15 – 0:40)
• Minimal drums: kick + snap
• Plucky synth (light, rhythmic)
• Bass very subtle, almost felt not heard
• Add vocal layers at the end of lines
👉 Emotion first, don’t overproduce
⸻
⚡ Pre-Chorus (Build) (0:40 – 0:55)
• Add:
• Risers / white noise
• Faster hi-hats
• Chord stack gets wider
• Vocal stacking increases
👉 Tension should feel like it’s about to break
⸻
💥 Chorus (DROP) (0:55 – 1:20)
This is where the Sledgehammer energy hits:
• Big punchy kick + clap
• Deep sub bass
• Bright saw synth chords
• Layered vocal chops (ooh ooh ooh) as a hook
• Sidechain everything to the kick (pumping effec
2:42
Obsessed
v5
Female vocals
Synth layers: Bright, shimmering synths and side-chained pads give it that “lift” in the chorus, • Bassline: Punchy electronic bass — adds groove and warmth, • Drums: Tight, processed pop drums — with reverb-heavy claps and snappy kicks, • Vocals: Polished and stacked — double-tracked harmonies in the chorus for a full, anthemic sound, • Effects: Reverb and delay to create space and emotion, especially in the pre-chorus
2:11
Female vocals
Synth layers: Bright, shimmering synths and side-chained pads give it that “lift” in the chorus, • Bassline: Punchy electronic bass — adds groove and warmth, • Drums: Tight, processed pop drums — with reverb-heavy claps and snappy kicks, • Vocals: Polished and stacked — double-tracked harmonies in the chorus for a full, anthemic sound, • Effects: Reverb and delay to create space and emotion, especially in the pre-chorus
2:49
Female vocals
Synth layers: Bright, shimmering synths and side-chained pads give it that “lift” in the chorus, • Bassline: Punchy electronic bass — adds groove and warmth, • Drums: Tight, processed pop drums — with reverb-heavy claps and snappy kicks, • Vocals: Polished and stacked — double-tracked harmonies in the chorus for a full, anthemic sound, • Effects: Reverb and delay to create space and emotion, especially in the pre-chorus