All We Know Is Hurting Ourselves

Hypnotic trance pop, alt-pop rock, slow vibes, nightmare fuel, dreamscape syncopated drum programming, glitchy drum edits, distorted rhythm guitar, octave groovy deep bass, vocal chops, wide stereo hooks, filtered synth swells, stuttered pre-chorus, half-time breakdown, stacked chorus harmonies, punchy snare, sidechain pumping, emotional release, breathy vulnerable male vocals

Sad emo rap rock, 156 BPM, male lead vocal, breathy rap verse, distorted 808 sub-bass, half-time drum grid, acoustic guitar strums, 2000s pop-punk guitars, step-sequenced synth plucks, fizzy chiptune lead, snare flam fills, gated drum room, plate reverb, octave-doubled chorus, gang shout adlibs, stacked chorus lift, instrumental breakdown, guitar solo, cathartic release

emo party rock, pop-punk rock, calm and quite vocals, 155 BPM, half-time trap drums, breathy male rap, distorted 808 sub-bass, acoustic guitar strums, palm-muted power chords, deep bass plucking, step-sequenced synth plucks, fizzy chiptune lead, sidechain synth stabs, snare flam fills, gated drum room, plate reverb, octave-doubled chorus, gang shout adlibs, 2000s pop-punk crunch, trance vibes, defiant bitterness

emo rap rock, dark anime rock, 155 BPM, baritone lead vocal, gang shouts, palm-muted guitars, octave lead guitar, distorted bass, trap-snarled 808s, double-time drums, glitch cut fills, arena snare, parallel compression, tape saturation, gated reverb, mono breakdown, half-time chorus, fistfight swagger

emo rock, dark slow ballad, broken upright piano, palm-muted acoustic guitar, octave lead guitar, tom-heavy drums, cymbal swells, gang vocal hook, vocal doubling, tape saturation, room mic ambience, fizzy chiptune lead, slammed chorus compression, intimate verse spacing, half-time groove, rising bridge lift, cathartic final chorus, bittersweet resolve