This Hell

[Band Style - Mic Gordon meets Periphery meets Devil May Cry] [Vocal Style - Benjamin Burnley, Eric Vanlerberghe, Pete Loeffler] [Saxophone trades off with Heavy 8 String Riffs at times] alternative metal, progressive metal, Drop F, [BPM = 225], Argent Metal, Lo-Fi Mathcore, Post Hardcore, Saxophone, Poly-Rhythm's]

A fierce blend of metalcore, nu metal, post-hardcore, and progressive metal at 118 BPM, anchored in Drop A# with pounding double-kick drums and relentless breakdowns, Syncopated djent guitars deliver massive chugs while saxophone intertwines with lead guitar during breakdowns, crafting an explosive, cathartic sonic assault—all vocals delivered as intense full fry screams

[Band Style - Breaking Benjamin meets Wage War] [Vocal Style - Benjamin Burnley] [Genre's - Numetal, alternative metal, progressive metal, Post Hardcore, post-grunge, ] [Instruments - Distorted Electric Guitar, 5 String Bass, Saxophone, ] [Instrument Tuning - Drop G] [BPM = 145, ] [Catchy, Polyrhythms, Headbanging music] At 145 BPM, this hybrid Argent Metal/metalcore onslaught rips with 8-string drop G riffs, pulverizing 6-string bass, and hyperactive, double-kick-heavy drums, Verses assault with syncopated grooves and alt-metal tones, while choruses and breakdowns unleash thrash precision, Twin guitar solos weave with searing sax leads, injecting prog and post-hardcore complexity, Vocals are brutally guttural, riding the punishingly intense, headbang-inducing energy throughout—every section a technical, relentless barrage

A punishing djent intro erupts in Drop A# with polyrhythmic, ultra-distorted guitars and throbbing 5-string bass, jolted by sudden, brash saxophone surges, Frantic post-hardcore and nu-metal riffs alternate, under relentless pummeling drums, All vocals are layered fry screams, locking in brutal energy—no respite, just continuous, razor-heavy, moshpit-inducing aggression

[6 String Cello that replaces bass guitar entirely, 7 String Guitars, Saxophone, Violin, String Sections, Piano] [Band Styles - Sleep Theory meets Wage War meets Periphery meets Evanescence meets Helluva Boss] [Genres – Prog Metal, Mathcore, Djent, Nu-Metalcore, Post-Hardcore, Alternative Metal, Progressive Metalcore, Jazz] [Slow classical string and piano intro followed by a slow building sax that leads into a very djent riff] [BPM - 135] [Instrument's Tuning - AEADEAD] [-bass guitar, Replace with 6 string Cello]

[Starting of with a very aggressive Djent breakdown intro] Aggressive, headbanging track in Drop A at 150 BPM, merging numetal, melodic metalcore and deathcore, alternative metal, djent, progressive metal, post-hardcore, and post-grunge, Polyrhythmic, chunky distorted guitars lock in with 5-string bass grooves, Relentless low/high screams front and center, Sudden saxophone bursts add chaos between breakdowns and choruses, all guitars heavily distorted, zero clean sections, unyielding intensity throughout, Vocalist intensity with fry screams and screaming vocals come off with rage for the emersion, male vocals]

A punishing djent intro erupts in Drop A# with polyrhythmic, ultra-distorted guitars and throbbing 5-string bass, jolted by sudden, brash saxophone surges, Frantic post-hardcore and nu-metal riffs alternate, under relentless pummeling drums, All vocals are layered fry screams, locking in brutal energy—no respite, just continuous, razor-heavy, mosh pit-inducing aggression [Starting of with a very aggressive Djent breakdown intro] Aggressive, headbanging track in Drop A# at 150 BPM, merging numetal, melodic metalcore and deathcore, alternative metal, djent, progressive metal, post-hardcore, and post-grunge, Polyrhythmic, chunky distorted guitars lock in with 5-string bass grooves, Relentless low/high screams front and center, Sudden saxophone bursts add chaos between breakdowns and choruses, all guitars heavily distorted, zero clean sections, unyielding intensity throughout, Vocalist intensity with fry screams and screaming vocals come off with rage for the emersion, male vocals]

Explosive Argent Metal track with fry screamed vocals, Very little clean vocals at 180 BPM, fusing crushing 8-string guitar riffs in (C-G-C-F-A-D-G-B) with relentless double-kick drums and pounding post-hardcore bass, Baritone sax trades fierce licks with the guitar, adding a chaotic counterpoint, Synth textures and industrial percussion fill breakdowns, creating cinematic intensity between heavy riff assaults

An unyielding djent-driven anthem in Drop B ignites with syncopated, ultra-distorted guitars and growling 5-string bass, Brash saxophone stabs provide contrast before tense harp runs weave with acoustic harmonics, The track erupts into frantic post-hardcore and nu-metal riffs, supported by relentless, pounding drums, Fry screams pile on for searing intensity, while the dynamic interplay of woodwind and strings keeps the groove both catchy and fierce throughout

At 155 bpm, this djent track melds relentless 7-string Drop A# riffs and hyperactive mathcore drumming with industrial synth snarls, deep 808 subs, and cutting cello, Chaotic bridges inject sax, bassoon, marimba, and harp in jagged syncopations, while breakdowns feature stabbing piano and icy music box or celesta for tension, Layers build toward a fierce, ever-shifting wall of sound that overwhelms right through the explosive finish

A hyper-theatrical djent track at 195 BPM, blending Brendon Urie–style dramatic vocals with serrated 7-string Drop G riffs, mathcore drum chaos, and thrash-speed aggression, Industrial textures—synth growls, 808 subs, and gritty cello—boost the violence, Chaotic bridges erupt with sharp sax, bassoon, marimba, and harp hits slicing through polyrhythms, Piano and celesta add a sinister noir shimmer between breakdowns, The overall sound mixes Panic! at the Disco’s flamboyant cinematic flair with modern djent, metalcore, and experimental math-metal intensity

[Band Style - Wage War meets Sleep Theory meets Helluva Boss] [Song Feeling and Vibe - Musically aggressive, chorus's have screaming vocals layered over clean vocals] A Very aggressive djent track at 152 bpm, fusing relentless 7-string Drop F riffs and hyperactive mathcore drums, Industrial synths snarl beneath searing cello and thick 808 subs, Chaotic bridges unleash saxophone licks, while dense layers converge into a fierce, ever-evolving wall of sound to the explosive finish, Song has a very breaking benjamin start but then hits into a super heavy wage war - the river - feeling to the song

Opens with an aggressive 8-string djent riff—heavy on palm-muted triplet chugs, slicing pinch harmonics, and shifting time signatures, A massive, syncopated rhythm section thunders beneath, fusing thrash tempos, nu-metal groove, and breakneck double kick, Breakdown bridges showcase discordant synths and industrial elements, propelling relentless energy fit for moshpits, Each section alternates between precision breakdowns, chaotic fills, and climactic headbang-worthy solos, finishing with an intense wall of layered guitars and pulverizing drums