Scytheborn: Saga One Act IV - The Age Of Myth
Copyright © 2026 thesimsyoulove. All Rights Reserved. Lyrics, narrative, and arrangement protected under UK Intellectual Property Law. No unauthorized reproduction or distribution.
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27 songs
4:27
Theatrical Sludge-Doom, Macabre Baritone to raspy 80s glam belt, industrial stomp-clap, transitions to avant-garde 6/8 waltz-metal, heavy glitch rock, dissonant cathedral organ, stadium drums, analog tape saturation, abrupt tempo shifts
4:14
Djent, math rock, hard rock, Celtic Punk metal vocals, heavy syncopation, compound 3/4 time shifting through 6/8 12/8 and back, erratic tempo shifts, polyrhythmic, vocal drift, multi-vocal schizophrenic duet, aggressive male tenor, ethereal choir, chaotic
4:38
folk punk, doom blues, 142 BPM, accordion drone, detuned tavern piano, fuzz bass, stomping kick drum, overdriven toms, gang shouts, whispered callouts, tape saturation, spring reverb, left-right panning, polymetric meter, 4/4 to 3/4, 6/8 to 12/8 swing, minor key, Victorian macabre, theatrical escalation
4:03
The downtempo carnival-metal overture begins with tense Phrygian piano and prowling upright bass, evoking suspense, Proto-punk guitars slash in, male vocals snarl with bold arrogance, Playful woodwinds whirl around manic, laughter-infused percussion, as a demonic choir and band surge in a dramatic, chaotic finale, Strictly male vocals throughout—no others
4:48
doom blues, swamp rock, 85 BPM, slow stomp-clap, triplet shuffle, wailing slide guitar, heavy fuzz bass, resonator guitar, distorted baritone, spoken word intro, call and response gang vocals, analog tape saturation, cavernous plate reverb, 1970s live room, gritty swagger, cinematic transition, abrupt tempo shifts
2:26
indie R&B, acoustic pop, 105 BPM, breathy R&B runs, muted acoustic guitar, dirt footsteps percussion, twig snap foley, fingerpicked nylon guitar, sparse hand percussion, restless walking groove, tape saturation, analog room ambience, close-mic vocals, weary resignation, dry mix, gradual build, spoken intro, stumbling cadence, folk punk edge
2:53
acoustic grunge, riot grrrl thrash, 115 BPM, aggressively strummed acoustic guitar, floor tom stomp, breathy vocal fry, spoken word intro, tape saturation, close mic bleed, room tone grit, mono drum image, dry punchy mix, 90s live recording, chaotic escalation, exhausted defiance, hand percussion accents, abrupt dynamic shifts, raw backbeat, cosmic punk haze
5:37
progressive rock opera, celtic punk, hard rock glam, distorted electric guitars, palm-muted riffs, bass counterpoint, tom-heavy drum kit, concertina drone, electric fiddle doubles, bodhrán accents, Hammond organ, gang shouts, plate reverb, tape saturation, stereo width, 3/4 procession, 6/8 duples, 12/8 march, erratic meter shifts, defiant exuberance
4:11
rock opera, doom blues, theatrical glam metal, spoken word intro, wailing telecaster, heavy fuzz guitar, slide guitar bends, palm muted power chords, hammond organ drones, brass fanfares, accordion waltz, floor tom marches, stadium snare hits, tape saturation, analog spring reverb, plate reverb, abrupt tempo shifts, massive swagger, chaotic arrival
4:37
symphonic power metal, rock opera, 130 BPM, spoken word intro, female-fronted snarl, palm-muted rhythm guitars, tremolo-picked lead guitar, orchestral string runs, brass stabs, timpani rolls, Hammond organ drones, floor tom marches, rimshot snare cracks, tape saturation, analog spring reverb, reverse cymbal builds, sardonic detachment, grandiose irony
4:59
rock opera, theatrical glam metal, alternative rock, 118 BPM, swinging 6/8, fuzz bass, tom heavy drums, hammond organ stabs, off key trumpet, sliding trombones, male spoken intro, raspy baritone vocals, tape saturation, analog spring reverb, 1970s live room, abrupt tempo shifts, dark cabaret, drunken sea shanty
5:34
12/8 compound meter, 65 BPM (slow, massive, and heavy), Colossal doom-blues, stadium rock swagger, Instrumentation drops to a minimalist, filthy fuzz-bass and a thunderous, cavernous kick-drum, Wailing, distorted blues-slide guitar echoes in the wide stereo field, The vocals are deep, grounded, and terrifyingly confident
4:58
sludge-doom, glam metal, hard rock, doom blues, spoken word intro, conversational baritone, raspy rock belt, fuzz bass, wah guitar stabs, Hammond organ drones, floor tom marches, slow hi-hat pulse, tape saturation, analog spring reverb, plate reverb, arena scale, abrupt tempo shifts, midtempo anthem, grim swagger
3:09
Theatrical Folk-Metal / Broadway Punk, 120 BPM, Starts with a whimsical, slightly cosmic acoustic guitar moving into a bouncy, tavern-rock sea-shanty groove with heavy distorted guitars, a driving kick drum, and a jaunty accordion
3:43
glam metal, symphonic power metal, thrash metal, waltz-metal, moody jazz, post-bop, punk-grunge, avant-garde jazz, jazz, avant-garde
3:38
celtic punk, doom blues, thrash accents, thrash metal
5:03
riot grrrl grunge, 90s grunge distortion, celtic punk, punk rock, 90s grunge, riot grrrl, grunge
2:29
rock opera, doom-blues, 145 BPM, Telecaster slide guitar, detuned sludge guitars, gritty bass, cathedral organ, booming toms, punchy glam drums, thunderous fills, searing guitar solo, Phrygian dominant riffs, tape saturation, AOR sheen, abrupt tempo shifts, sardonic spoken intro, demonic choir, mock-serious drama
2:58
cabaret metal, industrial metal, cabaret punk, theatrical glam metal, glam metal, doom blues, sludge-doom, spoken-word, heavy metal (down-tempo)
3:52
A swaggering, mid-tempo Celtic-Punk groove in 6/8 time, 110 BPM, Fuzzed-out bass, a driving bodhrán beat, and a cheeky, dancing electric fiddle, Vocals are relaxed, confident, and dripping with sarcastic charm
4:40
theatrical rock opera, march metal, doom blues, punk, cabaret, avant-garde metal, synthwave, dark R&B, noir cinematic electro, retro futurism, cabaret rock, glam metal, theatrical rock
3:58
A4. 103 | Family Therapy
Studio
riot grrrl, punk grunge, alternative punk, thrash punk, cabaret metal, vaudeville rock, theatrical baritone, gothic rock opera, cabaret, industrial rock, distorted bassline
3:50
A4. 104 | Just a guy
Studio
synthwave, indie pop, electronic, midnight chase, carnival metal, proto-punk, downtempo
2:19
Vaudeville Metal, Dark Cabaret, 130 BPM, Rigid 4/4 time, Staccato piano, heavy brass stabs, and a driving snare, Fate is completely alone on the mic, hyping himself up, fixing his clothes, and preparing his ultimate list of grievances
2:05
celtic punk, folk punk, 110 BPM, 6/8 compound meter, 12/8 heavy swing, punchy bass groove, brushed snare, jagged clean guitar stabs, syncopated mandolin, bristling fiddle lead, sparse layering, abrupt tempo shifts, tape saturation, analog spring reverb, spoken word intro, gang shout chorus, grim swagger, breathless urgency
2:16
industrial rap, rock opera, spoken word intro, theatrical baritone, palm muted chugging riffs, syncopated power chords, serrated bassline, high synth ostinato, mechanical snare, rapid double kick, floor tom marches, halftime breakdown, tape saturation, analog spring reverb, lock click foley, abrupt tempo shifts, 128 BPM, sardonic defiance, dystopian urgency
4:27
rock opera, doom-blues, glam rock, proto-punk, metal, cinematic/chaotic theatrical (carnival-metal)