PHARAOANUBS - SUNOVERSE

Ancient Egyptian ritual atmosphere fused with industrial metal and death metal, Male vocalist, powerful: deep growls in verses + clean commanding baritone in pre-chorus/chorus, 150 BPM with halftime breakdown, Downtuned guitars (drop A), aggressive double-kick, metallic industrial percussion, sistrum/shakers, darbuka/frame drums, cinematic choir chants, desert wind + temple ambience, Phrygian dominant/Hijaz melodies, Lyrics in English, first-person, character: PharaoAnubis—Warden of Ma’at, soul collector and keeper of order; brutal yet capable of tenderness and love

Ancient Egyptian ritual atmosphere fused with industrial metal and death metal, Male vocalist, powerful: deep growls in verses + clean commanding baritone in pre-chorus/chorus, 150 BPM with halftime breakdown, Downtuned guitars (drop A), aggressive double-kick, metallic industrial percussion, sistrum/shakers, darbuka/frame drums, cinematic choir chants, desert wind + temple ambience, Phrygian dominant/Hijaz melodies, Lyrics in English, first-person, character: PharaoAnubis—Warden of Ma’at, soul collector and keeper of order; brutal yet capable of tenderness and love

Ancient egyptian inspiration, metal, commanding tone and dry, comedic moment, 115-135 BPM, Male vocalist: authoritative clean baritone with restrained menace; brief low growl accents, parody

Cinematic industrial metal + Cinematic melodic death metal with ancient Egyptian flavor, 165–180 BPM, tight double-kick, aggressive but melodic riffing, soaring lead guitars, dark orchestral pads, desert wind ambience, Egyptian textures: sistrum/shakers, frame drums, subtle oud/ney motifs in Phrygian dominant/Hijaz, Male vocals: harsh growls in verses, strong clean baritone in chorus for a protective vow, Big emotional chorus, eerie intro

Cinematic melodic death metal ballad with ancient Egyptian atmosphere, heroic and hopeful, Starts with soft clean intro (ambient pads, desert wind, subtle oud/ney), then builds into a huge uplifting chorus with melodic heavy guitars and double-kick, Egyptian textures: frame drums/darbuka, sistrum/shakers, ritual choir, Male vocals: warm clean baritone for most lines; harsh growls used sparingly for tension/bridge (Anubis scene), Big hook on ‘A hundred for a day’, Epic, romantic, disciplined (Ma’at), not overly sad

Militaristic industrial metal with death metal aggression, March-like tempo 120–140 BPM, stomping snare cadence and war drums, metallic percussion, heavy groove guitars and bass, occasional double-kick bursts, Dark choir/chant like a battalion response, short command shouts between lines, Female vocals: harsh growls for verses, powerful clean/rasp for the chorus, Cold, disciplined, intimidating, ‘battlefield ceremony’ atmosphere, psychodelic, ‑pop, ‑rap

Militaristic cinematic industrial metal + melodic death metal, 135 BPM march cadence, heavy stomping snare and war-toms, marching boots SFX in the intro with trench reverb and distant artillery, Crushing groove guitars + bass drones, metallic percussion (chains/anvils), occasional double-kick bursts, Dark choir pads and ominous battlefield ambience, Male vocals: commanding baritone cleans for Pharao choruses, harsh growls for verses/breakdown; add subtle whispered female lines for Red Lady’s temptations, Mood: bleak Verdun war film, tense supernatural encounter, escalating insanity, huge final chorus

Industrial Metal, martial industrial, dark cabaret accents, cold synth brass, mechanical groove, heavy distorted guitars, punchy kick, marching snare rolls, glitch percussion, office Foley (typewriter, ticking clock, paper shuffles), telegraph clicks, ominous drones, aggressive modern mix, cinematic tension, female lead vocal (whispered close-mic + spoken-word + harsh screams in choruses), sinister and regal, unpredictable dynamics, 1914 war-room atmosphere, horror-villain energy, laughter samples “Hahahaha…”

Industrial Metal, black metal, Blackened Noise, dark cinematic ambience, heavy downtuned guitars, distorted synth bass, pounding mechanical kick, marching snare rolls, glitch percussion, air-raid sirens, radio static, tank engine/metal clanks as percussion, sonar pings (U-boat section), aggressive modern mix, sudden stop-start breakdowns, female lead vocal (whispered spoken-word verses + manic laughter “Hahahaha…” + harsh screamed choruses), terrifying villain energy, war-is-hell lyrics, 150–165 BPM, minor key, ~6 minutes long, ‑pop, ‑hip hop, ‑rap, ‑happy, ‑soft

Industrial Metal + death metal + dark cabaret + noise layer, 130 BPM, drop-tuned guitars, filthy distorted bass, mechanical kick/snare, glitch percussion, power-electronics texture, cold female lead (spoken/whisper in verses, manic in transitions, harsh in choruses), gang shouts in final chorus, tight modern mix, abrasive, paranoid, infectious, Psychodelic, horror, Medical equipment sound under