4:46

>>don't go
v5.5
post-punk revival, industrial rock, 94 BPM, motorik pulse, tape warble, fuzzy bass swell, low-pass arpeggio, harpsichord ostinato, submerged chant loop, metallic percussion, spring reverb, analog synth decay, lo-fi art rock, windy claustrophobia, confessional unease, circular refrain, vintage tape warmth
3:11

Don’t scratch it
v5.5
industrial rock, post-punk revival, decorative piano stabs, distorted bass guitar, angular rhythm guitar, tom-heavy drums, dry snare crack, tape warble, vinyl crackle, spring reverb, room mic grit, compressed drum bus, minor key, anxious resolve, 132 BPM, driving 16th notes, staccato synth stabs, dark catharsis
3:01

You Killed It
v5.5
IDM, techno rock, 146 BPM, banjo stabs, distorted baritone guitar, sampled crowd chant, analog synth drones, glitched drum edits, dusty snare hits, sub bass pulse, tape warble, vinyl crackle, gated reverb snare, stuttering vocal chops, brooding defiance, nocturnal urgency
3:12

industrial, gangsta, mexican dark pop, goth pop, goth, dia de los muertos, cathedral choir, baritone electric guitar, hollow-body tremolo, low tom march, organ drones, brass stabs, close-miked snaps, vinyl crackle, plate reverb, tape warble, minor key hook, sparse verses, explosive chorus, 78 BPM, funeral procession
4:05

IDM, glitchy post-punk, 132 BPM, motorik kick pattern, syncopated rim clicks, stuttering drum edits, angular guitar shards, detuned synth stabs, warm sub bass, black TV vocal sample, tape warble, vinyl crackle, plate reverb, parallel compression, intimate female vocal, breathy lead, melancholic defiance, nocturnal tension
3:03

A post-punk/art-rock hybrid locked in at 95–110 BPM, powered by staccato, muted electric guitar lines with jarring seconds and tritones, Dry, punchy kicks and rimshots anchor sparse, syncopated bass, Digital glitches (clicks, buffer stutters) cut in rhythmically, Vocals are coolly detached, with delayed doubled phrases creating a fragmented, lagging edge, Air and tension arise from negative space and abrupt shifts—no pads, no reverb, all energy stems from sharp edges and unsettling alignment
2:42

French techno, female vocals, minimal techno, 126 BPM, spoken chant vocals, call-and-response ad libs, repetitive hook phrasing, syncopated kick drum, dry rimshot percussion, metallic shaker loops, filtered bass pulse, detuned synth stabs, vinyl crackle texture, tape-saturated drum bus, spring reverb accents, sparse arrangement, breakdown drop, dark dance groove, 2000s warehouse edge
2:59

We all want it
v5.5
Jazz, French techno, 124 BPM, motorik pulse, syncopated kick, vibraphone ostinato, detuned synth bass, analog drum machine, muted hi hats, brushed snare ghost notes, baritone sax riffs, dry room ambience, tape saturation, vinyl crackle, minor key, late-night drift, deadpan groove, quirky minimalism
2:59

1:21

chamber
v5.5
art indie, abstract lofi, chamber pop, 92 BPM, motorik pulse, hypnotic repetition, spoken chant vocals, minor key hooks, angular guitars, upright bass ostinato, brushed snare, glockenspiel accents, tape saturation, vinyl crackle, room mic ambience, plate reverb, bittersweet nostalgia, late-night unease
2:48

IDM, abstract indie hip-hop, glitched drum edits, dusty breakbeats, syncopated sub bass, granular synth stabs, chopped room-tone samples, filtered pad swells, sidechain pumping, vinyl crackle, stereo delays, dynamic breakdowns, escalating build, anxious momentum, 132 BPM, minor key, sparse verses, dense chorus, left-field percussion
2:57

Chariot
v5.5
boom bap, stutter pop, folk noir, 99 BPM, spoken word hooks, breathy male vocal, fingerpicked acoustic guitar, accordion riffs, brushed snare, campfire percussion, walking bassline, syncopated kick snare, half time bounce, dusty drums, wide mono room, vinyl crackle, sparse verse build, roadside intimacy, late night reflection
2:40

Harem in a Shell
v5.5
gangsta rap, lo-fi hip hop, 84 BPM, sparse kick-snare loop, dusty drum samples, vinyl crackle, mono bassline, muted synth stabs, dry close-mic vocals, doubled ad-libs, tape saturation, 1990s rap mix, half-time head-nod, confrontational delivery, streetwise tension, minimalist arrangement

