Oraxis: The Witness

Technical Neuro-Bass, Bio-Mechanical Psy-Trance, Surgical Industrial, Tectonic Doom-Trap (sub-architecture; no guitars), 140 BPM, clinical-euphoria predatory flow, medical-monitor pings, heart-rate kick entrainment, neuro-gallop rhythm, FM shrieks, binaural spatial void, glassy liquid-metal texture, airless high-passed drones, mono sub anchoring, sidechained kick vs sub, transient-focused mix, mid/side discipline, clean pro mix, high fidelity, dynamic range preserved, non-melodic spoken vocal, close-mic dry, consonant-forward enunciation, steady level, minimal FX, no long reverb tails, no pitch-correction artifacts, tight phrasing, intelligible words, ‑generic EDM, ‑pop topline, ‑singing, ‑melodic hooks, ‑harmonies, ‑choirs, ‑supersaws, ‑big-room, ‑festival build-ups, ‑snare-roll risers, ‑white-noise sweeps, ‑“hands up” drops, ‑uplifting, ‑major key, ‑sentimental chord progressions, ‑wide washy reverb, ‑shimmer, ‑bright sparkle, ‑organic acoustic drums, ‑orchestral, ‑piano, ‑sludge, ‑doom guitars, ‑muddy, ‑lo-fi

Technical Neuro Bass, Industrial Psy-Trance, 140 BPM, dark clinical atmosphere, medical monitor rhythms, spoken word vocal, flat delivery, close mic, death bells ritual percussion, theatrical doom bass (strong then corrupting), dual aesthetic (clinical meets karmic), audio degradation arc (certainty breaking down), glitch corruption mid-track, bitcrushed elements fade-out, pitch drift instability, VHS tracking errors, presence erosion effect, clean pro mix, high fidelity, tight phrasing, ‑singing, ‑melodic vocals, ‑EDM drops, ‑uplifting, ‑reverb wash, ‑second vocalist, ‑stable throughout

Autonomous high-impact electro-mechanical track, ~140 bpm center with drift, non-repeating motifs, controlled instability, glitch-percussion + micro-edits, collision transients, gated choke-stops, abrupt restarts, wrong bar counts, 1–3s silence hits, medical monitor tick/flatline tones embedded as rhythmic cues, defined sub-pressure pulses with clean separation, serrated midrange bite, distorted harmonic pressure layers that mutate instead of loop, dry-present tight mix, clarity-first, vocals close and rapid spoken cadence (procedural/log-entry tone) with processing that evolves corrupted stutter → flat clinical, occasional dual-layer overlap near the end (corrupt under clean), hard cuts mid-word, no fade, end by interruption, ‑cinematic scoring logic, ‑ambient drift/pads, ‑smooth transitions, ‑stable loops, ‑symmetry, ‑predictable resolution, ‑triumphant uplift, ‑sung emotive chorus delivery, ‑safe production, ‑stylistic imitation/artist anchors

melancholic neurohop 140bpm, weary spoken word with emotional breaks, resigned delivery, heavy glitch corruption, somber piano undertones, puppet string tension, downward bass movement, irregular heartbeat monitor, rain ambience, hollow reverb spaces, minor key drones, psychological breakdown, VHS decay, cyan magenta artifacts, tragic atmosphere, exhausted speech accents

tragic neurohop 140bpm, spoken word with guilt weight, quiet opening building to collapse, hope-to-hollow arc, presence erosion tension, civilian death loop motif, zone expansion drone, hesitation sound design, medical monitor flatline, minor key throughout, VHS degradation, remorseful speech, empty reverb on outro

suffocating neurohop 140bpm, exhausted spoken word, clinical opening degrading to overwhelmed, death catalog pacing, memory accumulation layers, phantom body horror undertones, heartbeat stop-restart motif, each verse heavier than last, VHS corruption building, medical monitor loops, weighted speech accents, claustrophobic mix, unresolved ending

140bpm dark electronic bass music, close microphone spoken vocals with breath audible, voice occasionally breaking mid-word, long pauses between phrases, sparse drum pattern with kicks that feel like heartbeat slowing down, sub-bass that drops out completely during "between-space" sections leaving only hollow reverb, room tone and silence used as instrument, medical heart monitor beep emerging faintly in background after wake-up, VHS tape hiss and warble starting minimal then intensifying, glitch stutters only on words related to death/zone/anchor, production shifts from empty cathedral reverb (between-space) to tight claustrophobic room sound (apartment), no singing no melody no hooks just conversational speech with emotional cracks, sounds like someone talking in an empty room at 3am trying not to cry

clinical neurohop 140bpm, confused spoken word reviewing own notes, self-correction pacing, paper shuffling texture, pen scratching, frustrated pauses, notebook page turning, error-finding anxiety, short interlude length, medical monitor underneath faltering, VHS glitch on each correction, self-interrogation