2:34

After The Party's Over
Custom
roots reggae bass, hip-hop drums, dub bassline, sparse arrangement, dry drum room, between 95-120 BPM
male vocal, smooth and clear, relaxed confident delivery, playful swagger, rhythmic rap verses, melodic catchy chorus
2:31

Sampled into an alternative hip hop meets roots reggae and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe
3:22

Allegra Cole
v5.5
starts off with a no hip hop drums reggae song, just the ordinary sampled song, Then a dj scratch interruption that drops into a heavy hip hop sampled song, the intro becomes the sample to be used throughout the rest of the song, dubbed bass, deep ocean dance energy vibe
2:16

Beach House Party
Custom
roots reggae bass, hip-hop drums, dub bassline, sparse arrangement, dry drum room, between 95-120 BPM
male vocal, smooth and clear, relaxed confident delivery, playful swagger, rhythmic rap verses, melodic catchy chorus
2:40

Birds and Bees With You
Custom
roots reggae bass, hip-hop drums, dub bassline, sparse arrangement, dry drum room, between 95-120 BPM
male vocal, smooth and clear, relaxed confident delivery, playful swagger, rhythmic rap verses, melodic catchy chorus
3:26

Black Tape Moon
v5.5
Alternative hip-hop with psychedelic indie pop, dusty vinyl crackle, funky bass grooves, laid-back swung drums, melodic sung hooks, quirky synth bleeps, dub delay throws, and moody atmospheric layers; verse rides conversational rap over live-feel programmed beats, pre-chorus strips to bass and filtered keys, chorus opens with stacked male vocal doubles and chanty harmony, bridge pulls into a half-time haze before the final lift, Subtle lo-fi grit, cinematic urban-night mix, wide and hypnotic, male vocals, indie pop, funky, moody, britpop, smooth, hip-hop, dub, experimental, reggae, rap, playful, electronic, lo-fi, beats, rock
3:49

Bouncing On Your Chest
Custom
roots reggae bass, hip-hop drums, dub bassline, sparse arrangement, dry drum room, between 95-120 BPM
male vocal, smooth and clear, relaxed confident delivery, playful swagger, rhythmic rap verses, melodic catchy chorus
2:35

roots reggae bass, hip-hop drums, dub bassline, sparse arrangement, dry drum room, between 95-120 BPM
male vocal, smooth and clear, relaxed confident delivery, playful swagger, rhythmic rap verses, melodic catchy chorus
1:18

alternative hip hop with improv freestyle energy, dark brass band, witty self-aware lyrics, emotional undertones, roots basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe, sampled drums, ‑live, ‑audience
1:43

Wry indie pop with dry humor, light swing drums, and clean electric guitar riffs, Male vocals with a deadpan verse delivery that blooms into a sticky, half-smile chorus; subtle synth pads sneak in on the hook, Tight, close-mic vocal, little room reverb, playful gang shouts on the last chorus for a wink-to-camera ending
2:45

Exes and Hoes
Custom
roots reggae indie ska pop conversational hip hop smooth male lead half spoken verses brass stabs muted guitar Reggae, Ska, Rock, Pop Rock bassline pulse tight drum groove stacked hook unison tape saturation dry room reverb 90s digital sheen house party energy romantic devotion witty confessional midtempo bounce summer night groove
2:28

Get Em Boy
v5.5
live performance version with live performance enhancements to keep the crowd excited so they don't think they're just listening to the recording
2:32

Gothic Tropics
v5.5
MPC finger-drumming sampled version with chopped beach-field recordings, dusty vinyl crackle, and low-pass island percussion, Half-volume emotional peak: muted boom-bap kicks, rimshot snare, warm chopped Rhodes, eerie kalimba, tape-warped pads, and distant reversed guitar, all arranged in a sparse tropical gothic groove, ‑live, ‑audience, ‑thunderpop
2:58

Sampled into an alternative hip hop meets reggae rock and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe, drums sound sampled but they were made by a jazz drummer who likes hip hop, still honor the varying sections of the original track just with hip hop takes on each of them
2:38

Indie Ska Pop With Hip Hop Drums That Go Hard, Clever Male Vocals With Poppy Chorus, Dramatic Tension Throughout Track, Sarcastic Humor In The Air, Brass Section Is Always Trying To Climax, Psychedelic Feels
3:25

Indie Ska Pop With Hip Hop Drums That Go Hard, Clever Male Vocals With Poppy Chorus, Dramatic Tension Throughout Track, Sarcastic Humor In The Air, Brass Section Is Always Trying To Climax, Psychedelic Feels
4:44

Smooth crossover production: clean 2nd-track backing with R&B chorus polish, tight trap drums, warm 808 sub-bass, glossy synth pads, and a more melodic topline for the vocal mix, Rhythmic male rap verses sit upfront with tuned ad-libs, vocal doubles, and subtle delay throws; polished hooks, bright EQ, and streamlined transitions
3:53

Jealous Therapist
Custom
Emotional coastal pop with deep house and hip hop grooves, intimate close mic male vocals, hot and heavy funky delivery, eerie layered harmonies, warm sub bass, ambient textures, subtle brass accents, light reggae influence, California sunset vibe, funky soulful Hammond organ with expressive fills and a stank-face solo section, hopeful but emotional tone, modern clean production
3:22

Love Myself Again
Custom
Indie Ska Pop With Hip Hop Drums That Go Hard, Clever Male Vocals With Poppy Chorus, Dramatic Tension Throughout Track, Sarcastic Humor In The Air, Brass Section Is Always Trying To Climax, Psychedelic Feels
2:56

2:00

MPC it's for me
v5.5
Minimalist boom bap opens with dusty kick-snare, chopped vinyl sample, and dry upright bass in a tight bathroom acoustic, Gradually layers sampled inspiration into an underground euphoric hybrid: trip-hop breaks, lo-fi house hats, dub delay, synth arps, and vocal chops, Massive finale with stacked drums, sub-bass, chorus guitar, and wide reverb
2:54

Boom bap hip hop track featuring a male rapper with a rhythmic, conversational flow, The beat is built around a crisp, acoustic drum kit with a prominent snare on beats 2 and 4 and a syncopated kick pattern, A simple, repetitive piano melody provides the harmonic core, accompanied by a deep, melodic electric bassline that follows the chord progression, The arrangement is sparse, focusing on the vocal delivery and the steady groove of the rhythm section, The tempo is 90 BPM in the key of C minor
3:28

alternative hip hop meets roots reggae and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe, sampled drums, ‑live, ‑audience
3:21

Sample Show
v5.5
Angry sampled production from a 70s pop source, chopped into stuttered vocal hits and pitched-up guitar slices, Start filtered through a bandpass, then open wide into raw drums, crunchy breakbeats, distorted 808 sub, bright disco bass, tape wobble, slapback delay, and gritty sidechained synth stabs
2:31

Scrambled Until Sunrise
Custom
Emotional coastal pop with deep house and hip hop grooves, subtle swagger and sex appeal, eerie layered harmonies, warm sub bass, ambient textures, funky soulful Hammond organ with expressive stank-face solo, punchy funk-inspired drums, light reggae influence, subtle brass accents, California sunset vibe, smooth, groovy, confident yet emotional, modern clean production
vocals: intimate close mic male vocals, soft breathy tone, whispery delivery, airy texture, slightly raspy emotional edges, relaxed phrasing behind the beat, smooth controlled runs, subtle confident swagger, effortless and natural, not over-sung, warm and expressive
2:46

Alternative hip-hop with psychedelic indie pop, dusty vinyl crackle, funky bass grooves, laid-back swung drums, melodic sung hooks, quirky synth bleeps, dub delay throws, and moody atmospheric layers; verse rides conversational rap over live-feel programmed beats, pre-chorus strips to bass and filtered keys, chorus opens with stacked male vocal doubles and chanty harmony, bridge pulls into a half-time haze before the final lift, Subtle lo-fi grit, cinematic urban-night mix, wide and hypnotic, male vocals, indie pop, funky, moody, britpop, smooth, hip-hop, dub, experimental, reggae, rap, playful, electronic, lo-fi, beats, rock
2:13

Slow Turnaround
Custom
Dry, clever indie-pop with male vocals; tight drums, rubbery bass, and a single jangly guitar holding down the groove, Verses stay small and conversational, almost spoken, then choruses jump with doubled vocals and a brighter chord lift, Light synth sprinkles in the hook, with a cheeky, slightly sarcastic energy that still feels warm and catchy
2:24

Sampled into an alternative hip hop meets reggae rock and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe
2:15

alternative hip hop meets reggae rock and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe
3:15

Sweet Nothings
v5.5
neo soul, 92 BPM, Rhodes chord stabs, laid-back drum break, syncopated kick snare pocket, live electric bass, muted trumpet fills, brushed snare texture, vinyl crackle, tape saturation, plate reverb, dub delay throws, bittersweet nostalgia, stumbling intro groove, steady hook lift
3:30

2:39

alternative hip hop meets reggae rock and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe
2:38

3:13

Dry, clever indie-pop with male vocals; tight drums, rubbery bass, and a single jangly guitar holding down the groove, Verses stay small and conversational, almost spoken, then choruses jump with doubled vocals and a brighter chord lift, Light synth sprinkles in the hook, with a cheeky, slightly sarcastic energy that still feels warm and catchy
3:57

3:02

What's an MPC?
v5.5
Minimalist boom bap opens with dusty kick-snare, chopped vinyl sample, and dry upright bass in a tight bathroom acoustic, Gradually layers sampled inspiration into an underground euphoric hybrid: trip-hop breaks, lo-fi house hats, dub delay, synth arps, and vocal chops, Massive finale with stacked drums, sub-bass, chorus guitar, and wide reverb
3:42

Sultry R&B-pop with small, regretful atmosphere: muted Rhodes, fingerpicked clean guitar, soft 808 sub-bass, brushed snare and crisp rim clicks, plus airy synth pads and sparse trap hats, Processed spoken-word hook where the words hit like percussion, with tight doubles, delay throws, and intimate close-mic vocals wrapped in warm plate reverb
3:37

pop, Bedroom pop meets soulful R&B: close, hushed male vocals over warm electric piano and soft sidechain pads, Subby bass and lazy swing drums, finger snaps and breathy harmonies in the hook, Verses sit intimate and conversational, chorus blooms with stacked vocals and a gentle guitar line, bridge strips to keys and voice before a final, resigned swell, sad, soulful, raw
2:57

2:52

indie ska pop but in the song structure of prog rock, build the brass more and more as the song progresses, I want each chorus to have progressed to have completely different grooves
2:42

Dusty
v5.5
Anti-musical sound design piece with atonal prepared piano hits, detuned tape loops, and splintered field-recording textures, Broken metronomic clicks, sub-bass drones, abrupt edits, reverse reverbs, and glitchy granular processing create a stark post-industrial minimalism with tense negative space
2:54

gothic tropical house, dark deep house, atmospheric electronic, slow burn groove, cinematic tropical house, haunting female vocals, moody beach nightlife energy, deep sub bass, airy plucks, storm ambience, emotional synth swells, hypnotic repetition, spacious mix, reverb soaked guitars, tribal percussion, melancholic dance music, immersive headphone experience, neon coastal vibes, patient pacing, extended instrumental passages, evolving arrangement, minimal lyrics, dreamy vocal chops, emotional but danceable, moonlit ocean atmosphere, long transitions, underground chill rave energy, 108-115 bpm
4:06

Dome Breather
v5.5
Fliphop: alternative hip hop meets reggae rock and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe, Drums feel sampled
2:44

alternative hip hop meets reggae rock and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe
2:09

Death March
v5.5
Sampled into an alternative hip hop meets reggae rock and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe
2:54

alternative hip hop meets roots reggae and improv freestyle energy, beach grooves, witty self-aware lyrics, emotional undertones, funky basslines, psychedelic textures, catchy singalong hooks, chaotic creative energy, underground cult-classic vibe, sampled drums
2:14

Alternative hip hop with roots reggae influences, The track features a bright acoustic piano playing a repetitive F major to C major chord progression, A syncopated electric bassline follows the piano chords with a melodic, walking feel, The drum kit maintains a steady backbeat with a crisp snare and a prominent kick drum, A clean electric guitar provides rhythmic skanks on the offbeats, Male vocals are delivered in a rhythmic, freestyle rap style with occasional melodic flourishes, The tempo is 120 BPM in the key of F major
1:21



