3:03
Mixed Signals
v4.5-all
Slow-bloom progressive trance, 126 BPM, Long-filtered pads and a pulsing sidechained bass bed; kick is warm, steady, and hypnotic, Sparse pluck motif in the verses, swelling supersaw chords and wide vocal chops in the chorus, Male vocals, breathy and intimate, with delayed ad-libs, Arrangement rides a gentle build, drops into a floating breakdown, then a final lift with extra harmonies and open hi-hats, low, progressive trance
2:52
So Tief in Dir
v4.5-all
Slow-burning German R&B groove with warm Rhodes, soft sidechain pads, and a lazy sub-bass, Male vocals in an intimate, close-mic tone; verses almost whispered, then the chorus opens into breathy harmonies and wide reverb, Minimal percussion—tight rimshots, finger snaps, and a gentle shaker—leaving space for little guitar slides and ad-lib runs, Build a subtle climax on the last chorus with stacked backgrounds and a slightly heavier low-end swell, sensual
3:17
Mi Valentine
v4.5-all
Laid-back bossa nova groove with nylon-string guitar, soft shaker, and lazy congas, Male vocals sitting close and intimate, light jazz chords and a warm bass walking gently, Chorus opens with subtle horns and stacked ooh harmonies, everything swaying like a slow dance on a warm evening, latin
3:14
The Pages
v4.5-all
Anthemic indie-pop ballad driven by bright, cinematic piano and steady toms building into a massive, shout-along chorus, Verses keep it sparse—piano, subtle bass, intimate vocal—then each chorus widens with big gang vocals, soaring strings, and a wide, reverbed snare, Final chorus jumps up a notch with octave vocals, crash on every downbeat, and a long ring-out on the last chord
3:03
Shadows Of Myself
v4.5-all
dance, Jersey club bounce with chopped vocal stabs, off-kilter drum accents, and a rubbery, detuned bass, Syncopated kicks and skittering percussion drive the verses; chorus widens with stacked call-and-response hooks and airy pads, Occasional reverse-swell FX and filtered drops keep it club-ready, with female vocals riding a playful yet introspective pocket
3:47
Walk Me Home
v4.5-all
Sensual world-pop groove with nylon guitar, brushed percussion, and a pulsing bass drone, Female vocals close and intimate, whispers and sighs tucked around the lead, Chorus opens with airy backing harmonies and claps, a subtle flute answering phrases, Tempo stays lazy and swaying, final chorus leans into ad-libs and a soft, lingering outro, world, seductive
2:49
War Room
v4.5-all
Hard-hitting K-pop girl group energy: distorted bass, crunchy drums, and chanty gang vocals in the hook, Verses ride a syncopated trap-pop groove with sharp rap lines and doubled ad-libs; pre-chorus strips back to filtered pads and a ticking hi-hat before the chorus slams in with stacked harmonies and a bold top line, Bridge leans into half-time drama with a soaring belt, then final chorus adds crowd shouts and risers for a stadium-ready finish, Female vocals, girl group
3:06
Drums
v4.5-all
Big cinematic taiko ensemble, tight and driving, Deep, layered drums with sharp stick accents; choir-like gang vocals on the hook, Verses stay sparse with a single pulse and low male chant; chorus explodes with full ensemble hits, shouts, and crowd claps, Roomy, heroic mix that feels like a work-ethic battle anthem