Less to Give (EP)

This modern alternative dystopian piece is built on 5 low piano keys that overlay a long synthetic deep bassline, there are no drums, the bassline dominates the melody, alto, Male vocals are echoing, Soft but eerie, the lyrics are sung with soul, the piece is a sad song with heavy bass

This modern alternative dystopian piece is built on 5 low piano keys that overlay a long synthetic deep bassline, there are no drums, the bassline dominates the melody, alto, Male vocals are echoing, Soft but eerie, the lyrics are sung with soul, the piece is a sad song with heavy bass

[Genre: UK Garage & house, 2-step] [Tempo: 130 BPM, Dystopian 2-step drums with crisp skipped hi-hats, punchy rimshot snares every 2nd and 4th, leading deep rolling sub-bass that slides and pulses in sharp waves, cold dusty vinyl crackle in background, soulful muted low octave string melody at choruses (deep bass orchestral sting-like tone, reverb-heavy, blues phrasing, longing and melancholic with sadness), lush rhodes chords and blues electric piano stabs soaked in plate reverb and subtle verses, deep male soul vocals, pad swells underneath, occasional dubbed-out low orchestral strings and filtered wave synth pads echoes and delays, deep cold analog feel, late-night London basement vibe, emotional and hypnotic with a dystopian atmosphere and sorrow, deep black male soul vocals] [Style tags: 90s UK Garage, soulful UK garage & house, blues, underground UK Garage, 2-step classic, low, Orchestral orchestral strings lead 32 bar][Intro heavy bassline, deep bass lead], ‑Happy, ‑good mood, ‑warm, ‑happy, ‑joy, ‑uplifting

2000s vocal Trance, 131 BPM, A#m, Rolling 2-step break, (E#m7-A13), Reese bass, black male soul vocal, melancholic & cinematic, Deep cold, cold pads, emotional drop, hard bassline, deep +1Db bassline, massive squared filtered wave synth