3:32

Gymnastic Body (Up Down)
v4.5-all
dance, High-energy dance-house banger with female vocals; punchy four-on-the-floor kick, bright sidechained synths, rubbery bass, Verses stay minimal with percussive vocal delivery and chopped vocal stabs; chorus explodes with wide supersaw chords, crowd claps, and stacked hooks, Short build-ups into drops, filtered risers, and a final half-time breakdown before the last hook
4:25

Attraction
v4.5-all
Driving dark techno groove around 130 BPM, male vocals as a hypnotic chant, Minimal, throbbing kick and sub, metallic percussion, and a cold, detuned synth riff that mutates each 8 bars, Vocals sit dry and close in the mix with whispered doubles on hooks; big filter sweeps into each chorus, Second half adds a rising arpeggio and wider stereo delays to build tension before a long, pulsing outro, techno
2:20

Jumbo Bambo
v4.5-all
dance, High-energy festival house/techno banger at ~128 BPM with male vocals, rubbery bass stabs and a squelchy lead synth, Verses ride a sparse kick and offbeat hats; chorus explodes with wide supersaw chords, stacked gang shouts, and bright risers, Short snare fills into each hook, with a late-breakdown filter sweep that rebuilds into a final drop, techno
3:49

Rose From Mars
v4.5-all
Dark alt-pop ballad with male vocals; intimate verses over pulsing sub-bass, detuned pads, and minimal percussion, then a widescreen, cinematic chorus with soaring synth leads, reversed vocal textures, and heavy reverb on snare; second half brings in distorted guitars and stacked harmonies for a slow-burning, triumphant climax
2:29

dance, Bright dancefloor house with a cheeky edge, 124 BPM, Bouncy four-on-the-floor kick, rubbery bass, glossy piano stabs, and filtered synth swells, Verses stay tight and talky; chorus explodes with stacked gang vocals and a sticky topline, Occasional pitched vocal chops answer the lead, Big snare fills into each drop, with energy rising every hook for peak-club payoff, Male vocals
2:24

Only You
v5
dance, Minimalist electronic dance-techno track, male vocals used almost like percussion, Dry kick and snappy clap locked to a hypnotic bass pattern; bright, detuned synth stabs answer the vocal phrases, Arrangement builds through filter sweeps and risers toward a peak-energy final chorus with chopped vocal echoes and widening stereo synths, techno
3:10

3:03

electronic music, dance, clubbing, house, bass, rubbery bass, glossy piano stabs, and filtered synth swells, Verses stay tight and talky; chorus explodes with stacked gang vocals
2:35

fast-tempo electro music, male vocals, glassy plucks, punchy kick-bass groove, Verses stay minimal with filtered chords and tight vocal, pre-chorus adds airy pads and subtle vocoder doubles, Chorus blooms with wide stereo saws, bright top-line hook, and stacked harmonies on the title phrase, Middle instrumental section introduces a melodic lead and chopped vocal bits, then returns to a final, bigger chorus with extra ad-libs and a lifted high-hat pattern, asian culture elements, good music for driving
2:29

Non-stop party
v5.5
czas trwania utworu około 250 sekund, techno, house, High-energy with techno drums and a thick sidechained bass groove, tight topline with very few words and catchy repetition, Chorus hits with stacked harmonies and bright synth stabs, short bridge strips to drums and bass then slams back into the hook for a festival-ready drop
2:38

This night
v5.5
fast-tempo electro music, male vocals, glassy plucks, punchy kick-bass groove, Verses stay minimal with filtered chords and tight vocal, pre-chorus adds airy pads and subtle vocoder doubles, Chorus blooms with wide stereo saws, bright top-line hook, and stacked harmonies on the title phrase, Middle instrumental section introduces a melodic lead and chopped vocal bits, then returns to a final, bigger chorus with extra ad-libs and a lifted high-hat pattern, asian culture elements, good music for driving
3:27

Look At Me
v5.5
minimal techno, vocal house, 122 BPM, four on the floor kick, rubbery bassline, chopped vocal hook, sidechained synth stabs, analog drum machine, tight closed hats, spring reverb, tape saturation, stereo wideners, filtered breakbeat fill, call and response chorus, late night euphoria, bittersweet nostalgia

