3:01

2 Kings
v5.5
dark pop, electro-swing, 92 BPM, swung kick snare, muted synth plucks, detuned analog bass, glassy bell keys, reverse piano tails, tape saturation, sidechain pumping, mono drum break, sparse verse arrangement, half-time breakdown, restrained pulse, emotionally raw, melancholic dusk, Male vocals
4:23

Same Same Same
v5.5
dark pop, electro-swing, 92 BPM, swung kick snare, muted synth plucks, detuned analog bass, glassy bell keys, reverse piano tails, tape saturation, sidechain pumping, mono drum break, sparse verse arrangement, half-time breakdown, no-resolution outro, restrained pulse, emotionally raw, melancholic dusk, Male vocals
4:32

Hi, Hey, Hello
v5.5
dark pop, electro-swing, 118 BPM, theatrical male duet, male tenor lead, distorted whisper male counters, detuned analog bass, muted synth plucks, swelling string stabs, warped drum edits, heavy sidechain pumping, tape saturation, glitch cuts, swinging kick-snare, off-kilter 16ths, tense defiance, cathartic release
3:19

Nuka-Cola Cherry
v5.5
unsettling juxtaposition, dark pop, 1950s doo-wop, fallout ost, four part harmony, barbershop undertone, bright falsetto, upbeat bubblegum, warm reverb, nostalgic male vocal
2:40

dark pop, bedroom pop, emotionaly raw male vocals, aggressively catchy melody, infectious lo-fi beat, upbeat, theatrical noir undertones, dancefloor menace
2:37

Dear Everybody
v5.5
8-bit music box, haunting lo-fi, dark pop core, emo male falsetto, aggressively catchy vocals, brooding dark synths, minor key, devilish French noir beat, emotionally raw, melancholic upbeat contrast, dancefloor menace
4:00

Too Good for You
v5.5
dark bedroom pop, sarcastic falsetto male vocals, 50s trap beat, aggressively catchy, dancefloor menace, driving vocals, energetic bouncy rhythm, 128 bpm


