6:02
Severance
v5.5
heavy 1 1-2-3 1-2-3 1-2-3-4 A minor piano strokes Hans Zimmer style evolving into cinematic dream pop reverb that fades back into that piano with broken hearted male vocals
4:27
The Dead Parade
v5.5
nu metal, indie rock, soft male vocals, 92 BPM, accordian, tuba stabs, muted trumpet phrases, wind percussion, tom-heavy groove, syncopated kick pattern, cello ostinato, electric violin harmonics, industrial percussion, gated snare, tape saturation, spring reverb, 2000s alt-metal tone, melancholic defiance, chant-like phrasing
4:58
Deliver Us
v5.5
gritty and evil hurdy gurdy and war drums drive a tale of oppression, while wind percussion and floating violins give hope to the chorus, epic cinematic orchestral ballad of oppressed seeking hope and freedom
4:04
cinematic alt-pop, 72 BPM, female belt vocals, wobbly vibrato phrasing, ominous piano chords, soft string swells, cello counterline, sub bass drone, tape-saturated mix, gated reverb snare, half-time backbeat, swung tom hits, doomed revelation, slow-burn intensity
5:58
I'm Tired
v5.5
slow piano lone violin cold echo male vocals 55 BPM, slow and sombre, melancholy, sole violin, piano
4:22
5:07
Epic Nordic folk-metal atmosphere with deep frame drums, taiko-like low toms, and thunderous war drums driving a slow ritual pulse, Drone choir pads, bowed lyre, low brass, and bone-flute accents frame a chanting cult-like male voice with cavernous reverb, rough unison layers, raw ancient mountain-hall texture, and a tender love-ballad structure with soaring melodic chorus
4:39
Ashes of Eden
v5.5
nu metal, r&b, electronica, synth rock, Sleep Token style, hallowed chimes, electric keyboard, cello
4:20
pagan metal, hand strung hurdy gurdy, cello, male vocals, war drums
3:19