3:14

Simple Life
v4.5-all
Style & Production:
90s acoustic pop, bright guitar strumming, light percussion, soft bass, simple rhythmic groove, Cheerful but slightly melancholic mood, Clean male vocal, warm and playful, Melody should be simple, catchy, and repetitive, Tempo medium-slow, Concept / Mood:
A rainy afternoon, someone feeling bored in their room, daydreaming, hoping something exciting will happen, Tone simple, whimsical, and poetic like "Lemon Tree"
3:33

Simple life
v4.5-all
Style & Production:
90s acoustic pop, bright guitar strumming, light percussion, soft bass, simple rhythmic groove, Cheerful but slightly melancholic mood, Clean male vocal, warm and playful, Melody should be simple, catchy, and repetitive, Tempo medium-slow, Concept / Mood:
A rainy afternoon, someone feeling bored in their room, daydreaming, hoping something exciting will happen, Tone simple, whimsical, and poetic like "Lemon Tree"
5:46

Gagal Move on
v4.5-all
Style:
Slow 90s soft pop-rock, Very relaxed, mellow, calm, Tempo 80–90 BPM wajib, Clean guitar picking, light drums, soft bass, smooth vocals, No upbeat feel, no energetic rhythm, Vibe nostalgic dan santai seperti “Out of My Head” tapi lebih lambat
3:30

Gagal Move on lagi
v4.5-all
Style:
90s alternative pop-rock, vibe seperti Fastball “Out of My Head”, Gitar clean jangly, drum simple upbeat, bass catchy, vokal ringan dan sedikit melankolis, Mood nostalgic, easy-listening
3:55

Langkahku jauh menembus waktu
v4.5-all
A heartfelt and emotional alternative rock ballad in the style of The Goo Goo Dolls – “Iris”, Male vocals, warm acoustic and electric guitars, soft drums, deep bass, cinematic atmosphere, Mood: nostalgic, introspective, emotional, Language: Indonesian, Theme: A man reflects on his life — his dreams, regrets, and growth through time, The song builds gradually from soft verses into a powerful, emotional chorus, “Make it sound cinematic and powerful, with emotional build-up and rich harmonies, ”
3:31

Secangkir Kopi Senja
v4.5-all
Relaxing refreshing latin fusion song, Intro:
Instrumental, nylon latin guitar lead, Verse 1:
Female vocal lead, soft airy warm, intimate phrasing, Guitar + light piano, Pre-Chorus:
Male vocal enters, smooth warm slightly husky, calm response, Chorus:
Female and male duet harmony, balanced, relaxed, uplifting, Sax melodic counterline, Verse 2:
Male vocal lead, laid-back conversational, Female soft harmony, Bridge:
Instrumental focus, expressive violin and sax dialogue, Final Chorus:
Full duet harmony, slightly fuller energy, still relaxed, Outro:
Instrumental fade, guitar and piano, Instrumentation:
Nylon latin guitar main lead, warm violin, soft jazz piano, alto & tenor sax, light latin percussion, Genre & vibe:
Latin chill, bossa nova, smooth jazz, light pop, mid-tempo, sunny, peaceful, refreshing
4:34

the PakBoy
v4.5-all
Indonesian alternative rock song with dark, pressing atmosphere, Guitar (Pay-style):
Dry, tight distorted electric guitar, repetitive short riffs, mid-focused tone, minimal melody, rhythmic power chords, muted strumming and abrupt chord changes, no flashy solos, tension-driven playing, Bass (Bongky-style):
Heavy, grounded bass, root-note dominant, locks tightly with kick drum, straight groove, minimal movement, creates physical pressure and slow-burning weight, Keyboard/Piano (Indra-style):
Low–mid register piano/keyboard, root and fifth notes only, no third emphasis, long sustained notes, slow attack, subtle, dark, psychological layer, felt more than heard, Drums:
Straight, firm rock beat, heavy snare accents, minimal fills, controlled dynamics, Overall feel:
Minor tonality, dry, tight production, no release, no brightness, constant tension, claustrophobic, urban, gritty, emotionally pressing
3:44

Pencinta Alam, Katanya?
v4.5-all
Indie pop / alternative pop song with subtle hip-hop groove, Mid-tempo around 100 BPM, Mood is playful, ironic, and satirical but gradually turns reflective and sincere, Instrumentation includes clean muted electric guitar, warm bassline, minimal drum kit with rimshot and soft clap, light lo-fi textures, and airy synth pads with organic feel, Male vocal delivers verses and bridge in a half-spoken, relaxed tone with slight sarcasm and conversational phrasing, Female vocal leads the chorus with a bright, catchy melody that contrasts the critical lyrics, sounding cheerful but knowingly ironic, Backing vocals appear subtly in later choruses, creating a community feel, Dynamics build slowly: minimal in verses, fuller in chorus, emotional focus in bridge, and an uplifting but grounded final chorus, Overall delivery should feel modern, youth-oriented, and reflective—fun on the surface, but thoughtful beneath
3:32

Don't walk a way
v4.5-all
Female vocal, warm husky tone, 90s pop-rock with light reggae influence, upbeat but laid-back groove, Clean electric guitars with off-beat reggae round bassline, light rock drums with shuffle feel, Bright organ chords, soft reverb, vintage 90s mix, catchy “oh-oh-oh” hooks, playful and soulful delivery
4:04

Warm night, city breathing low
v4.5-all
Latin rock groove with smooth, sensual energy inspired by classic Santana feel, Medium tempo, relaxed but confident, Expressive clean electric guitar lead with melodic bends and call-and-response fills between vocal lines, Duet vocals: male with warm raspy tone, female with silky, seductive tone, Clear call-and-response structure, bilingual delivery feels natural and fluid, Subtle Latin rhythmic feel, tight bass and drums, Bridge highlights a strong melodic hook with emotional guitar answering both voices, Mood: hot night, effortless chemistry, smooth and timeless
4:03

Green Flag KW super
v4.5-all
Male lead vocal (soft tenor, fragile yet sincere) begins with a light head voice, intimate and almost whispered, Mid-slow 4/4 tempo with a spacious, nostalgic atmosphere, Clean electric guitar arpeggio is the dominant element: high register picking, long sustain, wide reverb, subtle delay for a shimmering, star-like texture, Minimal verse arrangement: guitar upfront, gentle bass on root notes, restrained drums (soft kick, light snare on 2 and 4), Pre-chorus gradually lifts with cymbal swells and slightly fuller guitar layers, Chorus expands warmly but never aggressive: broader strumming, firmer drums, open chest voice delivery without shouting, Add thin backing vocals for width and emotional lift, Outro remains repetitive and atmospheric, with lingering guitar ambience slowly fading into silence
3:39

Premium Green Flag
v4.5-all
Male lead vocal (soft tenor, fragile yet sincere) begins with a light head voice, intimate and almost whispered, Mid-slow 4/4 tempo with a spacious, nostalgic atmosphere, Clean electric guitar arpeggio is the dominant element: high register picking, long sustain, wide reverb, subtle delay for a shimmering, star-like texture, Minimal verse arrangement: guitar upfront, gentle bass on root notes, restrained drums (soft kick, light snare on 2 and 4), Pre-chorus gradually lifts with cymbal swells and slightly fuller guitar layers, Chorus expands warmly but never aggressive: broader strumming, firmer drums, open chest voice delivery without shouting, Add thin backing vocals for width and emotional lift, Outro remains repetitive and atmospheric, with lingering guitar ambience slowly fading into silence
4:49

after midnight
v4.5-all
Male lead vocal, slightly raspy with controlled grit, intimate in verses and emotionally strained (not shouted) in chorus, Tempo 92–96 BPM, minor key (Em/Dm), Drum groove steady and dry: tight kick, punchy snare, light hi-hat pattern with subtle ghost notes, Bass warm and round, simple driving root movement with occasional passing tones, Electric guitar with light overdrive and roomy reverb; use arpeggiated picking in verses, fuller strummed texture in chorus, Add subtle atmospheric pads or reversed guitar swells for urban midnight mood, Keep arrangement spacious—no stadium-style explosion, Bridge lifts dynamically with wider stereo guitars and stronger drum presence, but maintain restraint, Outro strips down to ambient guitar and vocal with lingering reverb tail, evoking empty city streets after midnight
2:53

Masih Lo — Снова Ты
v4.5-all
Main male vocal, Verses use groove-oriented rap with flexible flow, sometimes slightly ahead then pulled laid-back to create dynamic pocket, Chorus is melodic, light yet emotional and catchy, Tempo around 102 BPM, Drums use funk/hip-hop groove with subtle swing, snare slightly behind beat, hi-hat varied with occasional open accents, Bass is dominant with syncopated funk lines driving the track, Electric guitar clean, choppy, palm-muted rhythmic stabs, Add short, sharp brass/horn stabs for call-response accents, Vocal production: verses dry and close, chorus wide with doubles and light harmonies, Russian parts slightly distant with reverb, Indonesian parts warm and forward, Bridge airy and soft, Final chorus fuller with layered vocals, Mood: lonely night city but groovy, Mixing warm, slightly raw, not overly quantized, keeping human feel
4:21

요금이 오른 사랑 / Cinta Kalah Ongkos
v4.5-all
minor key, 75 BPM, reggae rock, ska offbeat guitar, clean delay guitar, low overdrive guitar, rim click groove, one-drop kick, snare on 3, sustained bass line, Hammond organ pad, dark synth pad, grunge guitar sustain, sparse ambient intro, brass accents, half-time bridge, vintage 90s mix, wide distorted guitars, mid-high ska shimmer
7:52

Tempo 75 BPM, key minor (Am/Em), mood melancholic, restrained with subtle groove, Intro: ambient noise, soft pad, sparse clean guitar offbeat with delay, no drums, Verse 1: rim click + light hi-hat, clean/low OD guitar, low ska upstroke, bass sustain, intimate vocal, Pre-Chorus: add soft kick (one-drop), organ pad, slight syncopated bass, tension rise, Chorus: full drums (snare on 3), distorted grunge guitar sustain, clearer ska offbeat, warm bass groove, pad/organ, optional short brass, vocal stronger but held, Bridge 1: strip to kick+rim, clean guitar, pad dominant, Verse 2: fuller hi-hat, more bass movement, Pre-Chorus 2: thicker guitar, stronger groove, Chorus 2: fuller, subtle brass, Bridge 2: tom accents, sparse distorted hits, optional piano, deep bass, Break: pad+minimal bass, Final Chorus: fullest, all instruments balanced, Bridge 3: half-time, heavy sustain, dark pad, Outro: no drums, fade clean offbeat, pad, long bass, Mix: grunge wide, ska mid-high, spacey
4:33

I am OK but not alriaght
v4.5-all
Male vocal, low, warm, slightly gritty with grunge influence, Indonesian sections: laid-back, talk-singing, detached and intimate, English chorus: catchy, repetitive, slightly more melodic but still restrained, Tempo 70 BPM, slow ska groove, Offbeat guitar soft with light overdrive, muted strokes, Add grunge texture: ambient noise, subtle distortion, airy lead guitar, Bass deep, simple, slightly behind beat, Drums minimal, loose, soft snare on 2 & 4, Chorus with light double tracking and soft backing vocal, Mood: hazy, tired, calm but emotionally stuck
4:48

Pejuang Cinta. 💘
v4.5-all
Male lead vocal in deep baritone, raw and restrained, carrying emotional fatigue rather than explosive anger, Slow tempo (around 60–70 BPM), steady 4/4 with heavy, grounded feel, Minimal arrangement, Clean electric guitar with dark tone dominates the texture—low-mid emphasis, light reverb, subtle ambient sustain, slow chord strums rather than bright arpeggios, Drums are simple and weighty: soft kick, muted snare, restrained cymbals, creating a marching-but-weary pulse, Bass follows root notes, thick and supportive, never flashy, Keep wide dynamic space between phrases to allow silence to breathe, No big climax; maintain controlled tension throughout, Overall mood: somber, introspective, emotionally burdened, intimate like a dimly lit room performance, Backing vocals minimal or absent, Outro fades naturally with lingering guitar resonance
5:32

Ampun dah....
v4.5-all
Floating atmospheric grunge with hypnotic groove, dreamy shoegaze ambience, slow immersive tempo, melancholic midnight mood, emotional male vocal with fragile verses and gritty chorus bursts, Deep groovy bassline and slow hypnotic drums create constant movement, Fuzzy distant electric guitars with reverb, sustain, feedback, and washed distortion floating behind the mix, Dark minimal piano anchors harmony while airy flute melodies drift through the atmosphere and emotional violin swells add cinematic tension, Pre-chorus uses melodic call-and-response between violin and flute with dreamy guitar counter melodies, Catchy melodic bridge features layered vocal harmonies, soft floating violin hooks, airy flute lead, emotional piano progression, and hypnotic groove pulse, Large instrumental duel between violin vs flute vs piano vs fuzzy electric guitar with overlapping emotional phrases, ambient grunge chaos, emotional climax, and sudden floating silence before final chorus

