Capoeira Metal Experiments

Joyful Capoeira version, São Bento Pequeno rhythm, Death Metal and Doom Metal instrumentation, playful, dark and bouncy

Joyful Capoeira, Death Metal and Doom Metal instrumentation, playful, dark and bouncy, Gravelly deep growling male baritone, Heavy distorted death metal bass guitars

Joyful Capoeira rhythm with Death 'n' Roll and Doom Metal instrumentation, driven by heavy distorted death metal bass guitars playful, deep and bouncy, Gravelly deep growling male baritone, grateful, joyful

Intro: beribau solo, driving heavy distorted death metal bass guitar, Joyful Capoeira rhythm with instrumentation of Death 'n' Roll and Doom Metal, driven by heavy distorted death metal bass guitars, call and response, playful, deep and bouncy, Atabaque big drum capoeira rhythm: [-x-x-X--] or [xx-x-X--], Gravelly deep growling male baritone, grateful, joyful, Mixed choir singing the chorus, Rough, unpolished Hi-Fi quality

Joyful Capoeira version, São Bento Pequeno rhythm, Death Metal and Doom Metal instrumentation, playful, dark and bouncy, Gravelly deep growling male baritone, Heavy distorted death metal bass guitars

keep Capoeira Angola rhythm, add Death 'n' Roll and Punk Rock, happy, joyful, playful, energetic, jumpy, deep gravelly male gospel vocals, mixed choir, call and answer, droning metal bass

keep Capoeira Angola rhythm, add Death 'n' Roll and Punk 'n' Roll, happy, joyful, playful, energetic, jumpy, german language, dynamic baritone vocals, growling deep, question and answer, deep droning metal bass riff

keep Capoeira Angola rhythm, add Death 'n' Roll and Punk 'n' Roll, happy, joyful, playful, energetic, jumpy, german language, dynamic baritone vocals, growling deep, question and answer, deep droning metal bass riff

keep Capoeira Angola rhythm, add Death 'n' Roll and Punk 'n' Roll, happy, joyful, playful, energetic, jumpy, german language, dynamic baritone vocals, growling deep, question and answer, deep droning metal bass riff

A hard rock song with a driving tempo of 120 BPM in the key of E minor, The instrumentation features a distorted electric guitar playing a prominent riff, a solid bass guitar providing a strong rhythmic foundation, and a powerful drum kit with a consistent kick and snare pattern, The lead vocals are male, delivered in a deep, resonant baritone with a raw, slightly raspy quality, The song structure is verse-chorus with a distinct instrumental break featuring a guitar solo, The production emphasizes a full, punchy sound with the drums and bass mixed prominently, and the guitar having a thick, overdriven tone, The vocal delivery is direct and energetic, complementing the aggressive instrumental backing, The guitar solo is melodic yet retains the song's raw energy

minimalistic capoeira doom metal merged song with berimbau, atabaque, pandeiro, clapping, and call-and-response vocals, heavy distorted deep metal bass guitar riff, Main lyrics are sung loud and throat fry by a deep resonant gravelly baritone male, Vocals melody resembles Gospel, The coro is sung loud as well by a coro of female and male amateur singers, The instrument plays a repetitive, rhythmic, and melodic ostinato, The tempo is moderate, The melody is modal, The performance is percussive, with the plucking technique emphasizing the rhythmic drive, There are no chord progressions, only a single melodic line, The production is dry, with no effects like reverb or delay, suggesting a close-miked recording, The dynamic range is consistent throughout the piece

A heavy metal track with a driving rhythm section, distorted guitars, and a male vocalist employing a spoken-word delivery, The song is in a minor key, likely E minor, with a tempo around 120 BPM, The instrumentation includes a drum kit with prominent kick and snare, a bass guitar providing a low-end foundation, and two electric guitars, one playing a rhythmic riff and the other a melodic lead, The production features a wide stereo image with guitars panned left and right, The vocals are dry and upfront, contrasting with the heavily processed instruments, The song structure is verse-chorus based, with an instrumental intro and outro, The melody is primarily delivered by the lead guitar, which uses a combination of sustained notes and fast runs, The chord progression is simple and repetitive, emphasizing the minor key, The overall feel is dark and intense

start with traditional berimbau rhythm, Mind the syncopes on 3 for the whole track, merge prominent dark Capoeira rhythm with high energy darkest Death 'n' Roll and driving deep distorted Capoeira bassline, fuzzy down tuned swedish metal bass guitar and layered hammond organ, berimbau, pandeiro, atabaque, clapping, deep raspy growling resonant baritone with a gravelly texture, production emphasizes low frequencies, clear unpolished sound qualitity, prominent bass sound

[GENRE: Brazilian Capoeira] [STYLE: Angola rhythm, Call and response, traditional percussion, accordion and berimbau, festive, ] [VOCAL: bursting gravelly growling male lead, Portuguese with Brazilian accent, warm, bright, emotional] [MOOD: Festive, nostalgic, lively, traditional, danceable] [INSTRUMENTS: Deep distorted death metal bass guitars, pounding big hand drums] [PRODUCTION: Clean, modern] [ENERGY: celebratory, festival vibe] Traditional Capoeira, toque Angola, polyrhythmic, playing a repetitive melodic phrase, The tempo is moderate, The primary instrument is accompanied by a shaker providing a consistent rhythmic pulse, The piece maintains a consistent dynamic level throughout, There are no discernible chord progressions, focusing instead on a single melodic line and rhythmic accompaniment, The production is dry with minimal effects, highlighting the natural timbre of the instruments, Call and response, deep gravelly growling male main vocals

Samba de Roda, call and response, adding metal bass guitar, reggae rhythm guitar, and vocals: Main vocals are raspy female rock vocals, as the chorus is sung by a mixed choir, natural unpolished sound, raw and joyful

Capoeira, call and response, adding deep distorted metal bass guitar, reggae rhythm guitar, and vocals: Main vocals call raspy female rock vocals, as the response is sung by a mixed choir, unpolished natural sound, no reverb, raw and joyful

Capoeira, call and response, adding deep distorted metal bass guitar, reggae rhythm guitar, and clear natural vocals, no reverb: Main vocals call raspy female rock vocals, as the response is sung by a mixed choir, unpolished natural sound, bass heavy, raw and joyful

Capoeira, call and response, adding deep distorted metal bass guitar, reggae rhythm guitar, and vocals: Main vocals call raspy female rock vocals, as the response is sung by a mixed choir, natural unpolished sound, raw and joyful