
Radio Sunostation Week 14
A collection of great songs by Various Artists of Radio Sunostation. Come on in - take a load off and relax with the Radio Sunostation crew, and give us a thumbs up if you like what you hear! 👍🥰
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35 songs
3:42

4:29

melancholic post-punk ballad with shimmering, chorus-drenched guitars and bright delay-laden leads; melodic bassline moving with emotion beneath steady mid-tempo drums, crisp snare, and tight hi-hats; subtle ambient synths create a hazy atmosphere without overpowering the mix; vocals are clear, articulate, and emotionally restrained—soft, intimate delivery with light reverb, sitting forward in the mix so the lyrics are easily understood; overall tone is nostalgic and bittersweet, blending sadness and hope; production evokes vintage 80s dream rock energy with a modern polish; final chorus swells into layered harmonies and echoing guitar tails that fade into an ambient outro
3:19

Rowdy sea-shanty rock with male vocals • opens on stomp-clap groove, tack-piano, and a wheezy accordion answering a whistled hook; a battered acoustic and floor toms set the deck-beat as the singer cracks a cheeky first verse • verses are storytelling and playful, with call-and-response shouts from a tipsy crew; pre-chorus adds fiddle runs, gang “hey!”s, and rising snare rolls • chorus swings wide and boisterous: crunchy guitars, pennywhistle/fiddle unison, big gang vocals around a shout-along hook • second verse drops to jug/bass and rim-clicks, then builds with handclaps and tambourine; bridge turns into a tavern round with key-change lift and a witty aside before the last, rafter-shaking chorus • production: warm tape grit, roomy pub reverb, tight kick/bass for bounce, stereo wides on gang shouts; keep lead upfront with a wink • 118–134 BPM • [SEA SHANTY ROCK] [MALE VOCALS] [CALL & RESPONSE] [FIDDLE & ACCORDION] [GANG CHORUS] [STOMP-CLAP] [WHISTLE HOOK] [COMEDIC LYRICS]
3:24

Dark emo trap driven by heavy 808s and crisp hi-hats sets a moody tone, Melancholic synth pads and delicate guitar licks interlace with clear and sharp emotive vocals, Verses stay sparse yet textured; the hook explodes with layered harmonies and distorted sub-bass
4:52

Create an anime rock × eurobeat fusion song with both male and female vocals trading lines and harmonizing, Main style: hyper anime rock energy fused with fast eurobeat basslines, bright synth leads, electric guitars, punchy drums, and uplifting melodic hooks, Vibe: JRPG adventure, high-speed, emotional, cosmic, energetic, Instrumentation: electric guitars, eurobeat bass, fast electronic drums, bright synth arps, sparkly pads, sidechained leads, claps, and anime-style backing vocals, Vocals:
• Strong, powerful male and female leads
• Emotional, expressive, anime-style delivery
• Big soaring notes in the chorus
Sections:
• Verses: energetic anime-rock with eurobeat drive
• Verse 3: short cute, soft, rhythmic “Future Connection”-style moment with lighter instrumentation
• Chorus: huge, triumphant anime-rock × eurobeat explosion with long emotional vocal holds
Overall feel: hyper JRPG anime opening meets eurobeat dance-rock, cosmic, uplifting, adventurous, and fast-paced
5:32

A gritty, emotionally charged melodic rock track in Drop C minor, fusing post-grunge introspection with the soaring aggression of alt-metal and hints of melodic black metal edge, The song opens with a sharp, reflective guitar riff that sets a moody atmosphere, Verses are groove-driven and restrained, carried by introspective male vocals that speak plainly yet poetically, Choruses burst wide with layered harmonies and emotional weight, balancing raw power with melodic clarity, A cinematic bridge deepens the mood, before launching into a powerful, expressive guitar solo, The track closes with a final chorus and a searing outro solo that fades slowly into silence—leaving the impact lingering
3:02

Fire Cracker
v4.5-all
Explosive post-punk funk, Orchestral, Electric anthem with slap bass, disco drums, roaring brass, and distorted guitars, Raspy, charismatic male–female vocals trade party chants and hooks over a 130 BPM groove, Funk rhythm guitars and cosmic synths create a wild dance-floor atmosphere blending rock, funk, and orchestral flair
2:58

Nu-Metal, modern gritty rock style, Heavy Distorted Guitars, Aggressive Riffs, Driving Bass, Punchy Drums, Gritty Melodic Male Vocals, Screamed Choruses, Rap-Influenced Rhythms, Dark and Intense Energy, Atmospheric Electronic Elements, Raw and Emotional
6:02

dark synth, house, cinematic, cyberpunk, synthwave, ambient, dystopian, techno, atmospheric, industrial, human vocal, deep edm, melancholic
2:31

Chill Tropical House, 120 BPM, Melodic Indie, Retrowave, Bouncy Uplifting Mellow Beach, Ambient Chamber, Cinematic Cozy, Ultra Relaxation, Lo-fi beats, Balearic vibes, Sunset chill, Crackling fire ambience, Rain sounds, Ocean waves, Downtempo, Chillwave, Synthwave dreams, Lazy afternoon groove, Hammock swing rhythm, Coastal breeze, Golden hour warmth, Ethereal pads, Soft percussion, Warm analog synths, Dreamy atmosphere, Laid-back tempo, Feel-good energy, Adventure intermission, Peaceful escape, Sanctuary vibes, Reflective mood, Campfire glow, Seaside retreat, Analog warmth, Intimate space, Glowing ember tones, Serene reflection, Loops, Samples, Introspective, Rainy night sanctuary, Meditation, Hearthcore, Calm, Hypnotic groove, Steady pulse, Continuous flow, Melodic loop, 4/4 groove, Metronomic pulse, Layered textures, Even energy, Rich soundscape, Trance-inducing, Seamless transitions, Patient pacing, Endurance loop, Dense atmosphere, Sustained mood, Balanced mix, Steady foundation, Rhythmic meditation, Flowing continuity, Uninterrupted vibe
4:33

Drop C# tuning (C# G# C# F# A# D#), 92 BPM mid-tempo gallop, key C# minor (Aeolian with blues inflection), Genre fusion of Country Metal, Cyberpunk Deathcore & Banjocore, Twangy banjo leads double distorted 7-string guitars in syncopated riffs; heavy natural drums with claps and stomps for western groove, Analog bass and bit-crushed synth pads add cyberpunk aura, Banjo and guitar call-and-response under vocals, Dual female vocals only: primary clean rhythmic R&B-country style for verses and bridges, secondary harsh/guttural for breakdowns and choruses, Female vocals move from tight, breathy singing to savage snarls, Minimal reverb, tight mix, focus on punch and banjo attack, Themes of Nordic pride, real coffee monopoly, and cold-world warmth, Mood – swaggering, gritty, and satirically epic, End with banjo fade and steam FX
4:59

Nu metal, Latin fusion, wind instrument, Akai sampler, driving percussive beat, latin and oriental Influences, disco elements, synth pads, Brazilian influences, clean male vocals, beat copy="Give it Up" The Goodmen, reverb, Italian disco synth, electric guitar, piano, samba / house feel
5:12

Dracula
v5
This epic rock track unleashes infernal organ and accordion bursts alongside heavy distorted guitars and relentless double-kick drums, Deep, growled Gregorian vocals are layered with sinister organ stabs, tolling church bells, and colossal choirs, building a dense Gothic sound, Cathedral-sized pipe organ breakdowns heighten tension and drama, while an atmospheric bed of bells and demonic textures sustains the monumental vibe
4:23

A female vocalist sings a powerful and emotional song with a strong piano and string accompaniment, The song is in a minor key, with a slow tempo and a dramatic feel, The vocals are clear and expressive, with a wide dynamic range, The piano provides a solid harmonic foundation, while the strings add a rich and soaring counterpoint, The song builds in intensity throughout, with the vocals becoming more passionate and the instrumentation more complex, The song features a clear verse-chorus structure, with a bridge and an outro, The production is clean and polished, with a focus on clarity and emotional impact, The song is characterized by its melancholic yet empowering tone, with the vocalist conveying a sense of overcoming adversity
3:49

driving folk punk anthem, raw male lead vocal, passionate, slightly strained, layered group vocals in chorus, acoustic guitar strumming hard, pounding kick drum, clunky snare, thumping upright bass, mandolin melody, melancholic but energetic, 150 bpm, 4/4 time signature, A minor key, live garage band recording feel, no pre-chorus
2:58

A bilingual K-pop club banger at 142 BPM in G Minor, Fuses trap, Brazilian funk, and glitchy vocal phrasing with bold visual energy and gender-fluid delivery, Punchy hi-hats, 808s, and jazz piano lead into chant hooks and choreo-ready drops, Built for dual-pan vocal panning, speaker alternation, and full-stage dance, Swagger and softness collide
4:03

Fever
v4.5+
A high-energy electronic dance track with a driving beat and a female vocalist, The song features a prominent synth bassline, a consistent four-on-the-floor kick drum, and various electronic percussion elements, The tempo is fast, and the key is minor, contributing to an intense and slightly aggressive feel, The female vocals are delivered with a rapid-fire, spoken-word style during the verses, transitioning to a more melodic and chanted delivery in the chorus, Production includes heavy compression, reverb, and delay on the vocals and synths, creating a spacious yet powerful sound, The song structure is verse-chorus with instrumental breaks, The melody is repetitive and catchy, built around short, punchy phrases, The overall mix is loud and upfront, with the vocals and bassline being the most prominent elements
3:51

Fierce
v5
A funk-metal / alt-rock hybrid at 120 BPM, built on Esus4/2 → Gsus2 → B5 with syncopated slap bass, wah-driven rhythm guitar, tight drums, and brass stabs for late-’80s bite, Female vocals deliver sharp attitude — part spoken, part sung — with dual-key harmonies (one voice an octave above, another in a different key for tension), Short plate reverbs, megaphone FX, and call-and-response gang shouts drive the hook, The sound blends New York funk swagger with modern clarity — gritty, bold, and radio-ready, Male vocals, funk metal, alt rock, 1988 vibe, Esus4/2, Gsus2, B5, slap bass, brass stabs, wah guitar, megaphone FX, dual harmonies, call and response, gospel attitude, plate reverb, 120 BPM, billboard-ready, studio clarity, gritty cool
4:32

Japanese CHUNITHM : Symphonic Hardcore, Epic, emotional, orchestra + EDM hybrid, Tempo 175 BPM
Key D minor (emotional, powerful tone)
Time Signature 4/4 (occasional triplet fills are okay)
Kick Punchy, short hardstyle kick — Vengeance, Kick 2 plugin, Snare Bright EDM snare with tail — layer 2 samples for snap + body, Clap Optional layer with snare during chorus, Hats Fast 1/8th or 1/16th patterns; use open hats for offbeat, Crash / Ride Used for drop impact or high-energy transitions, Fills Snare rolls, tom fills, glitch fills — Loopcloud or custom sample slicing, Lead Synth Bright Supersaw for melody – Serum, Sylenth1, Spire, Backing Lead / Harmony Layer detuned saws or bell plucks – Nexus, Vital, Arp / Sequence 1/16th or 1/32nd note repeating arp – Xpand2, ANA2, Omnisphere, Bass Sidechained rolling sub or distorted reese – Massive, Serum, Trilian, Pad / Atmos Wide reverb pad for emotional backing – Omnisphere, Absynth, Vocal Japanese
3:44

Japan
v5
Minimalist, fast-paced, hook-driven 1980s-inspired dark synthpop with dark fantasy symphonic metal fusion blends with Wurlitzer organ, airy analog pads, pulsing electronic bass, and shimmering clean guitar with delay, Gated drum machines drive a steady, mid-tempo rhythm beneath sparse, melodic motifs, Male baritone vocals deliver with quiet intensity and emotional restraint, occasionally layered for ethereal harmony, The mix emphasizes stereo width, digital plate reverb, and subtle saturation, evoking cool detachment, introspective tension, and spacious urban melancholy, A Shepard tones based ostinato motif plays under the melody, ‑soul, ‑R&B
6:27

Eternal Low
v4.5-all
Aggressive Pop
And EDM + Alternative rock
[hyptonic EMO female Anime Vocal] Hardcore Bass Horror Core
3:41

Trap + Horrorcore fast rap at 98BPM with hard bass hits that shake the ground, sharp hi-hats rolling like gunfire, and snares snapping with metallic bite, Beat soaked in darkness and tension, layered with distorted synth growls and glitch sparks that feel like chaos unleashed, Vocal tone: glassy whisper layered with vocal fry grit and head-voice intensity — emotion burning through restraint, Delivery hits raw, venomous, switching between hushed fury and explosive outburst, Add saturation on low mids, stereo 808 rumble, and deep reverb tail that echoes rage and heartbreak, Energy climbs like a storm, dripping with vengeance, dominance, and twisted passion, Every bar feels like a warning shot confident, wild, and merciless, ‑screamo, ‑growling, ‑robotic autotune, ‑vocal clipping, ‑excessive reverb, ‑timing drift, ‑off-beat flow, ‑choir harmonization, ‑gospel tone, ‑orchestral strings, ‑opera vocal, ‑lo-fi muffling, ‑distorted bass bleed, ‑harsh treble peak, ‑metallic resonance, ‑overly dry mix, ‑echo overload, ‑cartoonish vocal tone, ‑pitch wobble, ‑random vocal chop, ‑hyperpop glitch, ‑EDM kick pattern, ‑crowd chant, ‑cheer sample, ‑ambient pad wash, ‑cinematic score layer, ‑heavy compression, ‑low clarity vocal, ‑mumbling
2:59

Weed anthem, Upbeat pop rock with a punchy drum groove, bright electric guitars, and handclaps, Verses use playful melodies over tight bass, Pre-chorus layers in gang vocals, leading to a huge anthemic chorus with big harmonies and crowd-chant moments, Energetic instrumental breaks invite sing-alongs, a male pop punk boy band
3:04

5:49

Long Lost
v4.5+
Rhythmic Male Bard Vocals, Cinematic Catchy Chorus, Chorus Reverb, Mandolin, Soft Wind Chimes, Piano Accordion, Flute, Celtic Harp, Celtic Story, Knight's Journey, Light Ambient Textures, Autumn Melodies, ‑mouth clicks, ‑lip smacks, ‑dry vocals, ‑brittle voice, ‑harsh mids, ‑vocal pops, ‑robotic phrasing, ‑whispering artifacts, ‑overcompression, ‑Low-quality audio, ‑muddy mix, ‑distorted peaks, ‑weak stereo, ‑flat spectrum, ‑boomy lows, ‑thin bass, ‑muddy mids, ‑harsh highs, ‑brittle treble, ‑dull transients, ‑squashed dynamics, ‑over-compression, ‑brickwall limiting, ‑pumping, ‑unbalanced EQ, ‑phase issues, ‑cold harshness, ‑noisy ambience, ‑messy reverb, ‑off-sync delay, ‑piercing sibilance, ‑untreated vocals, ‑stereo collapse, ‑hiss, ‑hum, ‑buzzing, ‑weak punch, ‑poor separation, ‑buried vocals, ‑tonal imbalance, ‑masking, ‑loudness clipping
4:13

Lovecraftian ambient industrial with deep resonant bass, distorted mechanical percussion, and vast choral synth atmospheres, Slow-moving layers of metallic texture and harmonic drones build like tectonic plates grinding in space, The mood is cosmic dread and sacred awe, evoking an ancient machine-god awakening beneath the stars, Emphasize dense sub-bass, gated reverb, analog distortion, and evolving ambient noise that swells and recedes like breath, Rhythm should feel heavy and ritualistic rather than fast, using mechanical pulses, bass hits, and slow arpeggios, Sound should convey the collapse of light into gravity—majestic, oppressive, and inexorable, Tempo 130 BPM, 4/4 time, key F Phrygian, ‑pop, ‑acoustic, ‑funk, ‑jazz, ‑lo-fi, ‑trap, ‑orchestral, ‑upbeat EDM
7:19

Soul-wrenching country-rock ballad in a minor key, drenched in raw emotion and pleading desperation, Haunting acoustic guitar and slow, resonant piano set a somber tone, swelling into gritty, gravel-voiced choruses, Minor key harmonies deepen the tension, blending gospel-like backing with rock dynamics, The pacing ebbs and surges, evoking suspense, struggle, and an unshakable cry for divine intervention
5:02

Symphonic rock, 80s style, choir, female singer, epic grand orchestra, catchy beat
4:25

A dark ritual spoken-word track inspired by Brutus-inspired (The Buttress-inspired) sound design: industrial-tribal electronica fused with cinematic bass drones, metallic percussion, and chant-like vocal layering, Female British voice — gritty, imperfect, commanding — not sung, but declared like a sermon or ancient rite, The delivery should sound ritualistic, breathy, and human, with slight distortion and reverb as if in a stone temple or underground chamber, The theme: impurity as a form of purity — embracing flawed humanity as sacred, Mood: heavy, hypnotic, dangerous yet cleansing, Production: [deep drones], [metallic clangs], [ritual drum pulse], [glitch crackle], [multi-tracked whispers], [reverse cymbal risers], [distorted low-end reverb], Vocal layering: [main vocal raw], [distant whispers echo key lines], [occasional chant harmonies], Tone: sacred defiance, dark transcendence
3:39

At ~126 BPM in G minor, this catchy earworm Nu-Disco x Dance-Pop x EDM track opens with a filtered disco loop—four-on-the-floor kick, off-beat hats, rubbery octave bass, and gentle sweep transitions, The female vocalist carries the verses with smooth, grounded phrasing over clean funk guitar chops, bright poly stabs, and subtle call-and-response ad-libs, lifting into stacked harmonies before the pre-chorus, A male rapper drives the second verse on a stripped groove with syncopated kicks, warm sub bass, and widened claps, building tension back into the main hook, The chorus hits with a chant-ready topline and a tight rhythmic pocket, followed by a post-chorus built around a repeatable “move along” motif, The drop leans EDM with detuned saws, sidechained pads, chopped vocal textures, and punchy low-end hits, Production stays polished and stereo-wide with plate reverb accents, slap delay details, and clean buss compression for a confident, dance-floor-ready finish
2:58

A high-energy electronic track with a driving beat and a dark, futuristic atmosphere, The song features a prominent synth bassline, a consistent four-on-the-floor kick drum, and a variety of percussive elements including hi-hats, snares, and claps, The tempo is fast, creating a sense of urgency, The instrumentation includes a distorted synth lead that plays a simple, repetitive melody, and a filtered synth pad that provides atmospheric texture, The overall production is clean and punchy, with a focus on rhythmic intensity, The song builds tension through the introduction and layering of different electronic elements, culminating in a powerful, driving groove, There are no traditional chord progressions, but rather a focus on rhythmic and textural interplay, The vocal elements are minimal, consisting of heavily processed, robotic-sounding spoken words that are integrated as percussive elements rather than melodic lines, The mixing emphasizes the low-end frequencies, giving the track a heavy, club-ready feel
5:39

A solo bells piece with a melancholic and reflective mood, The bells play a melody with arpeggiated chords, creating a gentle and flowing texture, The tempo is slow, and the dynamics are soft, emphasizing the introspective quality of the music, The piece features a clear, bright bells tone, suggesting a spacious recording environment, The chord progression is primarily in a minor key, contributing to the somber atmosphere, There are no vocals or other instruments present, allowing the bells to carry the full emotional weight of the composition, The structure is free-flowing, without distinct verse-chorus sections, but rather a continuous development of the melodic and harmonic ideas
1:48

Tigeress
v5
A high-energy, fast-tempo electronic pop track with a driving beat and a female vocalist, The song features a prominent synth bass line, a four-on-the-floor kick drum, and a clap on beats two and four, Synthesizer arpeggios and pads provide harmonic and melodic texture, The female vocals are delivered with a strong, confident tone, utilizing some vocal processing such as Auto-Tune and reverb, The song structure appears to be verse-chorus based, with a clear build-up in energy towards the chorus, The overall production is clean and polished, with a focus on rhythmic drive and catchy melodic hooks, The key is minor, contributing to a slightly dramatic yet empowering feel, The tempo is fast, around 130-140 BPM, Rap, catchy, electronic, fast, pop, sassy attitude
3:23

Sassy Female, Sassy Female Vocals, 808's, Turntablism, Psychedelic, Tripp, Glitch, 808's




































