2:49

On Repeat
v5.5
quirky microtonal math rock, experimental instrumental duo style, jagged angular riffs with alien warped melodies using quarter tones and microtonal intervals, complex odd time signatures and shifting polyrhythms that suddenly lock into hypnotic funky grooves, driving elastic bass lines layered with looping guitar parts, precise energetic drumming on a small kit, progressive rock energy mixed with dada absurdist chaos, catchy yet completely unhinged, noodling over math rock foundations, playful hypnotic build-ups that erupt into frenzy, raw organic human virtuosity, no vocals or very sparse repetitive nonsense syllables only
3:02

Uncle
v5.5
uirky microtonal math rock, experimental instrumental duo style, jagged angular riffs with alien warped melodies using quarter tones and microtonal intervals, complex odd time signatures and shifting polyrhythms that suddenly lock into hypnotic funky grooves, driving elastic bass lines layered with looping guitar parts, precise energetic drumming on a small kit, progressive rock energy mixed with dada absurdist chaos, catchy yet completely unhinged, noodling over math rock foundations, playful hypnotic build-ups that erupt into frenzy, raw organic human virtuosity, no vocals or very sparse repetitive nonsense syllables only
2:54

quirky microtonal math rock, experimental instrumental duo style, jagged angular riffs with alien warped melodies using quarter tones and microtonal intervals, complex odd time signatures and shifting polyrhythms that suddenly lock into hypnotic funky grooves, driving elastic bass lines layered with looping guitar parts, precise energetic drumming on a small kit, progressive rock energy mixed with dada absurdist chaos, catchy yet completely unhinged, noodling over math rock foundations, playful hypnotic build-ups that erupt into frenzy, raw organic human virtuosity, no vocals or very sparse repetitive nonsense syllables only
2:51

Just Blue
v5.5
quirky microtonal math rock, experimental instrumental duo style, jagged angular riffs with alien warped melodies using quarter tones and microtonal intervals, complex odd time signatures and shifting polyrhythms that suddenly lock into hypnotic funky grooves, driving elastic bass lines layered with looping guitar parts, precise energetic drumming on a small kit, progressive rock energy mixed with dada absurdist chaos, catchy yet completely unhinged, noodling over math rock foundations, playful hypnotic build-ups that erupt into frenzy, raw organic human virtuosity, no vocals or very sparse repetitive nonsense syllables only

