Twenty Jazz Punk Greats
The third Greatest hits collection of the greatest songwriter nobody's ever heard of. ReAndyMator the great.
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15 songs
4:44
I got those Bad Guy Blues
v4.5-all
Delta Blues, Male Bass vocals, Everything reverbs like it was recorded on a tiny stage in the back of a new orleans bar, and we can hear the audience rustling in the background, Just acoustic slide guitar and harmonica to accompany
5:15
Range Anxiety Blues
v4.5-all
Traditional delta blues, Male bass voice, accompanied by acoustic slide guitar, and harmonica, 99BPM
4:37
I hate Spiderman
v4.5-all
Swamp rock minor key blues, Heavily distorted guitars, with slightly distorted bass male vocals, Simple 4/4 beat on a basic drumkit, Played in key of Am
4:12
Video Nasties
v4.5-all
'70s folk rock, singer songwriter style, Male baritone vocals, with solo folk style acoustic guitar, and light cajon backing
4:22
Trust Me (I'm an Engineer)
v4.5-all
Upbeat '70s singer songwriter style, Baritone male vocals, and acoustic guitars, with country style electric behind it, along with upright bass riffs, Subtle, cajon drumbeats keep time
3:47
4:34
Don't call me Shirley
v4.5-all
Southern gothic style, Quiet first verse, acoustic guitar and bass baritone growly vocals only, building into the first chorus, where acoustic bass and cajon join in
3:23
The Tail of Dolly Purrton
v4.5-all
Outlaw country, 100bpm, Alto female vocals throughout, Instrumentation builds through the song until the final verse, which is spoken, over a sparsely picked acoustic guitar
4:21
Outlaw country, Slow, with lots of acoustic guitars and violins
3:34
Sleepin' On My Laptop
v4.5-all
Solo clear alto female country vocals, with sparsely picked acoustic guitar, with lots of reverb, A cajon joins gently for chorus only
4:31
DIY Blues
v4.5-all
Outlaw country, slow at about 90bpm, key of A minor, Male bass vocals, Acoustic guitar, picked for verse, strummed for chorus, Double bass for choruses, verse 2 and bridge, Last verse is quiet and reflective, Just voice and acoustic guitar, Increased reverb on vocals for final verse
3:54
The Ballad of Mike the Llama
v4.5-all
Comedy outlaw country with extra deep male vocals and a laid-back, swaggering groove, Acoustic guitar plays twangy open chords and dusty picked riffs, supported by a warm, woody upright bass that walks and slides between root notes, A sparse cajon drumbeat adds a loping, train-like pulse with rim accents and muted thumps instead of a full kit, The vocal delivery is low, gravelly, and storytelling-forward, leaning into deadpan humor and barroom crowd asides, Subtle room ambience gives a live honky-tonk feel while keeping the vocal and acoustic instruments upfront and intimate
2:43
The Cutest Kitten in Cairo
v4.5-all
Upbeat acoustic country, Male baritone and Female alto vocals, Two clean acoustic guitars, one six-string picked and a 12-string stummed for accompaniment, Cajon for timing, playing an middle eastern style rythm
4:05
Ragdoll on a Rampage (Live)
v4.5-all
Fast, live, outlaw country, heavily reverbed 12-string acoustic guitar, upright bass, violins for accent, Female mezzo-soprano clean vocals
4:19
The World of Vice
v4.5-all
slow ambient version around 90bpm almost whispered vocals but forward in the mix lots of swirly New Age, Ambient, Celtic, Pop style synths with sparse cajon type drumbeat to carry it