3:24

Dra Åt Helvete
v4.5-all
metal, Ferocious heavy metal rockabilly hybrid: overdriven upright bass slaps and chugging low-tuned guitars, double-time ride cymbal and cracking snare, Female vocals snarling in the verses, shouted gang responses on key lines, chorus explodes with octave harmonies and a gritty, distorted slapback echo, Short, ripping guitar solo option over the last chorus turnaround, rockabilly, female vocals
3:03

Porcelain Throne
v4.5-all
metal, Groovy old-school heavy metal with chunky palm-muted guitars, mid-tempo stomp, and snarling female vocals, Verses tight and riff-driven, chorus opens with gang shouts and wide power chords; tom-heavy fills and sharp cymbal crashes punctuate punchlines, Short, punchy bridge with half-time feel then a climactic last chorus, female vocals
3:12

Queen of Heavy Metal
v4.5-all
funk, Swaggering groove-metal anthem, male vocals, Downtuned, chugging riffs locked to a head-nod pocket, stomping toms, and a snarling bass line, Verses stay tight and syncopated; chorus widens with gang shouts, octave guitars, and a soaring hook, Brief halftime breakdown before the final chorus, with pinch harmonics and divebombs for drama, male vocals, metal
3:29

Grave Digger’s Prayer
v4.5-all
metal, Chunky, down-tuned guitars in a galloping mid-tempo groove; double-kick drums lock with a snarling, distorted bass, Male vocals shift from gritty verse storytelling to a shouted, anthemic chorus with gang vocals on key phrases, Occasional minor-key twin guitar lines snake around the riff, bridge opens up with half-time stomp and a climbing lead melody before slamming back into the hook, male vocals
4:37

Sonic Blue Storm
v4.5-all
Heavy metal with galloping double-kick drive and palm-muted riff bursts; verse rides tense low-end chugs, pre-chorus opens into rising tom fills and stacked harmony, chorus slams with wide power chords and shouted gang replies, Female vocals cut through with fierce lead doubles, grit in the low notes, and soaring high-note tails, Lightning risers, reverse cymbal swells, and flying guitar squeals punch transitions, Bright, muscular mix with a razor-edged top and thunderous drums, metal, female vocals
4:29

Förlåt Mig
v4.5-all
Heavy metal with driving double-kick pulse and galloping riff attacks; verses stay tight and low with snarled male vocals, pre-chorus climbs on toms and layered gang shouts, chorus opens into a huge chantable hook with stacked harmonies on the title phrase, Add pinch-harmonic squeals, a short cymbal swell into each chorus, and a breakdown half-time stomp before the final lift, Bright, muscular mix with sharp guitars and a huge centered vocal, metal, male vocals
4:34

Mushroom Riot
v4.5-all
Heavy metal with male vocals, driving double-kick gallop and palm-muted riff chugs; verse rides tense stop-start guitars and snarled low-end lines, pre-chorus opens into stacked gang shouts, chorus hits with soaring lead guitar and huge octave doubles, Bridge drops to toms, bass rumble, and a filtered clean vocal before the final chorus returns harder, Sharp cymbal splashes, coin-chime accents, and a reverse swell into each hook; bright, punishing, stadium-sized mix, metal, male vocals
4:04

Rust in Your Name
v4.5-all
Heavy metal with male vocals, mid-tempo stomp and double-kick bursts; verse rides chugging palm-muted guitars and tom-heavy drums, pre-chorus opens into sustained power chords and rising gang shouts, chorus hits with massive unison hook and shouted doubles, Clean lead with gritty low harmonies, gang vocals on the anchor line, screaming ad-libs at phrase ends, Riser swells, cymbal crashes into each chorus, brief feedback squeal before the bridge, Wide, crushing, polished mix with razor-edge guitars and huge snare crack, male vocals, metal
4:24

Go to Hell
v4.5-all
Heavy metal with galloping double-kick drive and palm-muted riff stabs; verse rides tight and gritty with bass locked to snare accents; pre-chorus opens into rising toms and layered gang shouts; chorus hits with huge unison guitars and shouted male vocals doubled on the hook, Add cymbal swells, pick scrape transitions, and a brief half-time breakdown before the final chorus, Bright, punishing, and arena-wide in the mix, male vocals, metal
4:24

Svart Sammet
v4.5-all
Heavy metal with driving double-kick pulse and syncopated palm-muted riffing; verse rides tight low-end chugs and tom fills, pre-chorus opens into climbing harmonized leads, chorus slams with wide stacked female vocals and gang shouts, Bridge drops to half-time with a tense bass rumble, then final chorus returns with bigger guitars and higher harmony, Powerful female vocals, gritty verse doubles, soaring chorus layers, delay throws on key phrases, cymbal washes, reverse swells into transitions, bright and aggressive mix with polished top-end bite, female vocals, metal
4:23

Last Train Home
v4.5-all
Heavy metal with female vocals, driving double-kick pulse, palm-muted verse riffs, soaring pre-chorus climbs, and a massive gang-shouted chorus; verse keeps the guitars choked and tense, pre-chorus opens into ringing chords, chorus slams with stacked harmonies and octave doubles, A pinch-harmonic squeal and reverse cymbal lead into each drop, with a short breakdown under a snarled bridge, Bright, aggressive, wide mix with a razor-edged vocal front and huge drums, metal, female vocals
4:20

Spartan Signal
v4.5-all
Heavy metal with driving double-kick, galloping palm-muted guitars, and half-time breakdowns; verse rides tense low-end chugs, pre-chorus opens into soaring tom lifts, chorus hits with stacked gang shouts and high sustained lead lines, Male vocals with gritty doubles, snarled ad-libs, and a few clean-held notes on the hook, Alarm-siren risers, metallic impact hits, and a reversed swell into the final chorus, Massive, polished, chest-rattling mix, metal, male vocals
4:08

Vasaplan Fire
v4.5-all
Heavy metal with galloping double-kick drive, chugging downpicked riffs, and sharp stop-start accents; verse stalks with low, tense guitars, pre-chorus opens into rising toms and gang shouts, chorus slams with stacked male vocals and wide harmony hooks, Use fret squeals, cymbal swells, and a brief breakdown hit before the final chorus, Bright, punishing mix with a huge snare crack and snarling mids; male vocals, rough and commanding, metal, male vocals
4:36

Gold Around My Neck
v4.5-all
Heavy metal with galloping double-kick drive and chunky downpicked guitars; verse rides tense palm-muted riffs and tom hits, pre-chorus climbs with snare rolls and rising harmonies, chorus opens wide with stacked female vocals and gang shouts on the hook, Bridge drops to half-time with clean-to-bark contrast, then final chorus returns harder with shredding lead fills, cymbal crashes, and a bright, punishing mix, Female vocals with fierce doubles, gritty ad-libs, and delay throws on the title line, metal, female vocals
4:16

Viktor’s Iron Day
v4.5-all
Heavy metal with galloping double-kick drive and palm-muted riff chugs; verses ride low and tense, pre-choruses climb with snarled gang answers, chorus opens into huge shouted gang vocals and long-held melodic belts, Add screeching lead-guitar fills, cymbal crashes into each hook, and a brief breakdown before the final chorus, Male vocals with gritty verse layers, stacked shout doubles, and a raw, arena-filling mix, male vocals, happy, metal

