Hoyt Donovan - Argh!
This album is a collection of careful consideration, pondering, and deep thought concerning the events of the past 50 years in the life of Hoyt Donovan.
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11 songs
2:45
Any Other Way
v5.5
darkwave, coldwave, EBM pulse, 92 BPM, minor key, gothic baritone vocals, processed male chorus, analog synth bass, detuned arpeggios, gated drum machine, distorted guitar chugs, acoustic strumming, clean electric lead, glitch percussion, plate reverb, tape saturation, rigid march, bleak resolve, nocturnal ritual
3:03
You Blame Me
v5.5
alternative rock, grunge pop, 92 BPM, strummed acoustic guitar, clean electric lead, fuzz guitar rhythm, melodic bassline, driving live drums, open hi-hat accents, tape saturation, room mic drums, hook layered gang vocals, male lead vocal, bratty chorus chant, bittersweet apology, reckless energy
3:43
darkwave, coldwave, EBM pulse, gothic baritone vocals, processed male chorus, analog synth bass, detuned arpeggios, gated drum machine, distorted guitar chugs, glitch percussion, plate reverb, tape saturation, 1980s club mix, minor key, bleak resolve, 92 BPM, rigid march, nocturnal ritual
2:54
synth-pop, new wave, dream pop, 84 BPM, male baritone vocals, doubled chorus vocals, octave shimmer guitar, analog polysynth pads, arpeggiated synth lead, fretless bass slides, tom-heavy groove, brushed snare, plate reverb, tape saturation, stereo delay, bittersweet longing, nocturnal romance
3:59
Industrial post-punk, 128 BPM, distorted guitar driving rhythm, gritty analog synth bass, aggressive electronic drums with live snare hits, sneering male baritone vocals, chanted gang-vocal choruses, shouted backing vocals on hooks, cold and confrontational, fuzz pedal leads, glitched samples and modem static between sections, building from menacing verses to militant anthemic choruses, raw production with tape distortion
2:56
alternative rock, indie pop crossover, 92 BPM, acoustic strumming, clean electric lead riff, palm-muted guitar chugs, distorted power chords, live bassline, punchy snare drums, driving four-on-the-floor, half-time bridge, layered gang vocals, wide stereo guitars, plate reverb, analog tape saturation, bittersweet nostalgia, urgent catharsis
4:24
Phoenix
v5.5
post-punk, spoken word vocals, angular bass guitar, dub delay guitar, wiry rhythm guitar, dry room drums, metronomic kick, tape saturation, mono synth drone, feedback stabs, cavernous snare verb, stripped-down mix, tense defiance, desert grit, 124 BPM, nocturnal pulse, confrontational swagger
2:24
A Woman
v5.5
early 90s alt rock, indie pop, baritone lead vocal, close harmony chorus, chiming delay guitar, fuzz rhythm guitar, melodic bassline, live snare backbeat, punchy kick drum, tape saturation, gated snare, plate reverb, call and response, chorus lift, midtempo 128 BPM, bittersweet yearning
4:24
darkwave, coldwave, EBM pulse, gothic baritone vocals, processed male chorus, analog synth bass, detuned arpeggios, gated drum machine, distorted guitar chugs, glitch percussion, plate reverb, tape saturation, 1980s club mix, minor key, bleak resolve, 92 BPM, rigid march, nocturnal ritual
3:54
Not Enough
v5.5
alternative rock, psychedelic rock, blues rock, acid rock, 128 BPM, palm-muted guitar riffs, open power chords, octave lead guitar, distorted electric guitar, fuzz pedal leads, driving bassline, crash cymbal chorus, half-time bridge, four-on-the-floor kick, tape saturation, gated snare, live room drums, retro 70s mix, anthemic melancholy
4:44
That Day
v5.5
alt-country, synthwave, 92 BPM, driving backbeat, muted electric guitar, steel guitar bends, pedal steel swells, tom-heavy drums, analog synth bass, chorus guitar, tape saturation, spring reverb, stereo delay, bittersweet nostalgia, regretful distance