Playlist cover art

Synthpunk , New Wave & Co.

Make synthpunk great again (and yes i used to work for an Airline company)
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noefolk ebm, dark folk, industrial, female vocal, etheral
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synthpunk, synthpop, punk, post punk, 80s sound, new wave
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synthpunk, synthpop, punk, post punk, 80s sound, new wave
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soviet wave, minimal wave, darkwave, new wave, post punk, new wave synth solo, post punk guitar solo
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soviet wave, minimal wave, darkwave, new wave, post punk, new wave synth solo, post punk guitar solos, female vocalson pre chorus and chorus
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soviet wave, minimal wave, darkwave, coldwave, post punk, new wave synth solo, post punk guitar solos, female vocals on pre chorus and chorus
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minimal wave, coldwave, darkwave, new wave, post punk, new wave synth solo, post punk guitar solos
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80 rnb, 80s rock, 80s pop, 80 pop rock, 80s dance-pop, saxophone
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80s synthpop, retrowave, instrumental, no vocals
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80s synthpop, retrowave, instrumental, no vocals
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synthpunk, punk, synthpop, batterie énergique, une touche de synthé nostalgique pour l'ambiance rétro, guitare électrique crue, adolescent, humoristique avec un son années 80, punk, rock, basse claquante, voix de fausset
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pop, Arena-sized 80s new wave anthem, male vocals, Driving tom-heavy drums, snarling bass, and chiming delay guitars under urgent verses; big open choruses with octave synth pads and crowd-chant backing vocals, Middle-eight drops to half-time with atmospheric keys before erupting back into a final, shouted refrain, Reverb-heavy snare, wide stereo guitars, vocal right in front of the mix, new wave, heavier tom fills, faster delay guitars (e, g, 1/8th note echoes), and swelling synth pads for urgency, Vocals: Urgent verses with grit; choruses with multi-tracked shouts
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Retro synthwave meets bubbly synthpop, uptempo groove around 115 BPM, bright arps and lush pads, sidechained bass pulsing under a playful lead, Vocal hook built entirely from processed cat meows, chopped and pitched into a catchy topline; occasional stacked “choir of cats” harmonies, Energy lifts in the chorus with glittery counter-melodies and widened stereo field, then dips to a filtered, half-time bridge before a final, explosive hook, synthpop, no human singing only cats meow and hiss