Nano's Playlist

rap, male vocals, mad, hard, fast, fast

Ultra-dry minimal techno built from papery short kicks, brittle micro-clicks, and hollow airless pulses arranged in a strict geometric grid, Bass is a low-pressure throb with a woozy, unstable sway—pure pulse, no thematic motion, Melody is minimized to near-silence; if it appears, keep it soft, mild, and completely non-directive, more like a faint tonal blur than a line, Silence functions as architecture: narrow gaps carve the rhythm into clean angles, Layer faint circuit buzz, fragile mechanical ticks, Opto-Files-style grain, thin metallic whispers, subtle tape abrasions, gentle record crackle, and intermittent transceiver noise with drifting carrier tones, No reverb; everything remains dry, precise, weightless, The loop hypnotically cycles, merging sterile geometry, mechanical decay, and ghosted signals into a pulse that feels both static and alive

Full track as a surreal dream sequence: accordion fragments, broken carnival sounds, and unstable meters

Track jumps between 3 tempos, cut-up samples scream through distortion, rhythm feels half collapsing

Live Concert, Dark Cabaret, Swing Jazz, Chanson, Anti-folk, negative space, melancholic, Jazzy piano, jazz trumpets drone, wood bass, cartoonish wood winds, intense jazzy drums, subtle female deep chilled voice, emotional, syncopated, high definition sounds, reverse reverbs, xylophone scale runs

unplugged stylish indie ballad, singer-songerwriter, marimba, reggae, low tone, building up, lo-fi elements, piano, ambient, cello), chant, breathy voice, ‑A piece of pure melodic black metal that begins like a long litany, ‑muffled and distant religious chants with prayers that do not seem to come from this world, ‑the sudden silence cuts the ritual and the music, ‑then a bestial growl is heard in the night and then nothing, ‑then slowly come saturated guitar riffs typical of oriental music, ‑guitare riffs are slow and heavy, ‑The drum part is powerful and heavy, ‑it hits hard, ‑a march of darkness where the dead rise to look for the living, ‑mastering is powerful with compression and sidechain, ‑clean and precise, ‑Mood: cemetery, ‑death, ‑corpses, ‑evil, ‑religious Vocal Style: low tone, ‑melodic, ‑dark, ‑German accent rolling R Atmosphere: oppressive, ‑dark, ‑scary, ‑loud, ‑captivating, ‑dominant

changing voice between intimate and raw, acoustic guitar, punk rock

SKA as the main style, mixed with triphop beat, The deep female voice is raw, cold, ironic, and confident, Short sections of acoustic guitar interwoven with electric punk guitar, sound effects with the electric guitar mimic the lyrics, Echo effects, sublime mood, euphoric

dark panflute trap, dancehall cyberphonk, phat bassline, 2020 brostep, neuroswing, chainsaw wobble sim, chopped and screwed sample cuts

ultrafunk, german electronica, mrtree composition, bass-house, hands-up, chopped and screwed, french-house

110 bpm, haunting minimal proto-electronic, minimalist, robotic, techno-pop, dreamy synthwave, soft floating pads, vocoded vocals, melancholy vibe, simple, micro ornamentation, retro, simple production, sound of motorcars speeding past, ‑arabic, ‑middle eastern

French house, lo-fi flanger modulation on motown grooves, robotic harmonies, punchy side chained bass, epic build-ups, disco groove, uplifting and powerful, tempo 124 bpm, electro funk track with vocoder vocals and hip hop beat, lo-fi flanger modulation, robotic harmonies, punchy sidechained bass, epic build-ups, funky groove, uplifting and powerful, tempo 124 bpm, cold electronic Voice, melodic vocoder harmonies, spherical, robot soul voice, nano particles all around this banger, funky harmonic vocal, Mastering EQ set between 200-400 Hz, glue compressor on master, -8/-9 LUFS on master, ‑syncopated

120 BPM, this raw and hyper-minimalist early 90s deep techno track begins with a swinging hi-hat pattern and syncopated bassline, the track has a minimal and slightly cold and detached electronic vibe but retains the swingin garage house framework, the arrangement is sparse and leave the sonic stage mostly empty, clean yet griitty 8 bit stab samples, keyboard riffs, swinging hi hats and snare drum fills, syncopated groove, simple syncopated bassline, sparse vocal sample stutter effects, minimalist underground remix with stripped down production gives the track a hypnotic vibe, ‑singing, ‑background vocals

127 BPM, chicago swing house, sample based production, jacking house, sample breakdowns, cartoon riffs twisted by FM synthesis, a playful spirit that hovers above the song, a vintage female voice that is a little soulful but which is under the influence of amphetamines, sound fx samples from old black and white cartoons, filtered and looped buildups and big drops, trippy and crazy, filter effects on vintage 78 RPM swing record samples, ‑rock, ‑trance, ‑gospel

berlin minimal bass house, micro-funk, freaky hooks, left field funk, animalistic, trippy sampled vocals with playful rhythmic syncopations and overdubs, bitcrush, delay, and loop effects, subtle stabs, dirty female pleasure noises, creative edits and effects, clever, hot, dirty and delicious and freaky track that leads to fornicating like wild animals, ‑rock, ‑trance, ‑gospel

electro rock, catchy hooks, indie dance, bass heavy, charismatic singer, psychedelic indietronica, trippy accents, subtle glitch accents

[style | cool minimal-funk house × fast urban groove x chic pacey deep house] [Mood | urban cool confidence, dry sexy attitude, cute-bizzare, dancefloor-induced, cuddly cat-like] [idiom | tight rhythmic phrasing, minimal funky motion, forward-pressure energy, strong presence of kicks ] [phrase-feel | percussive contours, dry non-tonal accents] [ensemble | rhythm: tight kick, crisp snr/clap, fast clear metallic hats, micro-clicks, driving percs; bass: tight bouncy pulse (non-melodic); chords: dry warm stabs; soft organ sexy-funky synth: subtle rhythmic stabs; pad: minimal airy layer; vox-texture: cool dry whispers; fx: short lifts, noise pushes; ] [performance | fast minimal groove] [drive | forward kinetic motion] [length | 3 minutes plus, extended mix], ‑arpeggio, ‑tremolo, ‑portamento, ‑glide, ‑ornament, ‑trill, ‑grace notes, ‑gated pad, ‑gated synth, ‑vibrato, ‑harmonic swell, ‑cinematic swell, ‑melodic lead, ‑epic trance, ‑uplifting trance, ‑melodic trance, ‑progressive trance, ‑psy trance, ‑goa trance, ‑big room, ‑edm, ‑supersaw, ‑bright saw lead, ‑supersaw lead, ‑epic lead, ‑anthem lead, ‑future bass synth, ‑trance pad, ‑bell arpeggio synth, ‑preset synth, ‑generic edm lead, ‑synth pluck, ‑long decay pluck, ‑digital bell, ‑fm bell, ‑brass, ‑synth brass, ‑brass stab, ‑brass hit, ‑orchestral hit, ‑impact brass, ‑epic hit, ‑cinematic hit, ‑horn section, ‑trombone, ‑baritone sax, ‑tenor sax, ‑alto sax, ‑sax riff, ‑jazz sax, ‑funk sax, ‑brass sax, ‑sax section, ‑arabic, ‑asian

[style | aggressive progressive techhouse × underground chic-groove × smoky dub × old school techno] [idiom | fast pace, jumping, non-melodic, repetitive beauty, instrumental] [BPM | 128]

[style | 90s dubby shuffle × modern bounce tech house × minimal groove] [idiom | strong shuffle-drive, bouncy swing, syncopated groove, hypnotic repetition, no arp, no bright leads] [ensemble | rhythm: tight 909-kick, slightly shorter decay, crisp snr, lively shuffled closed-hats, open-hat push, rim-shots, metallic percs, light conga taps bass: tight warm-sub, short-decay punch, mono, sidechained; fast attack, minimal sustain stab: muted MPC-style chord-stab, syncopated bounce pattern perc: shaker loops, offset claps, ghost-snare taps fx: dub-delay hits, filtered noise-swell, vinyl-dust] [performance | swing-heavy rhythm, micro-groove variations, bounce accents, no melodic expansion, percussive focus] [timbre | dry punchy drums, tight low-end, warm-dark mids, no shiny highs, analog coloration] [sound | center-focused kick+bass, percs panned lightly L/R, clear transient snap, restrained reverb] [structure | intro → swing-groove → percussive lift → dub-break → bounce-return → long outro]

Ultra-dry minimal techno shaped by short papery kicks, brittle micro-clicks, and hollow, airless pulses, The space feels sealed and narrow, with silence carving sharp gaps between each transient, Add the experimental grain of Opto Files: faint circuit buzz, fragile mechanical ticks, and subtle tape-like abrasions drifting in and out of focus, Bass remains a low-pressure throb with a woozy, unstable sway, High-end textures float as static dust and thin metallic whispers, Layer gentle record crackle and intermittent transceiver noise—small bursts, signal bleed, drifting carrier tones, Inside the radio hiss, weave barely-audible human murmurs, fragmented and indistinct, as if leaking from a failing channel, No reverb; everything stays dry, precise, and weightless, The groove loops in hypnotic cycles, blending sterile minimalism with ghosted transmissions and experimental grit

Ultra-dry minimal techno shaped by short papery kicks, brittle micro-clicks, and hollow, airless pulses, Kicks hit as a solid four-on-the-floor, rigid and unwavering, carving the grid with mechanical precision, The space feels sealed and narrow, with silence cutting sharp gaps between each transient, Add the experimental grain of Opto Files: faint circuit buzz, fragile mechanical ticks, and subtle tape-like abrasions drifting in and out of focus, Bass remains a low-pressure throb with a woozy, unstable sway, High-end textures float as static dust and thin metallic whispers, Layer gentle record crackle and intermittent transceiver noise—small bursts, signal bleed, drifting carrier tones, Inside the radio hiss, weave barely-audible human murmurs, fragmented and indistinct, leaking from a failing channel, No reverb; everything stays dry, precise, and weightless, The groove loops in hypnotic cycles, blending sterile minimalism with ghosted transmissions and experimental grit

Ultra-dry, melody-free minimal techno, No pitched sequences, no tonal centers, no harmonic motion, Every element must behave as pure texture or rhythm: the kick is firm, short, and unwavering; the sub-bass moves only as pressure pulses with no identifiable notes, like air being pushed in steady waves, All auxiliary sounds avoid pitch identity and appear as bare sonic events: radio-tuning noise, vinyl crackle, faint voices leaking through walkie-talkie static (texture only, never tonal), dial clicks, a cable pulled from a powered amp, comb-string rasp, whispers as air-noise, scattered crowd footsteps, mouse clicks, ultra-short pulses, fax chirps, clock ticks, ember pops, spring-winding torque, stapler snaps, tiny poin/pikoon blips, brief but-pops, and wooden koro-koro collisions, Everything happens in an anechoic, pitch-sterile space, No reverb, no pads, no tones, Rhythm and texture only, like a machine breathing in perfect monotony

An indietronic, bittersweet, minimal club song which Uses cuts from and looped samples of 1970s Czech experimental film soundtracks for choirs and chords at 125, 5 BPM, built on a light, driving 4/4 pulse and a deep, clean sub-bassline, The core atmosphere is a lush, immersive soundscape of wide, shimmering lo-fi sampled and modulated pads and a simple, repetitive chord melody based on the tense Byzantine Scale, The vocal performance is deliberately unstable, amateurish, and androgynous, with a shy, intimate punk-quality that glides strangely between notes, The track features unique choirs and timbres and strange, otherworldly synthetic choir textures, creating a mood that is both heartbreakingly beautiful and deeply experimental

Perfectly sparse deep fusion of classic underground 90s-style house & avant-garde art-pop and Punk-influenced Indietronica at 124 BPM, The groove breathes through a tight Roland 909 kick + claps, crisp open-hats, shakers, wet snare and a round LFO-modulated analog bassline that pumps gently under wide filtered sampled, modulated, buffered Chord-repeats made of 1980s erotic French Movie-Soundtracks, Warm detuned house-piano stabs dance with looped samples of Corsican Paghjella choirs & talking-drum fragments, all chopped & re-pitched into melodic hooks, The arrangement builds in long, filtered swells & gated Sidechain waves, constantly morphing & evolving, between terrace-light disco & basement art-pop pressure twists, Layered Vocals are heavily accented, cheeky & sassy yet detached, a bit off-key, spoken-sung with lazy timing, The mix is crisp, pumping, clear transients, glossy but tactile, analog warmth wrapped in digital shimmer, emotional, deep, club-ready & beautifully strange

An unique, slightly experimental, intimate, textural, and minimalistic underground house-track in 123bpm and Pelog Scale track with a strong focus on a fusion of organic and electronic sound design and a beautifully imperfect, handmade feel, The track is a complex, shuffling groove built from a fusion of warm, analog drum machines and intricate unusual weird chord-samples and unique found-sounds incorporated in the constantly changing groove, The atmosphere is an introspective, and bittersweet soundscape based on the Pelog Scale, A restrained, introverted, shy, sad, slightly mad and weird androgynous vocal is treated as a sentimental, sampled texture, chopped into fragments and woven into the sonic fabric, The overall mood is deeply groovy, introspective, and full of emotional depth, i, e, late-night texture packed with tension, ‑Trance, ‑Funk, ‑Soul, ‑Dance-Music, ‑EDM, ‑Hardtrance, ‑Pop, ‑Piano, ‑Flügel, ‑Klavier, ‑Kitschy

124bpm, A very sophisticated, exciting, underground at first minimalistic deep house track with weird plunder-phonics, highly processed short Japanese lo-fi-sample cuts and a minimalist 4/4 groove, The track features intricate, unusual sounds focusing on detailed micro-percussion and warm, grain sampled binaural textured clicks & cuts and Random dub tape delays, Jazzy double-bass Bassline, Vocals are unique, unusual, but, cool, slightly detached, with a unique almost inhuman timbre, Melodies are unique and excitingly avant-garde, The overall mood is groovy, warm, and feels both spacious and full of tiny details, surprising and unusual instruments, jazzy chords, NO piano, NO horns, NO trumpets, NO saxophone, 6 Minutes of Length

A laid-back trip hop groove kicks off with textured hip hop percussion and sampled vinyl crackles, Sparse verses are built over a nervous bassline, letting the sassy female vocals take center stage, Choruses amp up with melodic piano chords, layered over atmospheric pads like tolling bells

rap, metacore, guitar punchy, The track launches with a filtered radio voice swirling over static, then erupts into pounding hip hop kicks, sharp snares, and jagged electro synth stabs, Aggressive rap verses cut through grinding bass, crunchy guitars, and dark trip hop textures, The chorus detonates with hardcore and metalcore guitars above booming beats, fusing hip hop and electro pop energy

A smooth and sultry 1930s jazz song with a vintage cabaret vibe, Female lead vocals with smoky, expressive tone, Piano, upright bass, brushed drums, soft muted trumpet and saxophone, The melody is slow and dramatic, with minor key chords and a cinematic swing feel, like a noir lounge performance, Think film noir, The lyrics tell the story of a mysterious femme fatale who rises to power in the underworld of 1930s Chicago through charm and manipulation, Rich atmosphere, retro flair, smoky room energy

DRUM AND BASS 172 BPM, NOT house NOT breakbeat NOT jazz, authentic 1997 Bristol drum and bass production, complex two-step Amen break patterns, syncopated snare rushes, fast breakbeat science 170-175 BPM, prominent melodic upright double bass as featured instrument WITHIN drum and bass arrangement, deep rolling sub-bass on off-beats, warm breaks with crisp digital snares, soulful chopped vocal stabs sampled technique, liquid funk drum and bass NOT liquid house, atmospheric dnb pads, ragga-influenced vocal cuts, sophisticated UK drum and bass NOT breakbeat hardcore, double bass intro establishing melodic theme then maintained throughout drum and bass framework, professional dnb mixdown, layered break programming, organic instrumentation in electronic drum and bass context, paranoid energy, breakbeat drumming 170+ BPM mandatory, vintage dnb aesthetic, reese bass undertones, rolled snares, jungle-influenced but refined intelligent drum and bas

Mono House, Micro House, light/airy, uplifting late night energy, Late night Japanese bar and clubs giving an uplifting mono funky vibe, Blend funky house grooves with micro house minimalism, Focus on sample-heavy vocal chops around the "Dancing on my own" theme – use razor-sharp editing for chopped vocals and shouts, applying subtle pitch modulation (e, g, +5 to -5 cents) for an ethereal feel, Ensure mono compatibility by centering key elements (bass, kick) and using wide stereo on atmospherics, Build energy through layered percussion additions/removals, No traditional verses; intersperse spoken lines, hooks, and shouts for a hypnotic, dancefloor flow, Keep the bassline prominent but funky (4-note up-down pattern in the key's scale), Apply airy compression to vocals for lightness, with 3-4 harmony layers panned subtly, Use automation for builds: filter sweeps on piano stabs and wah guitar for funk, The track should feel intimate yet groovy micro house

Hybrid composition – begins as a joyful duet (harp intro), then sharply transitions into experimental dark Neurofunk (unpredictable drops, deep resonant drums, sub-bass wobble, broken rhythms, vocoder-robot voice)

Experimental minimal techno, BPM ~91, deconstructed textures, microtonal clicks, stretched syllables, interstitial sound, defective DSP spaces, semi-conscious glitch vocals, quasi-existentialist atmosphere

Experimental Electro, ~43 BPM, no fixed rhythm, phase-shifted textures, inverted field recordings, glitch drums, fractured percussion, contorted basslines, eerie FX, menacing synth stabs, sub wobble, EDM/dance intensity, unpredictable drop points, no vocals

Minimalist Hip Hop beat, strictly Bass and Drums only, Sampled deep woody upright bass loop, Ron Carter style warm bass tone, heavy MPC drums, gritty boom bap kick and snare, vinyl crackle, low-pass filter on the bass for extra sub-weight, raw and dusty atmosphere, head-nodding 80 BPM

electronic post punk, minimal, experimental, loops, effects processing, deconstructed, hyper-minimal dull electronic drums, krautrock, proto-techno, raw production, industrial, 80s avant garde, ‑singing, ‑background vocals

cold minimal proto-techno, driving minimalist bassline, sparse, minimal, soft floating atmospheric pads, cold distant vocals, repetitive driving beat, sparse minimalist vocals, sparse, minimal, empty space, cryptic, experimental electronics, sparse synthetic accents, less is more, ‑singing, ‑background vocals

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [DETAIL: HIGH](HIGH) [SOURCES: RARE](HIGH) genre: raw minimal deep house, functional sparse vocal house, underground club tool, late-night DJ record, 124 bpm groove: strict locked 4/4 loop, classic house swing, hypnotic repetition, no fills, no breaks, loop-first logic drums: tight dry kick, crisp clap on 2 and 4, shuffled hi-hats, minimal percussion, bass: rolling house bassline, mono-focused mid-low range, steady velocity, no melodic variation, groove-locked harmony: single tonal center, minimal harmonic content, tension through repetition only sound design: very limited elements, french filtered house loops, filtered noise used structurally vocal role: spoken rhythmic vocal, chant-based repetition, percussive phrasing, flat affect, no emotion, no melody arrangement: DJ-friendly tool structure, long identical loops, minimal breakdowns, instant drop return, no song arc mix: dry upfront sound, punchy, ‑saxophone, ‑horns, ‑brass, ‑stabs, ‑trumpet, ‑jazz, ‑presets, ‑norm, ‑standard, ‑boredom

French Indie Pop, Dream Pop, Lo-fi aesthetic, Atmospheric, Melancholic, Nostalgic, Minimalist, Ultra-dry minimal techno, Detroit techno, Dub techno, Solid 4/4 kick, Instant 4/4 start, Straight to beat, Deep muffled sub bass, Heavy low-end, Thumping bass, No melody, Percussive only, Pure electronic tones, Hypnotic, Cold, Repetitive groove, Mathematical, Precision timing, Sterile minimalism, No reverb, Dry, No high-frequency noise, No hiss, Raster-Noton style, IDM, Glitch, Industrial, Pure electronic, High frequency clicks, Cold, Mathematical, Experimental Vocal Instructions: An extremely soft, breathy female voice, Whispering style like Jane Birkin or Françoise Hardy, The vocals should feel like they are disappearing into the air, Close-mic recording, intimate, fragile, and delicate, No vibrato, very flat and calm

Ultra-dry minimal techno, Detroit techno, Dub techno, Ambient, Solid 4/4 kick, Instant 4/4 start, Straight to beat, Deep muffled sub bass, Heavy low-end, Thumping bass, Percussive only, Pure electronic tones, Hypnotic, Cold, Repetitive groove, Mathematical, Precision timing, Sterile minimalism, Dry, BPM 125, bounce drop