5:11

Dandelion Wine
v4.5-all
Organic Appalachian jam band blending psychedelic folk, southern rock, and jazz rock, Acoustic guitars, mandolin, banjo, fiddle, Hammond B3, Fender Rhodes, upright bass, brushed-to-driving drums, and electric guitar improvisation with slide, phaser, tape echo, and rotary speaker, Loose, communal arrangement with word-choice-only tension rising into extended instrumental interplay
3:36

Energy • Frequency • Vibration
v4.5-all
Psychedelic rock reimagined with a 528 Hz-centered tonal palette, warm mid-tempo groove, gently detuned guitars and shimmering overtones layered around a droning analog bass; hypnotic tambourine and tom patterns support airy Mellotron choirs and reverse-texture swells, Vocals sit intimate and saturated with spring reverb blooms, long stereo delays, and subtle harmonic resonance emphasizing soothing, uplifting frequencies for a meditative, trance-like energy
4:26

Ride the Rocket
v4.5-all
vintage analog synthesizer space-ambient track, slow build-up, warm saw and square lead over lush stereo pads, simple repeating arpeggios, gentle filter sweeps, soft tape delay and plate reverb, melancholic but hopeful atmosphere, long evolving chords, no vocals, inspired by late 70s French electronic space music, soundtrack vibe for science documentary
3:51

I Wanna Be Wit'cha
v4.5-all
Space pop, vintage lounge, cocktail jazz, 1980s, chillwave, exotica lounge, relaxing cosmic vibes, synth, chill lounge, retro-futuristic, cosmopolitan, 1980s pop, space jazz
2:52

The State That I'm In
v4.5-all
Sophisticated chamber pop with indie and post-punk edge, sunny but understated, Fingerpicked acoustic guitars, upright bass, and brushed drums over warm string quartet voicings and glockenspiel doubles, Clean bassline, tight toms, muted chorus guitar, subtle tape delay, and bright major-key harmony for a polished, slightly restless groove
3:35

Kick To The Head
v4.5-all
coldwave, dark surf, shoegaze, neo-punk, 142 BPM, swung sixteenth groove, motorik bass drum, muted surf guitar, tremolo bar chords, chorus-drenched guitar harmonics, baritone synth lead, dub delay stabs, analog pad drones, slapback snare, gated room reverb, tape saturation, minor key, nocturnal urgency
4:35

Summer Rain
v4.5-all
Lush dream pop, jangle rock, and indie pop with bittersweet, late-summer texture: chiming 12-string electric guitars, chorus-drenched clean guitars, airy synth pads, and a pulsing picked bassline, Tight live drums with bright snare, splashy ride, and tape delay on vocals; hazy reverb, light tremolo, and a glowing, wistful hook
3:49

I'm Not Here
v4.5-all
Slowcore, trip-hop, lo-fi chill, lush production with soft brushed drums, dusty breakbeats, sub-bass underfelt, muted electric piano, tremolo guitar, and hazy synth pads, Close-mic breathy vocals with doubled harmonies, tape wobble, vinyl crackle, long delay tails, and low-pass filtering for a blurred, dissolving texture, Ghostly female vocals in whispers, Nocturnal drift
3:55

Between the Cracks in the Night
v4.5-all
Madchester
Bass funk protagonist
Drums baggy loose
Organic Breakbeat
Psychedelic funk rock
Dance-rock British
Alternative groove rock
Acid indie grounding chaos with organic texture hand bells voiceover Megaphone
4:44

Crystalline Caroline
v4.5-all
Madchester groove with jangly 12-string guitar riffs, psychedelic funk bass slaps, and alt-dance breakbeats at a relentless 128 BPM, Big beat kicks hit hard, shoegaze guitars blur into reverse delay and wall-of-fuzz textures, with tambourine snaps, filtered synth stabs, and roomy tom fills driving a breathless, forward-pushing mix
4:27

Boots on the Ground
v4.5-all
Gothic folk soul fused with southern gothic gospel and rhythmic americana: fingerpicked acoustic guitar, tremolo baritone electric, pump-organ drone, gospel piano, upright bass, brushed-to-stomping drums, handclaps, slide guitar, and mournful choir backups, Gravelly male vocal with call-and-response, room reverb, and raw, dirt-floor grit
3:27

High On My Own Supply
v4.5-all
Psybient roots reggae with 808 dub weight: laid-back one-drop drums, deep spring-reverb snare, dub delay throws, wobbling sub-bass, offbeat skanking guitar, organ bubbles, and funktronica clavinet syncopation, Sunny, dreamy synth pads, experimental glitch edits, tape echo, filtered vocal chops, and spacious stereo movement
3:28

Swim With Me
v4.5-all
vintage swing, traditional Hawaiian hula, 128 BPM, brushed jazz drums, slack-key guitar harmonics, ukulele tremolo strum, upright bass walk, vibraphone comping, muted trumpet riffs, steel guitar glides, syncopated swing groove, cascading call and response, chamber reverb, tape saturation, sparse intro, midtrack breakdown, full-band crescendo, warm analog mix
4:54

Guilty Pleasure
v4.5-all
Accusation in a darkwave, synth pop, nu-disco, post-punk hybrid: cold analog bass, chorus-soaked clean guitar, syncopated disco hi-hats, gated snare, and pulsing synth arps, Low-pass pads, deadpan verses, glossy hook stacks, tape delay throws, and a tight 118 BPM groove with edgy, nocturnal texture
5:25

Cellar Door [Dance Down Mix]
v4.5-all
dark ambient, cinematic drone, atmospheric electronic, slow-build, deep sub-bass, ethereal swells, shimmering synth pads, minimal glitch, analog warmth, immersive reverb, meditative, spacious, contemporary ambient, 60 BPM
4:06

Help Me Understand
v4.5-all
60s psychedelic rock, vintage fuzz guitar, swirling phaser effects, jazzy drum shuffle, melodic retro bassline, ethereal male vocals, lo-fi indie, melancholic groove
4:12

4:25

3:52

Think Twice
v4.5-all
trip-hop, 1960's soul, brass strings, wall of sound, vintage vibes, hip-hop beats
4:28

Ripping Off The Band-Aid
v4.5-all
trip hop, drum n bass, analog synthesizers, pedal steel guitar, glitter rock drums, fuzz guitar, vintage synth bass, lush harmonies, fender rhodes, hammond b3 organ, analog delay effects, mid-tempo stomp, drum machine, vocoder, arpeggiator, sequenced basslines
3:49

Heart on a Wire
v4.5-all
Alternative, hip-hop, rap rock, downtempo, smooth, trip-hop, indie, eclectic, funk pop, syncopated, chill, vintage vibes
5:18

5:41

Thief of My Heart
v4.5-all
Haunting trip-hop, 1960s spy jazz, exotica lounge, suspicion, acid jazz, retro-futuristic, intrigue, mysterious, downtempo
6:12

You Got the Push, I Got the Pull
v4.5-all
electronic, trip hop, haunting, alternative rock, loops, samples
4:31

See Me Falling
v4.5-all
alternative trip-hop, lush, loops, eerie samples, Madchester, bounce, eclectic, mellow
4:24

Order Out of Chaos
v4.5-all
haunting trip-hop, lush, space loops, futuristic samples, alternative rock, industrial
5:09

6:01

The Only Thirst
v4.5-all
darkwave, synthpop, electro-industrial, deep vocals, new wave, atmospheric, haunting, sensual
4:23

On The Edge
v4.5-all
Alternative, hip-hop, rap rock, downtempo, smooth, trip-hop, indie, eclectic, funk pop, syncopated, chill
5:43

5:40

3:50

3:58

2:47

synthpop, indietronica, cinematic, female voice, romantic, orchestral, dance pop, soft rock
4:31

vintage analog synthesizer space-ambient track, slow build-up, warm saw and square lead over lush stereo pads, simple repeating arpeggios, gentle filter sweeps, soft tape delay and plate reverb, melancholic but hopeful atmosphere, long evolving chords, no vocals, inspired by late 70s French electronic space music, soundtrack vibe for science documentary, ‑-choir, ‑-guitar, ‑-pads, ‑-EDM, ‑-trap beat, ‑-hip hop, ‑-rock, ‑-metal, ‑-techno, ‑-trance, ‑-lo-fi, ‑-ambient, ‑-soundscape, ‑-vocals, ‑-voice, ‑solo violins
4:13

High On My Own Supply
v4.5-all
Psybient roots reggae with 808 dub weight: laid-back one-drop drums, deep spring-reverb snare, dub delay throws, wobbling sub-bass, offbeat guitar skank, organ bubbles, and funktronica clavinet syncopation, Sunny, dreamy synth pads, experimental glitch edits, tape echo, filtered vocal chops, and spacious stereo movement
3:35

High On My Own Supply
v4.5-all
Psybient roots reggae with 808 dub weight: laid-back one-drop drums, deep spring-reverb snare, dub delay throws, wobbling sub-bass, offbeat skanking guitar, organ bubbles, and funktronica clavinet syncopation, Sunny, dreamy synth pads, experimental glitch edits, tape echo, filtered vocal chops, and spacious stereo movement
3:19

Come Swim With Me
v4.5-all
vintage swing, traditional Hawaiian hula, 128 BPM, brushed jazz drums, slack-key guitar harmonics, ukulele tremolo strum, upright bass walk, vibraphone comping, muted trumpet riffs, steel guitar glides, syncopated swing groove, cascading call and response, chamber reverb, tape saturation, sparse intro, midtrack breakdown, full-band crescendo, warm analog mix
3:59

Come Swim With Me
v4.5-all
vintage swing, traditional Hawaiian hula, 128 BPM, brushed jazz drums, slack-key guitar harmonics, ukulele tremolo strum, upright bass walk, vibraphone comping, muted trumpet riffs, steel guitar glides, syncopated swing groove, cascading call and response, chamber reverb, tape saturation, sparse intro, midtrack breakdown, full-band crescendo, warm analog mix
4:05

Guilty Pleasure
v4.5-all
space age pop, 92 BPM, brushed drum kit, upright bass walking line, vibraphone comping, theremin lead motif, analog synth pads, Rhodes chord stabs, tape echo delays, plate reverb, stereo panning, brushed swing groove, moonlit nostalgia, playful nocturne, lounge waltz, syncopated cabaret, warm tube saturation
4:18

Guilty Pleasure
v4.5-all
space age pop, 92 BPM, brushed drum kit, upright bass walking line, vibraphone comping, theremin lead motif, analog synth pads, Rhodes chord stabs, tape echo delays, plate reverb, stereo panning, brushed swing groove, moonlit nostalgia, playful nocturne, lounge waltz, syncopated cabaret, warm tube saturation
3:33

Help Me Understand
v4.5-all
60s psychedelic rock, vintage fuzz guitar, swirling phaser effects, jazzy drum shuffle, melodic retro bassline, ethereal male vocals, lo-fi indie, melancholic groove
3:53

Help Me Understand
v4.5-all
60s psychedelic rock, vintage fuzz guitar, swirling phaser effects, jazzy drum shuffle, melodic retro bassline, ethereal male vocals, lo-fi indie, melancholic groove
2:59

Rippin' Off the Band-Aid
v4.5-all
trip hop, drum n bass, analog synthesizers, pedal steel guitar, glitter rock drums, fuzz guitar, vintage synth bass, lush harmonies, fender rhodes, hammond b3 organ, analog delay effects, mid-tempo stomp, drum machine, vocoder, arpeggiator, sequenced basslines, neo-soul hip-hop
4:40

Rippin' Off the Band-Aid
v4.5-all
trip hop, drum n bass, analog synthesizers, pedal steel guitar, glitter rock drums, fuzz guitar, vintage synth bass, lush harmonies, fender rhodes, hammond b3 organ, analog delay effects, mid-tempo stomp, drum machine, vocoder, arpeggiator, sequenced basslines, neo-soul hip-hop
4:13

Ripping Off The Band-Aid
v4.5-all
trip hop, drum n bass, analog synthesizers, pedal steel guitar, glitter rock drums, fuzz guitar, vintage synth bass, lush harmonies, fender rhodes, hammond b3 organ, analog delay effects, mid-tempo stomp, drum machine, vocoder, arpeggiator, sequenced basslines, neo-soul hip-hop
5:01

4:33



