3:54
Like a Runway
v4.5-all
rock, Wide-screen contemporary country rock with male vocals; steady midtempo groove anchored by warm bass and roomy drums, verses carried by chiming electrics and acoustic strums, chorus explodes into big octave guitars and stacked harmonies, Cinematic strings swell in the back half, toms and gang vocals lift the bridge into a final, anthemic repeat, contemporary, country rock
3:05
Your Sky
v4.5-all
Upbeat electro-pop with bright synth leads, tight four-on-the-floor kick, and bouncy bass, Verses stay slightly sparser with plucky keys and finger snaps, then choruses bloom into big stacked female vocals, wide pads, and glittery arps, Middle-eight pulls drums down to claps and sub, then slams back into a final hook with ad-lib runs and a lifted top-line
3:36
New Day
v4.5-all
folk, Wide-screen cinematic folk: fingerpicked acoustic and softly bowed strings in the verses; tom-driven pulse and low drones building into a soaring, chant-like chorus, Male vocals raw and storytelling up close at first, then widening with stacked harmonies and octave doubles, Mandolin and distant brass swell in the bridge, final chorus blooms with floor toms, group shouts, and a long, ringing chord at the end, exciting
3:48
The Cracking Sky
v4.5-all
Haunting cinematic folk: close, breathy female vocals over reverb-drenched ukulele arpeggios; low drones, distant choirs, and booming toms rise in the chorus, Melody feels nursery-rhyme sweet against eerie harmonies, with sudden crescendos and whispered ad-libs that swell into an epic, stormy climax, ukulele
2:35
Starfall
v4.5-all
Majestic hybrid score: towering synth pads and arpeggios under a sweeping minor-key orchestra, big toms and taiko accents, choirs blooming in the chorus, Slow build from a single vocal and soft piano into a thunderous, shimmering climax; wide stereo delays and reverb that feel like singing inside a vast sci‑fi cathedral
3:29
Comet
v4.5-all
Slow-building cinematic piece, 90–100 BPM feel, centered on pulsating toms, granular percussion, and low booms; strings enter in waves, from tense tremolo to soaring high lines, Subtle synth pulses under the rhythm, brass swells in the second half, choir pads in the climax, Arrangement arcs from sparse heartbeat energy to wide, triumphant peak, then falls to a single fading drum pulse, Instrumental, built for trailers or opening credits
3:47
Cumbre de Fuego
v4.5-all
Epic hybrid orchestral with driving taikos and sharp rhythmic strings, steady build from tense pulses into a huge, anthemic climax; choirs enter on the hook, brass and low choirs reinforcing each downbeat, cinematic impacts and risers shaping clear drops and surges, ideal for male vocals with bold, staccato phrasing and a soaring, legato chorus
3:04
Wrong Reasons
v4.5-all
metal, Anthemic modern metal with big gang-vocal chorus, mid-tempo stomp in the verses that explodes into double-time drums on hooks, Gritty male vocals: half-melodic screaming on the edges, soaring clean topline on the chorus, Guitars shift from chugging palm mutes to open, ringing power chords; bass locks with a tight kick, Bridge strips to filtered vocal and toms, then a final wide, shout-along hook built for festival crowds and, accidentally, the internet