Hands Up, Push Through!

Instruments-first, cinematic build, Vocals are not the focus until the midpoint, Form @ 122 BPM, 4/4 (adjust if needed): Intro (0:00–0:30 / ~16 bars): beatless pads → filtered break layers, bass teases only, Build 1 (0:30–1:05 / ~16 bars): add crunchy breaks, Reese/sub swells, guitar stabs; Cinematic sci-fi hip-hop with ominous respirator motif; dusty halftime breakbeat at 84 BPM, ultra-low resonant sub that blooms on downbeats, crushed room snare with ghost-note chatter, crisp hats that shift to perceived double-time in hooks, Analog synth drones, laminar pad beds, bowed metal swells, low brass surges at section changes; granular reverses and sabre-adjacent sweeps (no literal quotes), dramatic pre-drop breath, Monolithic, imperial mood; rain-slick noir, cavernous halls, red-edge aperture glows, Keep timing human, light saturation, wide stereo, deep sidechain on pads; preserve 1-bar “breath only” drop before hooks, No spoken-word narration; sung/rap blend allowed but stays rhythmic

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

Electronic indie-pop atmosphere, light synth pads, gentle and airy vocals, introspective lyrical tone, dreamy textures, minimalistic percussion, crisp electronic beats, subtle guitar layers, nostalgic

Electronic indie-pop atmosphere, light synth pads, gentle and airy vocals, introspective lyrical tone, dreamy textures, minimalistic percussion, crisp electronic beats, subtle guitar layers, nostalgic

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

Instruments-first, cinematic build, Vocals are not the focus until the midpoint, Form @ 122 BPM, 4/4 (adjust if needed): Intro (0:00–0:30 / ~16 bars): beatless pads → filtered break layers, bass teases only, Build 1 (0:30–1:05 / ~16 bars): add crunchy breaks, Reese/sub swells, guitar stabs; Cinematic sci-fi hip-hop with ominous respirator motif; dusty halftime breakbeat at 84 BPM, ultra-low resonant sub that blooms on downbeats, crushed room snare with ghost-note chatter, crisp hats that shift to perceived double-time in hooks, Analog synth drones, laminar pad beds, bowed metal swells, low brass surges at section changes; granular reverses and sabre-adjacent sweeps (no literal quotes), dramatic pre-drop breath, Monolithic, imperial mood; rain-slick noir, cavernous halls, red-edge aperture glows, Keep timing human, light saturation, wide stereo, deep sidechain on pads; preserve 1-bar “breath only” drop before hooks, No spoken-word narration; sung/rap blend allowed but stays rhythmic

Instruments-first, cinematic build, Vocals are not the focus until the midpoint, Form @ 122 BPM, 4/4 (adjust if needed): Intro (0:00–0:30 / ~16 bars): beatless pads → filtered break layers, bass teases only, Build 1 (0:30–1:05 / ~16 bars): add crunchy breaks, Reese/sub swells, guitar stabs; Cinematic sci-fi hip-hop with ominous respirator motif; dusty halftime breakbeat at 84 BPM, ultra-low resonant sub that blooms on downbeats, crushed room snare with ghost-note chatter, crisp hats that shift to perceived double-time in hooks, Analog synth drones, laminar pad beds, bowed metal swells, low brass surges at section changes; granular reverses and sabre-adjacent sweeps (no literal quotes), dramatic pre-drop breath, Monolithic, imperial mood; rain-slick noir, cavernous halls, red-edge aperture glows, Keep timing human, light saturation, wide stereo, deep sidechain on pads; preserve 1-bar “breath only” drop before hooks, No spoken-word narration; sung/rap blend allowed but stays rhythmic

Instruments-first, cinematic build, Vocals are not the focus until the midpoint, Form @ 122 BPM, 4/4 (adjust if needed): Intro (0:00–0:30 / ~16 bars): beatless pads → filtered break layers, bass teases only, Build 1 (0:30–1:05 / ~16 bars): add crunchy breaks, Reese/sub swells, guitar stabs; Cinematic sci-fi hip-hop with ominous respirator motif; dusty halftime breakbeat at 84 BPM, ultra-low resonant sub that blooms on downbeats, crushed room snare with ghost-note chatter, crisp hats that shift to perceived double-time in hooks, Analog synth drones, laminar pad beds, bowed metal swells, low brass surges at section changes; granular reverses and sabre-adjacent sweeps (no literal quotes), dramatic pre-drop breath, Monolithic, imperial mood; rain-slick noir, cavernous halls, red-edge aperture glows, Keep timing human, light saturation, wide stereo, deep sidechain on pads; preserve 1-bar “breath only” drop before hooks, No spoken-word narration; sung/rap blend allowed but stays rhythmic

Instruments-first, cinematic build, Vocals are not the focus until the midpoint, Form @ 122 BPM, 4/4 (adjust if needed): Intro (0:00–0:30 / ~16 bars): beatless pads → filtered break layers, bass teases only, Build 1 (0:30–1:05 / ~16 bars): add crunchy breaks, Reese/sub swells, guitar stabs; Cinematic sci-fi hip-hop with ominous respirator motif; dusty halftime breakbeat at 84 BPM, ultra-low resonant sub that blooms on downbeats, crushed room snare with ghost-note chatter, crisp hats that shift to perceived double-time in hooks, Analog synth drones, laminar pad beds, bowed metal swells, low brass surges at section changes; granular reverses and sabre-adjacent sweeps (no literal quotes), dramatic pre-drop breath, Monolithic, imperial mood; rain-slick noir, cavernous halls, red-edge aperture glows, Keep timing human, light saturation, wide stereo, deep sidechain on pads; preserve 1-bar “breath only” drop before hooks, No spoken-word narration; sung/rap blend allowed but stays rhythmic

Instruments-first, cinematic build, Vocals are not the focus until the midpoint, Form @ 122 BPM, 4/4 (adjust if needed): Intro (0:00–0:30 / ~16 bars): beatless pads → filtered break layers, bass teases only, Build 1 (0:30–1:05 / ~16 bars): add crunchy breaks, Reese/sub swells, guitar stabs; Cinematic sci-fi hip-hop with ominous respirator motif; dusty halftime breakbeat at 84 BPM, ultra-low resonant sub that blooms on downbeats, crushed room snare with ghost-note chatter, crisp hats that shift to perceived double-time in hooks, Analog synth drones, laminar pad beds, bowed metal swells, low brass surges at section changes; granular reverses and sabre-adjacent sweeps (no literal quotes), dramatic pre-drop breath, Monolithic, imperial mood; rain-slick noir, cavernous halls, red-edge aperture glows, Keep timing human, light saturation, wide stereo, deep sidechain on pads; preserve 1-bar “breath only” drop before hooks, No spoken-word narration; sung/rap blend allowed but stays rhythmic

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy: crunchy break loops, distorted Reese/sub bass, fuzzed guitar stabs, phased synth arps, filtered noise risers; anthemic, optimistic mood despite grit; vocal only pre-chorus + chorus (female lead w/ tight doubles, gang shouts on hook phrase “Golden error signal”), call-and-response feel; wide stereo, punchy bus compression, tape grit, no spoken word; avoid trap hats/EDM supersaws; end with chantable hook outro

dream-pop x downtempo, 84 BPM; soft kit w/ 8% swing, granular pads, piano reversed tails, sub-bass swells; intimate female lead w/ octave lift on title; grayscale basement reverb (short, boxy), field-recorded hums; melancholic, reflective, slow bloom

dream-pop x downtempo, 84 BPM; soft kit w/ 8% swing, granular pads, piano reversed tails, sub-bass swells; intimate female lead w/ octave lift on title; grayscale basement reverb (short, boxy), field-recorded hums; melancholic, reflective, slow bloom

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws