Return to the Stray
The blues played from the Dragon City Chronicles Shotguns & Sorcery series were created through collaboration with Raiyu Reedsplitter. The bard at The Welcome Stray tavern in Dragon City.
·
11 songs
2:01
Acoustic instrumental piece in a folk style, The primary instrument is an acoustic guitar, playing a fingerpicked melody with arpeggiated chords, The tempo is moderate, The piece features a clear, bright tone with minimal effects, suggesting a natural, unprocessed sound, The chord progression is diatonic and resolves clearly, The structure is simple, with a main melodic theme repeated and slightly varied, There are no vocals, The mixing is balanced, with the guitar prominent in the foreground
3:02
Delta Blues is inspired by the earliest recordings of music in the American South during the beginning of the vinyl record era
2:44
Single solo folk guitar, Delta Blues is inspired by the earliest recordings of music in the American South during the beginning of the vinyl record era
3:19
Single solo Delta Blues Guitar tune inspired by the earliest music recordings in the American South during the beginning of the vinyl record era
2:40
Soloist, Blues Guitar Solo, A single guitar playing Zombie Horror, American Southern Gothic, Deep South Delta Blues, inspired by Romero Late 1970s film as interpreted by a 1920s era Mississippi musician on the hottest day of the year, Solo
2:14
A single guitar playing Zombie Horror, American Southern Gothic, Deep South Delta Blues, inspired by Romero Late 1970s film as interpreted by a 1920s era Mississippi musician on the hottest day of the year
2:19
A single guitar playing Zombie Horror, American Southern Gothic, Deep South Delta Blues, inspired by Romero Late 1970s film as interpreted by a 1920s era Mississippi musician on the hottest day of the year
2:24
Soloist, Blues Guitar Solo, A single guitar playing a slow Zombie Horror, American Southern Gothic influence, As if a Deep South Delta Blues soloist was inspired by Romero movies Late 1970s and films then interpreted them into a 1920s era Mississippi musician on the hottest day of the year recorded in the earliest days of Viynal
3:34
Soloist, Blues Guitar Solo, A single guitar playing a slow Zombie Horror, American Southern Gothic influence, As if a Deep South Delta Blues soloist was inspired by Romero movies Late 1970s and films then interpreted them into a 1920s era Mississippi musician on the hottest day of the year recorded in the earliest days of Viynal
2:41
Soloist, Blues Guitar Solo, A single guitar playing a slow Zombie Horror, American Southern Gothic influence, As if a Deep South Delta Blues soloist was inspired by Romero movies Late 1970s and films then interpreted them into a 1920s era Mississippi musician on the hottest day of the year recorded in the earliest days of Viynal
3:29
Acoustic Soloist, Acoustic Blues Guitar Solo, A single acoustic guitar playing a slow Zombie Horror, American Southern Gothic influence, As if a Deep South Delta Blues soloist was inspired by Romero movies Late 1970s and films then interpreted them into a 1920s era Mississippi musician on the hottest day of the year recorded in the earliest days of Viynal