3:47

Roll Over Suno
v4.5+
A trio blends J-rap and boom bap with edgy jazz-punk bass, glitchy jazzy guitar, syncopated spy jazz rhythms, and bursts of Big Band Swing horns, Uptempo smooth rock and roll chords underscore power, clear, and soft female rap vocals trading verses and duets, with scratch turntablism, vinyl crackle, and cypher battle spirit, Cut-off outro for punch, |[outro] - stop, cut off|
3:38

psychedelia × Boogie anthemic phrase Emphasized sound pipe organ loops, unforgettable fast tempo blues explosion, Laid-back Blending boom-bap drum kit, vinyl-textured cleared sound, pipe organ unforgettable phrase loops in background, with dry analog soundscape, merging with old delinquents vibes, The overall mood is break beats Explosion, with tambourine and scratch turntablism, vinyl crackle, Weirdcore flavor, Kick-snare patterns, Punchy Kick Drum, tight breaks, reversed breakbeat fills, syncopated drums, swung 16th hi-hats, crisp hats (32nd rolls, velocity shifts exchange rhythms swung 16th-note hi-hats), occasional hi-hat rolls, and tight Snare Rolls, with intricate Cymbals works, ghost-note-rich drums, pizzicato punchy heavy double bass sound, infectious basslines, stylish and groovy basslines, infectious rhythm, rhythmic funky acoustic guitar ambient relaxed Strumming, dynamic quirky, electro, groovy, Wide stereo imaging pizzicato heavy double basslines soundscape
2:46

Blending boom-bap drum kit, swung 16th hi-hats, tight dry snares, and filtered loops, the groove rides a syncopated rolling bassline with percussive flourishes, SP-1200 grit and lo-fi tape saturation color chopped rock'n'roll guitar and jazz-funk organ stabs, Verses shift every 8 bars between normal-pitched raps and high-pitched raps, layered with phasing, glitch-punk tempo jumps, reversed break fills, minimal 808s, A stripped MC battle interlude cuts in before the full, dynamic, break-heavy climax, |short time intro and cut-off interlude and a climax powered by rhythm-shifting beat chops, cut off outro |
4:36

J-rap, boom bap, up tempo new jack swing, aggressive old school EBM atop turntablism, 142 Bpm, infectious chopped funk phrase, unforgettable riffs play the solid vintage guitar, and loops, spacy sonic texture, filtered drum loops, tight dry snares, Punchy Kick Drum, reversed breakbeat fills, shuffling hi-hats, syncopated hi-hats, crisp hats (32nd rolls, velocity shifts exchange rhythms swung 16th-note hi-hats)
minimal 808 kick accents, funky slap bass, and Pizzicato bass, Rolling Bassline syncopated, Percussive Loops, dynamic battle-style breaks, Brief interlude drops to stripped MC battle beat, accented by distorted funky saxophone, The overall mood is provocative and gangster jazz, Verses shift every 8 bars between normal-pitched soft voice then high-pitched whispered voice raps, smooth rap, smooth flow
3:26

A J-rap bounce rap fusion built on 1950s big band horns and syncopated linear drums, with smooth-flowing rap vocals, Expressive turntablism cuts between, rock and roll phrase playful jagged distorted guitar stabs, Subby slap bass locks in with glitch funk rhythms, accented by crisp silences and pulsing glitches
4:23

Song 9
v5
disco punk, dynamic disco, UK new wave, post-disco, rave, Modern House, scratches sparking transitions, Click sharp snare grooving, with intricate hi-hat work, off-kilter hi-hats, violent kicks, ghost-note-rich drums, layered percussive fills, smooth simple power bass riff, alternative rock ambient guitar, and rhythmic funky wah guitar raw sound fused muted strumming, unforgettable stylish and groovy phrase play the Rhodes Piano in background, laid-back quirky Indietronica and danceable groove with repeating phrases, accented by driving electric shaker sound and scream, Wide stereo imaging sway beat × stop-start dynamics soundscapes, balance perfect EQ, dolby atmos, [spatial audio], [3D audio], [3D sound], The overall mood is 1980s underground dance club, energetic, j-rap, male clear voice, Smooth flow, smooth rap on rapid-fire interplay with roll one's tongue, call-and-response and back chorus with minor/major 7th mixed voicings, Effects: [drum count - FX]
3:23

まったく僕 友達いない
v4.5+
smashing indie dance-punk anthem opening with strong basslines, post-punk revival, driving bass, stop-start dynamics, quirky indie and danceable groove with repeating phrases, dolby atmos, punchy kicks, syncopated high hats, accented by featuring warm analog synths, and dry analog cowbell, j-rap, spoken word, smooth flow, smooth rap, G-Funk, male soft voice, Sprechgesang, unforgettable post-punk revival hook delivering a catchy, d'n'b, trip hop effect, post punk, jungle dub, Nu-Disco, Dance-Punk, Nu-Rave
4:00

Playful swamp blues acoustic riff opens in mono, then a brash, hard bop horn section explodes in, joined by boom bap drums fused with lively gnawa percussion, electric cajon, and electric bongo, Complex syncopated rhythms drive forward, with crisp silences and bursts of distorted funky bass, Wide stereo horns, finger snaps, and expressive whistling maximize space, J-rap verses alternate between smooth rap, drunk flows and whispered delivery, all orbiting a punchy, unforgettable hook
3:24

Common People
v4.5+
The track opens with African and moroccan percussion layered over minimal techno beats and a brief, whistled motif, rock’n’roll phrase play the vintage solid guitar join, accented by laid-back whistling by intro short time, Drill’n’bass breaks pulse underneath, merging with lo-fi electric piano and psychedelic funk chords, Subbass edits and bush techno textures add depth, two rappers—Female soft clear voice and Female whisper voice, double smooth rap, rapid-fire bounce rap flows, Verse 1 and 3 spotlights sharp, Female soft clear voice rap; Verse 2 and 4 switch to a Female whisper voice rap, The hook features dual rap vocals, blending in slick turntablism, rock’n’roll fills, and infectious African dance rhythms, Edgy groove cuts and an abrupt, silent outro create a bold finish, |(intro) - short time|, |(Verse 1 and 3)- Female soft clear voice rapper only|, |(verse 2 and 4)- Female whisper voice rap only |, |(hook)- duet, catchy melody |, |(outro) - shut out, cut off, short time|
3:34

Diss for Me and You
v4.5+
Style: UK grime × sway beat × Chopped Breaks and turntablism, Percussion is Traditional Afrobeat–Hop feel, Cajon, bongo, fused with Classic Afrobeat rhythms and uptempo rolling beats, [Rhythm:(stop-and-go groove; backbeat heavy; funky edge)], syncopated stop-time hits, bounce rhythm and broken syncopation, ghost-note-rich, sudden time signature shifts (4/4 ⇄ 12/8), exciting rhythm, explosive heavy contrabass sound, infectious basslines, stylish and groovy basslines, Laid-back solid electric guitar muted fast cutting and punchy sub bass trade licks, lo-fi Rhodes piano play the Key: E Dorian, accented by Using cheap children's toy instruments (like toy pianos and turntables) to create an classic hip hop, one male rapper only, smooth rap, smooth flow, raw normal voice
5:18

fuckin well made, jazztronica, avant-garde jazz Illbient soundscapes, acid rap, new school hip hop, P-funk, smashing new school hip hop anthem opening with scratch turntablism drive, vinyl crackle, SP-1200 grit and lo-fi dusty Baritone sax play the exciting hard bop phrase, Breakcore percussion, tight breaks, and occasional hi-hat rolls push a rhythmic rap flow, tight dry snares, nonstop cymbals and snare rolls, with intricate hi-hat work, off-kilter hi-hats, ghost-note-rich drums, rolling beats, syncopated stop-time hits, click sharp snare, Punchy drive a funky groove drums, punchy Pizzicato bass, Prominent bassline loop, infectious basslines, with scratch-driven turntablism, funky house groove with TR-909 layers, and syncopated drums, stylish and groovy basslines, Wide stereo imaging perfect EQ, Dual MCs—one normal voice-male, one clear voice-male—switch off in smooth rap, groovy j-rap duets, delivering a catchy, unforgettable P-funk hook, [machine gun-shot FX]
4:01

禁断のボタン
v5
rebellious attitude, Conscious Rap, p-funk, sway beat, j-rap, smooth flow, smooth rap while backing voice support aggressive rap verses, Wide stereo imaging UK-grime textures and afro-futuristic soundscapes, dolby atmos, stop-start dynamics, The overall mood is new school hip hop × post-hardcore × djent riffs, percussive loops, tight dry snares, click sharp snares, [Rhythm:(stop-and-go groove; backbeat heavy; funky edge)], syncopated stop-time hits, sway beat rhythm and broken syncopation, Expressive turntablism cuts between, accented by dry wood block, laid-back vintage wah guitar and punchy sub bass trade licks, strong Pizzicato bass, crisp silences and pulsing providing a powerfull groove, dark jazzy jagged distorted guitar stabs, d'n'b, trip hop effect
3:58

Opening with a smashing Japanese Hip Hop catchy anthem phrase cut-in, the track explodes into a fast boogie/Go-Go groove: human beatbox and scratch turntablism riding relaxed, ghost-note-laden lo-fi drums, with off-kilter hi-hats and heavy kicks, Pizzicato, stylish basslines lock with crunchy piano stabs, bone-dry handclaps, fuzzed guitar, and syncopated stop-time hits, Infectious boogie phrases and spacey texture layer under cold, edgy J-rap: one male (husky voice), slick verses, seamless flow, aggressive backing, rapid-fire interplay, and rolling tongue technique
4:20

bass house, noise core, drill’n’bass, J-rap, smooth flow, smooth rap while backing voice support aggressive rap verses, chromatic chords play the pipe organ in background, old school hip hop atmosphere and The overall mood underground dance club and noir film score feel, dolby atmos, Wide stereo imaging bass house textures and noise core soundscapes, afro-futuristic analog synth sonic textures, Breakneck drill’n’bass percussion energizes, dirty and noir phrase vintage french horn and heavy tuba with phrase unison fuses dusty, driving turntablism, a genre-smashing j-rap infectious anthem, Cymbals And Snare Rolls, tight dry snares, violent punchy kicks, with intricate hi-hat work, off-kilter hi-hats, ghost-note-rich, syncopated hi-hats, syncopated break, syncopated stop-time hits, broken syncopation, punchy pizzicato bass, unforgettable walking basslines, accented by driving tambourine, laid-back muted noise play the solid vintage ambient electric guitar Strumming
3:48

jazzcore, electro swing, jazz-rap, and rhythmic funk, A genre - smashing jazzcore anthem opening with pizzicato bass, punchy sub kicks, and jazzy scratch transitions and whistled motif, Drums morph from breakbeat nu-jazz with heavy percussive fills to polyrhythmic djent × acid p-funk × drill’n’bass grooves and Afrobeat–Hop soundscapes, blended with glitchy industrial cabaret, Wide stereo and dolby atmos deepen layered analog synths, swinging snares, hi-hats, and funk guitars (muted/wah), Basslines groove and trade with sub bass licks, Three rappers—soft, cute, husky—exchange smooth, rapid-fire, J-rap–infused flows over bold stop-start and bounce dynamics
3:46

ビートの神様
v4.5+
A genre-smashing j-rap anthem opening with vintage rock’n’roll guitar atop retro soul chords, fused with uptempo hip hop big beat, Breakneck drill’n’bass percussion energizes gnawa rhythms and chill Afro-house grooves, Baritone sax, playful soul keys, wah guitar, and punchy sub bass trade licks, accented by electro swing flourishes and DJ scratching, Three rappers—whispered, clear, and normal—exchange flows, layering old-school Japanese hip hop on rapid-fire interplay, Duet vocals and slick turntablism drive the electrifying, infectious fusion, |(intro) - short time|, |(outro) - cut off, short time ~ [end]|
4:30

funk core, psychedelic unforgettable anthemic phrase loops, The rhythm is Laid-back hyper-2-step style × acid breaks style, exciting rhythm, punchy danceable beats, dynamic harmonics, long delay effects, wall of sound fused shoegaze, Wide stereo imaging roaring sound, and onkyokei with Chamber soundscape, dolby atmos, stylish and groovy fuzz-drenched electric guitar, and jagged distorted guitar stabs, [Guitars: Glide Guitar, fuzz, Reverse Reverb, ambient layers, layered with sharp], Rhodes Piano dreamy chords in background, with dry analog soundscape, merging with dream hop and Ethereal Wave, pizzicato violet bass sound with booty bass style, The infectious driving walking basslines, crisp snare, punchy kicks, syncopated high hats, Complex syncopated rhythms drive forward, sometimes Snare Rolls, off-kilter hi-hats, ghost-note-rich drums, [Rhythm:(stop-and-go groove; backbeat heavy; funky edge)], accented by Amen break sample, and stop-start dynamics with crisp silences



