3:37

Cinder Apple
v4.5-all
The song should use the following cord progression Dm – Bb – F – C, About 80BPM, The cords should be arpeggiated ascending and then descending, Time signature is common time, The song sounds a bit sad, but beautiful at the same time, There is an ominous deep bass line that plays in the background of the chords that are being arpeggiated
2:09

The song should use the following cord progression Dm – Bb – F – C, About 80BPM, The cords should be arpeggiated ascending and then descending, Time signature is common time, The song sounds a bit sad, but beautiful at the same time, There is an ominous deep bass line that plays in the background of the chords that are being arpeggiated
3:30

Less than Whole
v5.5
The song should use the following cord progression Dm – Bb – F – C, About 80BPM, The cords should be arpeggiated ascending and then descending, Time signature is common time, The song sounds a bit sad, but beautiful at the same time, There is an ominous deep bass line that plays in the background of the chords that are being arpeggiated, Make it sound darker with heavy bass lines and drums
3:29

Something Vile
v5.5
The song should use the following cord progression Dm – Bb – F – C, About 80BPM, The cords should be arpeggiated ascending and then descending, Time signature is common time, The song sounds a bit sad, but beautiful at the same time, There is an ominous deep bass line that plays in the background of the chords that are being arpeggiated
2:39

Into the Abyss
v5.5
The song sounds a bit sad, but beautiful at the same time, There is an ominous deep bass line that plays in the background of the chords that are being arpeggiated, Make it sound darker with heavy bass lines and drums
2:47

Damned by God
v5.5
The song should use the following cord progression Dm – Bb – F – C, About 80BPM, The cords should be arpeggiated ascending and then descending, Time signature is common time, The song sounds a bit sad, but beautiful at the same time, There is an ominous deep bass line that plays in the background of the chords that are being arpeggiated


