
Green serpent
An adaptation of Mme d'Aulnoy's "Le serpentin vert" relocated to Armenia, featuring an armenian and a punjabi prince as protagonists.
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9 songs
6:40

In the depths of lake Van
v4.5-all
Genre: armenian turbo-folk/80s synthwave bhangra outrun fusion, Instrumentation - lead: bansuri, bass: wall of warm distorted droning down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: duduk, Duet of two male vocals: tagh (A) + punjabi (B), Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable armenian rabiz pattern pulse in 130-150 bpm with bhangra polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:25

Point of entry
v4.5-all
Genre: armenian turbo-folk/80s synthwave bhangra outrun fusion, Instrumentation - lead: bansuri, bass: wall of warm distorted droning down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: duduk, Male punjabi vocals with meend (मींड), Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable armenian rabiz pattern pulse in 130-150 bpm with bhangra polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:52

Honoured guest
v4.5-all
Genre: armenian turbo-folk/80s synthwave bhangra outrun fusion, Instrumentation - lead: taus (ਤਾਊਸ), bass: wall of warm distorted droning down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: Sarinda (ਸਰਿੰਦ), Male tagh vocals, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable punjabi teentaal pattern pulse in 130-150 bpm with bhangra polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:49

Eye-solation
v4.5-all
Genre: armenian turbo-folk/bhangra 80s synthwave/techno fusion, Instrumentation with low pass filter - lead: bansuri, bass: wall of distorted droning ultra-down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: duduk, Male punjabi vocals with meend (मींड) and gamak, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable rabiz pattern pulse in 90-110 bpm with dhol polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:02

Melek Taus
v4.5-all
Genre: armenian turbo-folk/bhangra 80s synthwave/techno fusion, Instrumentation with low pass filter - lead: bansuri, bass: wall of distorted droning ultra-down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: duduk, Dialogue between two male vocals: tagh (A) + punjabi vocals with meend (मींड) and gamak (B), Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable rabiz pattern pulse in 90-110 bpm with dhol polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:22

Seven
v4.5-all
Genre: armenian turbo-folk/bhangra 80s synthwave/techno fusion, Instrumentation with low pass filter - lead: bansuri, bass: wall of distorted droning ultra-down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: duduk, Dialogue between two male vocals: tagh (A) + punjabi vocals with meend (मींड) and gamak (B), Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable rabiz pattern pulse in 90-110 bpm with dhol polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:27

Genre: armenian turbo-folk/80s synthwave punjabi kalam outrun fusion, Instrumentation - lead: weeping bowed taus (ਤਾਊਸ), bass: wall of warm distorted droning down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: bowed taus (ਤਾਊਸ) doubling itself, Male punjabi vocals with meend (मींड) and gamak, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized punjabi keherwa (ਕੇਹਰਵਾ) pattern pulse in 60-70 bpm with simultaneous bhangra polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:54

Curiosity killed the cat
v4.5-all
Genre: armenian turbo-folk/80s synthwave bhangra outrun fusion, Instrumentation - lead: taus (ਤਾਊਸ), bass: wall of warm distorted droning down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: Sarinda (ਸਰਿੰਦ), Male punjabi vocals with meend (मींड) and gamak, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable punjabi teentaal pattern pulse in 130-150 bpm with bhangra polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:09

The serpent in the garden
v4.5-all
Genre: armenian turbo-folk/80s synthwave bhangra outrun fusion, Instrumentation - lead: taus (ਤਾਊਸ), bass: wall of warm distorted droning down-tuned heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: Sarinda (ਸਰਿੰਦ), Male punjabi vocals with meend (मींड) and gamak, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: quantized driving danceable punjabi teentaal pattern pulse in 130-150 bpm with bhangra polyrhythms, Percussion: Alesis SR-16 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
