公開した曲

Melancholic, stylish, melodic rap, punchy rap parts and clear voice in the chorus, moody, female vocals, emo, clear and ephemeral singing voice

style:The fusion of Math Rock+Hyper pop with EDM, Melancholic, upbeat, ambient, dreamy, emo, cool, BPM=192, The performance begins with a clear, dry high-pitched, delayed main riff, followed by a clear bass guitar playing phrases that seem to run through the scale with an irregular but stable rhythm, and a deep, heavy EDM drum machine beat that creates a sense of speed and groove throughout the song, The female vocals are soft, husky, whisper-like, transparent and youthful, In the verses, the lyrics are laid out crisply with a steady rhythm, the pre-chorus is a whisper of a catchy, melodic, upbeat verse with no intonation, and the chorus explodes with emotion with a fast beat, the sense of unity with the music and the sense of speed reaching a climax, and the bridge has a disturbing image and a mysterious pop feel, with the voice gradually becoming hoarse, expressing the mental breakdown and emphasizing the melancholic worldview, Autro: Finish with a white noise effect like a static storm

A fusion of symphonic metal and visual kei rock with a touch of ambient atmosphere, BPM 162, twin female vocals and twin guitars competing with each other, The themes are space, eternity and moment, crime and punishment, the moon of madness, Vocal 1 has a lustrous voice with technical vibrato, a slightly husky, powerful voice that exudes dignity, while Vocal 2 has a high-pitched, clear voice that exudes a childlike, innocent aura that seems to be indulging, The song's image is like floating in outer space, with a spatial production that expands infinitely, sparkling, fantastical guitar arpeggios and dry, distorted, high-speed stroke unison arts, The deep, heavy double bass kick drum sounds, firmly pinning the floating body to the ground, dry, sharp snare, flashing colorful fill-ins, and the bass, with its gut-pounding mid-low, controls the floating and sinking gravity, vocals are carefully calculated with different parts and harmonies, the two guitar riffs compete freely and playfully

A fast 192 BPM visual-kei × symphonic-metal × math-rock track with sharp, metal-focused vocals, No Chinese-style tone, no Mandarin-like color, no East-Asian accent drift—vocals must stay in a clean Japanese-style delivery with tight diction, Vo1 is transparent and whispery; Vo2 is emotional and slightly husky, Both keep a crisp, rhythmic attack so the song never slips into ballad territory, Light shimmer and thin delay only, Dry, metallic drop-D guitars drive the track with tricky accents and sustain-heavy leads, Drums use precise double-kick, sharp snare snap, and minimal room, Bass has clear high-mids with slight grit, Three-layer strings, soft choirs, and wide cosmic pads create a floating atmosphere, Mood is melancholic, dramatic, and darkly elegant, Themes revolve around sin, devotion, moonlit eternity, and the beauty of a tainted heart, Dynamic breaks, reverse reverbs, and cosmic drops heighten tension, Keep total length under 5 minutes—tight, fast, and emotionally cutting

fast future pop, math rock, BPM 172, strong upbeat rhythm section with tight fast kick, crisp thin snare, driving low-mid bass, and constant 16th-note hats for clean speed, on top, fluffy dreamy clean-chorus guitar and low-passed pads creating cute hazy air, Japanese, breathy flat youthful vocals, whispery and intimate, short clipped phrases, no sustain, talking-like delivery that rides the beat like inner monologue, contrast: fast “dodo” rhythmic sprint underneath + floating cute layers above, warm soft mix, gentle width, softened highs, theme: dreamlike cage, fading voice, weightless melancholy running in place

Genre: fast future-Pop, Winter J-Pop, Ethereal Soft, Tempo: BPM-156, Light Pulse, Soft Sidechain, [Length: 4:00] Tone: Winter Glow, Transparent Warmth, Vocals: Breathy JP female, youthful, soft tremble, close-mic, angel layer, tiny harmonies, Verse: Harp shimmer, mandolin tremolo, soft pads, bell transients, Pre: Celtic flute breath, rising warmth, glitter delay, Chorus: Wide angel vox, winter bells, harp strokes, soft bodhrán, snow reverb, Bridge: Thin pads, glassy harmonics, light lute, Final Chorus: Full angel layer, glockenspiel shimmer, warm flute trails, Instruments: Harp, clear Tyennbaro, clear Mandolin, Celtic flute, Fiddle soft, Bodhrán, Glockenspiel, Pads, FX: Snow shimmer verb, short delay tail, soft spectral width, Theme: Small winter flame, quiet warmth in cold air, “Snow-Shimmer Fantasy Atmos, ”

A cinematic Emotional-themed pop rock math rock built around twin female vocals: one airy and breathy with soft rasp, the other bright, cute, and sharp for contrast, Ethereal harmony layers enrich the choruses while the outro fades without harmonies, Twin-guitar unit sound with ambient clean shimmer and melodic crunch tones, featuring two signature riffs and a short emotional solo near the final chorus, A moonlit, deep-sea atmosphere blending quiet darkness and drifting light, Tempo around 160–165 BPM for a drifting underwater feel, Total length designed under 4 minutes 30 seconds for Suno compatibility, Drums kept soft: brushed snare, airy toms, wide cymbal wash, gentle sidechain pulse, Bass warm but present: boosted low-mid around 150–250Hz, slight saturation for clarity so it never gets buried, TAGS: cinematic dark ballad, underwater theme, twin female vocals, twin guitars, emotional, harmony layers, moonlit tone

ultra-fast erotic dark trap, continuous DUN-stabs (triple-hit patterns), self-bounce body-jolt, spill-edge tension, frantic chest-up/down motion, short punch 808, rapid 1/32 hat flurry, deep sidechain breathing, trembling low-air pressure, rising tremor-pulse, fast collapse-core energy, zero asian timbre, tight western synths, moan-breath micro-FX, whisper-rasp Japanese female vocal, clipped vowels, jump-accent phrasing, blood-rush velocity, spill-moment brink atmosphere Tags: continuous-DUN, self-bounce trap, spill-edge tension, frantic pulse

A jazzy hyperpop track centered on a warm, slap-style wood-bass groove, The bass uses light ghost notes and soft chopper phrasing, giving the whole song a cute bouncing pulse, Drums are airy with pop snares, soft kicks, and a mix of jazz-swing hats and hyperpop 16ths, Sparse jazz-piano chords (7th/9th/11th) create a sweet harmonic space, while clean guitar adds tiny chord stabs and a single reverse-wah lift, Hyperpop plucks, glitch bells, and gentle noise sweeps add sparkle without masking the bass, Overall it’s bass-forward, warm, minimal, and sweet—jazz elegance blended with hyperpop glow, Soft, cute, airy tone with gentle breath at the edges, A light “muña-soft” touch at phrase beginnings, delicate consonants, and a close-mic warmth—like leaning in to whisper, Playful, sweet, intimate delivery that stays crisp enough to ride hyperpop rhythms, Emotional peaks stay bright and youthful, never heavy, always buoyant

Genre: Melancholic and dreamy fast future pop with subtle math rock–style rhythmic accents, BPM 172, full track length 5 minutes, strong upbeat rhythm section with tight fast kick, crisp thin snare, driving low-mid bass, constant 16th-note hats for clean speed, fluffy dreamy clean-chorus guitar and low-passed pads creating soft hazy air, Japanese breathy, flat, intimate, whispered, clipped-phrase female vocals, fragile and airy, a cute faintness similar to Ayane Yamazaki’s softness but unnamed, talking-like delivery, inner-monologue feel, no sustain, light touches that float over the fast “dodo” rhythmic sprint, contrast between quick percussive undercurrent and weightless cute layers above, warm gentle mix, soft width, softened highs, theme: dreamlike cage, fading voice, weightless melancholy, running in place, quiet ache dissolving in soft light

Style/Theme: Youthful bright pop-rock, high-energy, clear vocal space, driving emotional momentum, nostalgic yet fresh青春感, Vocal: Clear piercing high-range, metallic shimmer, tight pitch, sharp consonants, controlled vibrato, airy tones snapping into bright belts, confident star-like energy, upfront and cutting, Instruments: Technical melodic bass as band leader, rhythmically intricate, pop-slaps and ghost notes, slides and hammer-ons; clean guitars with airy arpeggios and melodic riffs; driving drums with punchy transient kicks; light pads, Effects/Mix: Lightly doubled choruses for width, harmonic sparkle in upper mids, short bright plate reverb, subtle tap delay, transparent compression, slight high boost 9–12kHz; bass clear and present, cutting through the mix with drums; sparse textures in breaks for weightless suspension

Fast future-pop with math-rock flavor, BPM 172, A strong, tight rhythm base: fast punchy kick, crisp thin snare, constant 16th-note hats, and a driving low-mid bass that keeps a beat, clean chorus guitar with a fluffy shimmer, and low-passed soft pads creating a cute, hazy atmosphere, Japanese breathy youthful female vocals, intimate and whisper-like, short clipped phrases, almost spoken, no sustain, close-mic inner-monologue tone, Warm soft mix with gentle width and softened highs; rhythm sits forward while the upper layers float behind, Mood/theme: a dreamlike cage, a fading voice, weightless melancholy, running in place as if time is slipping, Core contrast: a fast, sprinting undercurrent vs, floating cute textures above, forming a warm, bittersweet future-pop feeling

A cinematic emotional-themed j-anime pop rock × light math-rock track built around strongly featured twin female vocals (ratio 6:4): one airy and breathy with soft rasp (main 60%), the other bright, cute, and sharp for contrast (sub 40%), Ethereal harmony layers enrich the choruses while the outro fades quickly without harmonies, Twin-guitar unit sound with ambient clean shimmer and melodic crunch tones, featuring two signature riffs and a short emotional solo near the final chorus, A moonlit, deep-sea atmosphere blending quiet darkness and drifting light, Tempo around 160–165 BPM for a drifting underwater feel, Drums kept soft: brushed snare, airy toms, wide cymbal wash, gentle sidechain pulse, Bass warm but present: boosted low-mid around 150–250Hz, slight saturation for clarity so it never gets buried, TAGS: cinematic dark ballad, underwater theme, twin female vocals, twin guitars, emotional, moonlit tone, harmony layers

Style: Melodic Erotic EDM, hybrid dark-pop, seductive atmosphere, Vibe: hypnotic, heated, erotic tension, back-and-forth pulses, teasing rises and drops, Main structure: melodic dirty bass riff (wet, saturated, expressive), aggressive rhythmic sway, strong dynamics, Bass: melodic sliding riffs, half-tone teasing slides, wet and expressive low-end, rhythmic pulses that feel like being pushed/pulled, Guitar: biting single-note licks, sensual pick noise, brief attacking riffs that tease then vanish, Synths: shimmering high pads, unstable pitch bends, breath-like textures, Vocals: whispered but present, breathy, trembling, close-mic, erotic vocalizations ("ah… a… nn… ya…"), scattered lightly behind the beat—not overpowering but clearly audible, Emotion: intoxicating, warm, melting, dangerous sweetness, seductive tension, Pacing: dynamic flow with strong rises and sudden drops, never static or repetitive, Theme: being overwhelmed, losing control, getting pulled into heat, Length: ~3 min

Hybrid Erotic EDM, dark-erotic-pop, electronic, breath-core, dripping-bass, teasing-guitar riffs, intoxicating rhythm, strong sidechain pulse, close-ear whisper SFX, sensual vocalise (ウー/アー), subtle breathy “a… ah… n…” SFX buried in mix, 3min melt structure, shaking-drop dynamics, erotic-atmospheric break, heavy bass that traps the chest, seductive guitar that forces overflow, tempo strong but with intoxicating slow-break mid section, winter-air removed, no classical influence, full hybrid EDM, Structure: breath-synth lead, processed human-voice instrument, formant-synth glissando, vocaloid-like airy lead, expressive whisper-lead as an instrument, moan-shaped envelopes, melodic sliding bass riff, sensual bass glissando, bass weaving around the breath-synth lead

Tempo 144 BPM, Celtic dance–EDM fusion, Max length 4:30, Bright synths and atmospheric pads; acoustic drums with tight bassline; percussive Celtic instruments; punchy kick/snare, Accent vocal “buzz/boom” hits with percussion, Celtic-style fiddle riffs at intro, interlude, and outro, Vocals: young, slender, high, fragile, airy, agile with controlled vibrato and radiant sustain, Lightly double chorus vocals; enhance upper mids with gentle harmonic sparkle, Short plate reverb, faint single-tap delay; tight transparent compression, slight 9–12kHz boost, Maintain slender core tone with subtle mid-high focus, Optional fills: percussion, synth, and fiddle accenting vocal rhythm, Emphasize playful party energy and groovy Celtic-EDM fusion, Keep track danceable, groovy, playful throughout

Genre: Hybrid Erotic EDM, Tempo: 200 BPM, Structure: 3, 5-min melt, Intro: Breath-synth, close-ear whispers, teasing guitar, Build: Formant glissando, airy lead, layered guitar, sidechain kick, Drop 1: Fast sliding bass, sensual gliss, shaking-drop, guitar riffs, strong sidechain, driving beat, close-ear breath, Break: Erotic-atmospheric, noise risers, microtonal slides, close-ear whispers, slow midsection, breath SFX, Drop 2/Peak: Full chaos, guitar frenzy, bass traps chest, breath-core rhythm, driving beat, close-ear whispers, layered noise, breath SFX, Outro: Melting layers, guitar fades, airy leads + whispers + lingering breath, Sound: Breath-synth intimate, processed human-voice, teasing guitar pan, subtle noise, “ウー/アー”, breathy “a… ah… n…”, gliss with bass, FX: 3D pan whispers, auto-pan, delay+reverb, microtonal slides, harmonic squeals, sidechain on bass+leads+kicks, shaking-drop, Goal: Erotic, intoxicating, brain-shaking, chest-shaking, seductive, relentless, high-BPM frenzy

[Genre: Progressive rock × Hyperpop × subtle Trap flavor] [Instrumentation / Arrangement: BPM 160–180, free arp guitars, rolling melodic bass, programmed drums with subtle irregularity, transparent pads, glitchy plucks, layered hypnotic motion, minimal trap influence for rhythmic nuance, ] [Mix / Production: Layered hypnotic flow, low-mid warmth maintained, soft compression with slow attack, airy reverb, instruments supporting dynamic tension rather than volume, ] [Concept / Mood: Duality between inner self and perception, calm yet slightly dark, rhythmic flow with hints of chaos, subtle hypnotic tension, reflective and introspective but with bursts of rhythmic energy, ] [Duration: Approximately 4 minutes]

Genre / Style: Pop Melodic Punk / J-Pop Girls Rock High-energy, live-oriented youth band anthem, BPM: 176 BPM / straight 8th drive, fast and jumpy, Mood / Theme: Hope, momentum, shared voices, pushing forward together, Bright, explosive, emotional but not sentimental, Vocal: Bright, forward female lead vocal Clear articulation, strong projection Minimal harmony in verses, strong unison choruses, Band / Arrangement: Drums: tight, punchy, live feel Bass: groove-focused, featured in first half of bridge, Guitar: wide and energetic, highlighted before last chorus, Overall: vocals front, band powerful but controlled, Structure: Verses restrained → Pre-Chorus build → Chorus explosive girls unison, Bridge: crowd hype + bass-forward → lift → immediate chorus drop, Final Chorus: maximum energy, anthem ending, Performance Notes: Live-driven, made for jumping and sing-alongs Audience participation in bridge and “Hey wow wow woh”

[Genre / Style:] Alternative / Experimental Electronic Rock, [Tempo / Drive:] BPM 170 (170–174), Fast, continuous forward motion, Subtle rhythmic friction; no full stops, [Instrumentation / Arrangement:] Driving, jagged guitar riffs; tight drums and bass with occasional off-kilter hits, Subtle synths, plucks, hi-hats—quirky, teasing, Short intro/outro frames chaos, Distorted guitars as hooks/riffs; verse moves, chorus compresses intensity, [Concept / Mood:] Controlled chaos with playful malice; tension maintained, impulses leak unpredictably, Dangerous, elegant, hypnotic, slightly dark, whimsical yet sinister, Mad circus, sly grin beneath sharp edges, unsettling yet compelling, [Length / Structure:] Max 5 min; continuous forward momentum, tension maintained, [Chorus/Drop Vocals:] Inspired by Avu‑chan: breath-heavy, half-shout, slightly unstable; merges smoothly with verse

[Genre] Indie Acoustic / Experimental J-Pop [Tempo] BPM 145, mid-fast, steady pulse [Mood/Atmosphere] Cool, clean, glassy, restrained; intellectual, minimal; slight warmth near end [Instrumentation] 3-piece acoustic setup: Acoustic guitar: dry, clear, syncopated picking, intricate arpeggios; melodic fills and passing tones; subtle harmonics and fret noise; minimal reverb, subtle delay Bass: tight, melodic, slightly active, anticipates chord changes; locks with guitar groove Drums: precise, light, minimal fills; accents emphasize guitar and bass interplay [Guitar Direction] Technical, articulate; melodic fills; clean metallic shimmer; subtle delay; clarity prioritized [Vocal] Single female lead; Verse bright and agile; Chorus same clarity and brightness [Chorus Exception] Breath-driven, fragmentary, merges back into Verse [Allowed] Breath-heavy texture; fray, smear, evaporate endings; playful pitch variation

[Genre] [Experimental Acid Pop / Hyper-speed Electronic / Chiptune Fusion] [Instrumental Arrangement] [Layered piano and synth textures, fast-moving intricate patterns, no guitar, Dissonant motifs appear throughout, Use acid pop and chiptune elements for a chaotic, kaleidoscopic soundscape, Maintain high energy and unpredictability, ] [Tempo] [BPM 190, fast groove, driving intensity, under 5 minutes, ] [FX / Spatial] [Soft reverb for depth, subtle delay for spatial layering, occasional spectral widening for dissonance, Keep chaotic but controlled; avoid extreme stereo spread, ] [Vocal Integration] [JP female voice main, expressive and clear, Overlay harmonies and falsetto per 詩側の指示, Optional micro-vox or glitch fragments to reinforce chaos, ] [Overall Instruction] [Combine all layers to create a rich, multi-dimensional, human-feeling track, emphasizing speed, unpredictability, and experimental energy, Keep vocals melodic and expressive, avoiding robotic timbre, ]

[Genre: Experimental Gothic Pop, Visual Kei] [Instruments: Twin electric guitars—metallic & glassy—independent; melodic & harmonic; micro-rhythmic shifts; minimal keys/pads; optional subtle strings, ] [Vocals: Two female voices; independent; alternating leads; mid-high & low-mid; interwoven harmonies; clear articulation; subtle pitch/timing variations; brief humming optional, ] [Tempo & Dynamics: Mid-fast BPM 160; forward drive; dynamic swells; tension/release; maintain energy, ] [Theme & Mood: Intimate, dreamy; fantasy-like lyric imagery; immersive; tension and contrast via independent voices and guitars; playful, youthful charm, ] [FX/Mix: Maintain clarity and transparency, ] [Structure: Short intro/outro; verses, choruses, and solo dense but breathable; total track ≤5 minutes, ] [Instruction Summary: Guitar-centric, dual independent vocals; clarity and separation; harmonic interplay; lead vocal and guitar shifts fluidly; bright, dreamlike, energetic, ]

[Experimental Future Pop Christmas song with a cool, stylish, contemporary feel, ] [fast-tempo groove (around 115–125 BPM), upbeat yet lightly danceable, ] [Clean, tight rhythm with smooth, flowing] [Synth-driven arrangement with electronic textures, soft pads, subtle rhythmic elements; occasional bells for Christmas accents in intro/interlude/outro, ] [reflective, confident, quietly positive mood, ] [Polished production emphasizing clarity and sparkle; suitable for night listening, ] [Feels like standing in a glowing city at night in December, with subtle festive shimmer, ]

[Genre / Style] Pulsing rave energy fused with swung UK garage rhythms and glitch-hop textures over a springy, bouncing breakbeat, [Vocals] Rapid, syncopated female raps riding the swing of garage beats and sharp synth hits, Harmony slightly anticipatory (offbeat-leading), minimal consonants, pulling the main vocal forward, [Vibe / Mood] Dark, kinetic, futuristic dancefloor intensity with a magnetically infectious groove; sultry and provocatively charged, [Arrangement / Notes] Driving breakbeat and rhythmic interplay with punchy stabs; vocal phrasing tightly locked to the groove, Maintain clarity at high energy with complex yet catchy harmonies, [Vibe / Motion] Relentless, taut rhythmic drive—micro-pauses and syncopation keep tension alive and push constant movement

[Genre / Style] Grunge-inspired rock with dirty, crunchy guitar tones; raw, aggressive, yet catchy; early-90s alternative energy with youthful bite and slight playfulness, [BPM & Duration] BPM 150; Max duration 4–5 minutes; nonstop headbanging groove; tight rhythm with no chill or breakdown sections, [Guitar / Riff Focus] Riff-driven track; distorted power chords in minor key; simple, hypnotic main riff that repeats and grips; tight downstroke chugging in verses; wider, ringing chords in choruses, [Rhythm / Groove] Strong accents on beats 1 and 3; “hit–hit–rest–rest” feel; slight natural swing; drums lock tightly to guitar hits; palm-muted tension in verses, full open impact in choruses, [Arrangement / Vibe] Guitar-led live band sound; minimal layers, no polish; raw, gritty, energetic with a strange innocence; feels like loud amps on a small stage, made to move heads together; aggressive but fun, confrontational yet catchy

[Genre: Japanese-inspired alternative rock, ] [Avoid typical Japanese rock clichés, ] [Lead instrument: Thick-necked shamisen (futozao style) as main melodic lead, ] [Percussive attack, heavy low-end, no chord strumming, ] [Shamisen plays riffs and call-and-response with vocals, ] [Vocals: Sparse, restrained, archaic Japanese lyrics, ] [Leave silence and space between vocal phrases, ] [No catchy pop hooks, ] [Structure: No chorus repetition, ] [Only one final chorus at the end, ] [Focus on instrumental sections before the final chorus, ] [Rhythm: Alternative rock foundation, heavy and grounded, ] [BPM: Around 96, ] [Taiko-style low hits may reinforce kick drum, ] [Texture: Subtle glitch effects only, ] [Brief micro-stutters and short digital dropouts, ] [Glitch should be minimal and momentary, ] [Organic instruments must remain dominant, ] [Mood: Dark, restrained, tense, dignified, ] [Emphasize negative space and pauses, ] [Ending: Quiet resolution with lingering shamisen resonance, ]

Hybrid Japanese Erotic Bass / Breakbeat EDM, 190–200 BPM, 3–4 minutes, Taiko-driven breakbeats: fast, chopped, unstable, aggressive, Breakbeats with sudden cuts, reversals, and dropouts, Thick-necked shamisen (futozao) is the core identity, Low-register shamisen is brutal, percussive, repetitive, and physical, High-register shamisen is prominent and biting, sharp attacks and bends, Apply micro-glitch and noise mainly to high shamisen, Sub-bass is distorted and chest-shaking, short hits and slides only, Dirty EDM textures and noise for density; no clean pads, no comfort, Mood: erotic, predatory, hypnotic, noisy, relentless, Goal: intoxicating, brain-shaking, chest-shaking high-BPM frenzy

[Genre] Trap, Breakbeat hardcore, Glitch; rhythm-driven vocal focus, [Tempo] ~145 BPM, fast, clear vocal phrasing, [Mood] Cold, confident, playful intensity, [Sound] Minimal melody, tight groove, mechanical/cold textures; optional low shamisen for accent, [Beat] Chopped breakbeats, crisp hi-hats, aggressive snare; vocals tightly synced, [Break / Glitch] 1–2 bars; stutter, tape-stop, brief silence; rhythmic accents; shamisen optional short hit for accent, [Vocal] Cute, childish, very young female; playful, smug, clear articulation, [Direction] Verse & Chorus: punchy, rhythmic, tight; whispered parts intimate, unsettling, timed with beat, Rap-style delivery throughout, no elongated notes, [Shamisen] Low register, short percussive plucks; 1–2 beats maximum per accent; use at start of verse, small breaks, or pre-Chorus/Chorus transitions, Do not play continuously, [Note] Start immediately with Verse 1; intro extremely short; no melodic buildup

Japanese traditional poetry × Dark Trap × Math Rock spoken-rap, Male and Female alternate constantly; Male: young, low-steady, narrative, slightly melancholic, on-beat; Female: young, airy, restrained, slightly dark, slightly behind beat, youthful, Strong rhythm, punchy spoken delivery, Irregular meters (7/8, 5/4) over trap grid; silence and negative space create tension, Mid-tempo 140–145 BPM, melancholic, Instruments: 808 sub-bass anchors low end; trap drums with kick/snare/hi-hat and sparse fills; shamisen short percussive riffs; shakuhachi breathy glides and ghostly swells; tsuzumi sparse off-beat hits; optional math-rock shamisen riffs, Mood: evoke nocturnal obsessive intimacy; alternation emphasizes dialogue and tension; rhythm drives narrative; traditional instruments add percussive and spectral color, Focus on rhythm and groove

[Genre / Style] Grunge-inspired rock with dirty, crunchy guitar tones; raw, aggressive, yet catchy; early-90s alternative energy with youthful bite and slight playfulness; BPM 140; 4–5 min duration, Bass is upfront, carrying groove and melody; guitars provide distorted power chords with subtle glitch accents at riff tails, Verse: tight downstroke riffs, last beat glitched for tension; Pre-Chorus: short chords, occasional light glitch to create floating feel; Chorus: open, ringing chords with catchy melodic hooks, glitch on riff tails for emphasis, Drums: strong accents on 1 and 3, lock tightly with bass; tight, punchy rhythm, no chill sections, Arrangement: raw, minimal layers, live-band energy, slight playfulness, energetic yet melodic; crafted for headbanging while keeping vocal hooks prominent, Emphasis on hypnotic, repetitive riffs, tension-and-release, melodic vocal lines, and dynamic contrast between verses and choruses

[Genre / Style:] Experimental / Alternative Rock with Japanese traditional instruments [Tempo:] BPM 170–174 Fast, continuous motion, no full stops 16-beat feel with intentional gaps [Instrumentation:] Japanese instruments–centered: shamisen-like plucks, tsuzumi-style hand drums, Dry, muted distorted electric guitar: narrow, grainy, paper-like texture, palm-muted, percussive Minimal electronic clicks, noise, and hi-hats Shamisen: dry, clear, slightly bright, front of mix Guitar: dry, dirty, grainy, crunchy, slightly behind shamisen, rock texture Balance: shamisen stands out, guitar adds texture without masking [Arrangement:] Short tense intro Verse drives with space Chorus compresses intensity without widening Outro fragments and dissolves Momentum maintained throughout [Vocals:] Breathy, unstable, Minimal phrases, Vocals function rhythmically [Mood / Texture:] Dry, abrasive, paper-textured Controlled chaos, Lightweight but sharp

Grunge-inspired rock fused aggressively with traditional Japanese instruments, Raw, dirty, crunchy guitars and upfront bass; BPM ~140; early-90s alternative energy, no chill sections, Verses use tight downstroke riffs; choruses open with ringing chords and strong tension-and-release, Drums are punchy and driving, locked tightly with bass, Tsugaru shamisen and taiko are prominent rhythmic elements, cutting through riffs with sharp percussive phrases and heavy accents that actively interact with guitars and drums, Shakuhachi features clearly in the intro, instrumental break, and outro, adding breathy, haunting presence and Japanese identity, Overall sound is raw, minimal, live-band energy where grunge and Japanese instruments collide and merge, creating a powerful headbanging groove with clear melodic vocals

[Genre: Math Rock / Experimental / Progressive / Japanese Fusion / Electronic Noise / Electronic Rock] [Tempo: 190 BPM] [Song length: under 4 minutes, concise structure, no extended outro] Instrumentation: Crunch/Clean/Low Cut/Light OD guitars, chopping bass, electric drums, shamisen, glitch effects, Mood: Cold, chaotic, hypnotic, dark, aggressive, ephemeral, Style: High-energy but sparse; stop-start math rock riffs; polymetric accents; glitchy and experimental, Arrangement: Shamisen is the main accompaniment with steady, sparse percussive plucks throughout, Guitars are NOT accompaniment—only short cutting riffs and color accents with clear gaps, Bass leads the groove, Drums bounce rhythmically, Vocals are single-word ad-libs in thin, young, layered female tones, Production: Dry, articulated mix; avoid reverb wash, Prioritize rhythmic hits, silence, and space, Shamisen and bass forward; guitars are accents only

[Genre: Math Rock / Experimental / Progressive /JP Emotional anime/ Electronic Noise] [Tempo: 168 BPM] Instrumentation: Crunch/Clean/Low Cut/Light over drive Guitars, Chopping clear walking Bass, double-bass Drums, Glitch Effects, no synthesized, no Piano, Mood: Cold, Chaotic, Hypnotic, Melancholic, Aggressive, Ephemeral, Style: Fast, high-energy, glitchy, complex guitar/bass riffs, polymetric patterns, progressive structure, Arrangement Notes: Guitar and bass main focus; drums bounce; vocals youthful female tone; glitch effects add texture, Target Sound: Layered female vocals, delicate, ethereal; overlapping layers create cold emotional atmosphere; maintain 168 BPM clarity; rock energy from aggressive guitar/bass, Production Notes: Emphasize glitchy textures, sharp guitar/bass riffs; allow ad-lib freedom; maintain ephemeral feel; highlight math rock complexity, progressive changes, experimental design

[Genre: Progressive rock × Hyperpop × subtle Trap flavor] [Instrumentation / Arrangement: BPM 160–180, free arp guitars, rolling melodic bass, programmed drums with subtle irregularity, transparent pads, glitchy plucks, layered hypnotic motion, minimal trap influence for rhythmic nuance, ] [Mix / Production: Layered hypnotic flow, low-mid warmth maintained, soft compression with slow attack, airy reverb, instruments supporting dynamic tension rather than volume, ] [Concept / Mood: Duality between inner self and perception, calm yet slightly dark, rhythmic flow with hints of chaos, subtle hypnotic tension, reflective and introspective but with bursts of rhythmic energy, ] [Duration: Approximately 4 minutes]

[Concept] High-speed math rock driven by electric bass, all other parts performed with Japanese traditional instruments only, Sleek, edgy, precise, surreal tension, Style Math Rock × Alternative Progressive × Experimental, Technical, groove-centric, no folklore softness, [Tempo / Length] 136–160 BPM feel, full track length 3 minutes, [Bass (Core Driver)] Electric bass only modern instrument, Deep slap, strong attack, fast decay, Clean/distortion switching per phrase, Rhythmic + melodic backbone, [Rhythm] Wadaiko / tsuzumi / hyoshigi only, Linear-drumming logic: no stacked hits, Syncopated, polyrhythmic, tight and mechanical, [Other Instruments] thick-neck Shamisen + normal Shamisen: clean/distortion switching, sharp accents, Koto: rhythmic/texture role only, Shakuhachi / shinobue: sparse, short accents or long tension tones, [Feel] Fast, controlled, forward-driving, Complex but readable, Modern math rock tension with Japanese timbre

[Genre: Dream Pop / Emotional Rock Ballad with Heavy Slap Bass / IDM / glitch elements, ] [Rhythm: 6/8 / triplet-based groove / ~100 BPM, ] [Track length: 3–4 minutes, ] [Key: F#–A# female-friendly high range, ] [Vocal panning: emphasizes spatial depth / immersive presence, ] [Mood / Vibe: Emotional / intimate / sweet with driving intensity / subtle tension / glitch textures, ] [Instruments / Texture:] [Bass: heavy slap / dry / clear / low-end focused / pan center / maintains groove / harmonic saturation for clarity (metal-inspired), ] [Drums: light DnB style kick/snare/hi-hat / crisp / dry / minimal / emphasizes triplet feel / driving / subtle glitch edits / transient shaping for punch, ] [Guitar: acoustic/clean electric / dry / granular picking / pan 20L/R / soft spatial presence / compression/EQ for separation, ] [Synth/Pads: low-volume ambient pads / dry / granular / shimmer / glitch stutters in sections, ]

Vocal: Clear piercing high-range, metallic shimmer, tight pitch, sharp consonants, controlled vibrato, airy tones snapping into bright belts, upfront and cutting, Tempo / Length 170 BPM 4–5 minutes Mood / Energy Energetic, forward-driving, ignition feeling Guitar Crunch-focused electric guitar British-style amp character (Plexi / JCM tone)

[Concept] High-speed math rock driven by electric bass, all other parts performed with Japanese traditional instruments only, Sleek, edgy, precise, surreal tension, Style Math Rock × Alternative Progressive × Experimental, Technical, groove-centric, no folklore softness, [Tempo / Length] 136–160 BPM feel, full track length 3 minutes, [Bass (Core Driver)] Electric bass only modern instrument, Deep slap, strong attack, fast decay, Clean/distortion switching per phrase, Rhythmic + melodic backbone, [Rhythm] Wadaiko / tsuzumi / hyoshigi only, Linear-drumming logic: no stacked hits, Syncopated, polyrhythmic, tight and mechanical, [Other Instruments] thick-neck Shamisen + normal Shamisen: clean/distortion switching, sharp accents, Koto: rhythmic/texture role only, Shakuhachi / shinobue: sparse, short accents or long tension tones, [Feel] Fast, controlled, forward-driving, Complex but readable, Modern math rock tension with Japanese timbre

[Genre: Celtic dance, fast-paced fantasy, ] [Style Reference: Cinematic fantasy anime battle soundtrack, ] [Scale/Mode: Dorian mode, avoid standard major/minor pop scales, ] [Instruments: Fiddle (rapid 16th-note runs), Tin whistle (short rhythmic accents), Bodhran/taiko (driving rhythm), Thin pad (background fantasy ambiance), Harp (sparkling arpeggios), ] [Mood/Atmosphere: High-energy, magical forest adventure, playful but fierce, full of motion, ] [Theme: Rapid, bouncy Celtic dance with virtuosic fiddle solos, suitable for fantasy battle scenes, ] [Whistle: Used sparingly for accents and counter-lines, not dominant, ] [Overall Points: BPM 160, full-speed energy, instruments “jumping” and bouncing, PAD thin for background, solo section with fiddle flair and whistle accents, groove-heavy and danceable choruses, ] [Length: Under 4 minutes, ] [Ending: Clear and complete ending, no abrupt cut, ] [STRUCTURE: Instrument-led progression with natural dynamic rise, No vocal-led chorus structure, ] [Loud], ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

A jazzy indie-acid pop track with a warm, slap-style wood-bass groove, [Bass: light ghost notes, soft chopper phrasing, cute bouncing pulse] Drums are airy with pop snares, soft kicks, jazz-swing hats, and hyperpop 16ths, [Rhythm: slightly behind the beat, relaxed groove] Sparse jazz-piano chords (7th/9th/11th) create sweet harmonic space, [Guitar: tiny chord stabs, percussive ultra-clean chunking, pan L/R, minimal sustain] Acid pop plucks, glitch bells, gentle noise sweeps add sparkle without masking the bass, Indie pop undertone adds warmth, airy texture, slight lo-fi human touch, Soft, cute tone with gentle breath at phrase beginnings, [Vocal: close-mic, delicate consonants, playful whisper-like delivery] Playful, intimate delivery, riding indie-acid rhythms, [Dynamic: bright, youthful, buoyant peaks] Keep total length under 3 hurf minutes

ピーヒャラピーヒャラ ( º дº)<ﾋﾟｨｨｨｨｨ⤴︎⤴︎⤴︎!!!!!, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

Genre: Piano-driven digital rock × Mass Rock × Psychedelic × IDM elements, glitchy textures, sequence-based bass and piano riffs, Tempo: Mid-tempo with irregular syncopation, Instrumentation: Clean piano sequences, distorted and clean guitars, sequence-based bass with syncopation, IDM-style glitch percussion, Mix Focus: Strong transient clarity and fast attack response; tight and controlled low end with no boominess; wide but precise stereo image with minimal masking, Vocal Presence: Centered and slightly forward (+2–4dB), gentle 3–6kHz boost for clarity; drums and bass 2–5kHz lightly reduced to prevent masking, Structure: Quiet piano intro, syncopated verses, layered guitars and IDM percussion in chorus, bridge and final section with reduced instrumentation; avoid abrupt cutoff, Vocals: One continuous lead voice with identical tone and character across all sections, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

This track is an intro to the rhythm of reincarnation, which evokes the image of a slow, quiet perpetual motion machine that flows and disappears, stopping and moving, repeating rebirth and destruction, the noise of relics that remain, the ancient gaps, 8-bit spatial reverberations, historical reverberations, and the play of reincarnation, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑middle Outro

Genre: Digital pop rock (beat-driven) × melancholic dreamy EDM, Tempo: 172 BPM, fast and steady, Instrumentation: Dry clean palm-muted cutting guitar with tempo-synced delay; deep EDM sub bass and clean layered low-end synths; modern electronic drums with punchy kick and crisp highs, Guitar: Clean, dry, minimal saturation; precise muted cutting; rhythmic texture, emotionally restrained, Low End: Deep, tight EDM sub bass; strong kick–bass sidechain; physical impact with a cold, melancholic tone, Mix: Clean and cool; beat-forward; tight low end, uncluttered mids; wide but distant space from delay/reverb tails, Vocals: Centered, controlled, melancholic and detached; smooth compression, soft air, no sweetness, Vocal Take: One continuous lead voice, identical tone throughout; emotionally muted, melancholic delivery, Rendering: prioritize maximum clarity and fidelity; avoid lo-fi artifacts, massive sub bass with deep physical impact, strong kick–sub sidechain, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming