4:58
country djent, avant-garde metal, low male vocal, boy band harmonies, breathy female harmonies, 8-string riffing, progressive drum edits, half-time breakdowns, glitch vocal chops, sub-bass drops, chromatic synth stabs, syncopated trap hats, tiled slapback, overdriven bus compression, bathroom room tone, analog tape saturation, sectional drops, restrained awakening, anthemic defiance, 128 BPM