3:42
Washed in Blood
v5.5
metal, Modern Christian metalcore with male vocals, drop-tuned chugs and double-kick bursts, Verses stay tight and tense with palm-muted guitars and distant choir pads; chorus explodes into open chords, soaring gang vocals, and a bright lead line doubling the hook, Bridge breaks down into half-time riffs and shouted call-and-response before one final, anthemic chorus, christian metal
4:02
metal, Crushing metalcore with drop-tuned guitars, halftime breakdowns, and male vocals, Verse riff is chug-heavy with dissonant harmonics; choruses lift into soaring, melodic lines over double-time drums, Bridge detonates into a stop-start breakdown with gang shouts and a final octave-lead guitar melody riding out the last chorus, christian metal, metalcore
4:06
metal, Modern Christian metalcore: dropped-tuning guitars with tight chugs and dissonant chord punches, double-kick bursts, and roaring male vocals in the verses that flip to soaring clean hooks in the chorus, Big gang shouts on the title line, ambient lead guitar textures in the bridge, and a final half-time breakdown for a triumphant finish, christian metal
3:52
God Over It All
v5.5
metal, Modern Christian metalcore, male vocals, Low-tuned chugs and double-kick bursts under screamed verses; huge melodic chorus with soaring clean vocal and wide guitars, Brief halftime pre-chorus opens space before the hook; bridge drops to ambient guitars and choir pads, then slams back in with layered gang shouts for the final refrain, metalcore, christian metal
4:22
Thorn and Fire
v5.5
metal, Surging Christian metalcore with dual male vocals; intro opens on tense clean guitars and tom-heavy drums, then explodes into down-tuned chugs and syncopated double-kick, Verses trade harsh screams and urgent cleans; chorus lifts with wide melodic chords and stacked vocal harmonies, Bridge drops to half-time with dissonant riffs and gang shouts, building into a final, soaring reprise of the hook, metalcore, christian metal
3:49
High-energy metalcore with soaring melodic choruses, drop-tuned guitars, and alternating harsh and clean male vocals, Verses drive on palm-muted riffs and double-kick bursts; choruses open into wide, anthemic chords, gang shouts, and bright lead lines, Bridge hits a half-time breakdown with ambient pads floating over chugs, then a final key-lift chorus with stacked harmonies
2:59