天ロック 2026.7.24 opening セットリスト

Psychedelic Garage Punk, Noise Pop, Neurotic Rock

Minimalistic and introspective Japanese hip hop style, with a stronger emphasis on the beat, Fast-paced rap delivery with precise pitch control and tightly packed syllables, riding closely on the rhythm, The vocal remains unemotionally restrained and low-key, creating contrast with the driving groove, A melancholic, repeating piano loop anchors the track, introduced solo in the intro and continuing throughout, while the drums are more pronounced: punchy kicks, crisp snares, and lightly swinging hi-hats that push the momentum forward without overwhelming the vocals, The beat feels hypnotic and persistent, subtly tense rather than explosive, The overall atmosphere is dark, nocturnal, and introspective, balancing lyrical solitude with a steady, head-nodding pulse, Vocals are close-mic’d and intimate, sitting just above the beat, maintaining a grounded, street-level realism

Fast bass-driven dark garage punk / post-punk rock, 155 BPM, dominant gritty distorted bass riff, tight but slightly loose 4/4 drums, sharp snare, raw twin guitars, vintage amp overdrive, tense urban claustrophobic live-room sound, Raspy nasal male vocal, cool and loose delivery, dark detached attitude, lazy phrasing with tense undertone, under-sung verses, restrained gritty chorus, sarcastic nocturnal mood, slightly drunk rehearsal-room Raw rehearsal demo take: amp hum, tuning noise, muted guitar scratches, drummer count-in, bassist tests riff, false starts, brief stops and restarts, missed notes, sloppy timing, singer enters late, imperfect but energetic small studio session, Not polished, Avoid pop punk, metal, blues rock, clean modern rock, Make the bass the loudest and most important instrument, The distorted bass riff should act as the main hook and lead melody, Guitars must stay secondary, scratchy, and thin, Drums should lock to the bass, Do not bury the bass under guitars

Pop Punk, Grunge, Emo, Country Pop, Punk Rock, Alt-Rock, drum-driven, catchy punchy EDM, dramatic dynamics, distorted choruses Drums: distorted 808s, tight trap hi-hats (fast rolls, triplets), snapping snares, solid groove Bass: deep sub-bass, heavy, warm, strong sidechain with kick Guitar 1: sharp slap-style percussive rhythm (constant attack) Guitar 2: tremolo-picked walls + fuzz (verse tension bed) Guitar 3: overdrive punch chords (chorus), wide stereo, final full wall Piano: cinematic, hard attack, slightly detuned (break accents) FX: minimal, almost none, keep raw vocal breath, optional very light tape texture Vocal: female, very hard raspy & husky, very breathy, strong vibrato, raw, whisper → explosive, voice cracks/breaks

Genre: Melodic Hardcore, Pop Punk, Style: CORE SOUND: ELECTRIC SLAP CHOPPER GUITARS, ELECTRIC SLAP CHOPPER BASS, 808 DRUM MACHINE, RHYTHM GUITAR (Vocalist): Distorted electric guitars (fuzzy/crunchy, Fuzz/Big Muff distortion), UNRELENTING FAST STRUMMING, TIGHT PALM MUTED CHUGGING, FAST TREMOLO PICKING TEXTURE, LEAD GUITAR: (wild solos, POLYPHONIC GUITAR RIFFS, layered textures), DISTORTED SLAP CHOPPER ELECTRIC BASS (SATANIC SUB BASS LOW END), DRUMS: HARD 808 DRUM MACHINE (snappy snare/heavy kick/tom fill), Emotional power chords, EXTREME FUZZ GUITAR RIFFS, LOW END, HARMONICA (primary bridge solo), FX: Logical Decay FX, Metric Fold Delay, Orbital Modulation Inserts, Resonant Echo Layer, SPATIAL 3D REVERSE ECHO, VOCAL PERCUSSION LAYERING, Vocal: Japanese FEMALE (Rhythm Guitarist), raspy, husky, voice must crack, PERFECT PITCH, SHOUTING STYLE, FAST VOCAL PERCUSSION, RAPID FIRE BILINGUAL RAP, (TEMPO: Suggest 195 BPM hyper-speed fusion, )

Japanese psychedelic rock, experimental indie, hypnotic drug infused atmosphere, mid tempo 90–95 BPM, detached male vocals whispered and hazy, distorted and filtered vocal layers, dominant thick bassline at the front driving the entire track with hypnotic groove, heavy lo fi drum break deep kick and punchy snare with cavernous reverb, clean but phased electric guitar arpeggios drenched in delay, swirling vintage synth pad creating hallucination like textures, reversed and stretched guitar and synth fragments, low end saturation and sub bass rumble shaking the mix, verse unsettling whispered vocals and minimal guitar floating over bass and drum weight, chorus explosive layered synth melody psychedelic uplift drenched in reverb delay, bridge outro hypnotic repetition of bass and drum locked groove with swirling effects and gradual fade into haze