NØCTVRNΛL NΛPΛLM

Iowa-era aggressive nu metal, Extremely heavy guitars in Drop D or lower tuning with dark dissonant riffs and tight syncopated chugs, Single dominant metal drum kit only — punchy double-kick, sharp cracking snare, aggressive tom fills, china cymbal accents, fast chaotic transitions, No marching drums, no tribal percussion, no auxiliary drum layers, DJ scratches and distorted samples in the intro, Raw, unfiltered male vocals with manic hype shouts, harsh screamed verses, gang chant choruses and layered screams, Dark, sinister atmosphere, Explosive chant-driven chorus, crushing half-time breakdown, chaotic dissonant guitar solo with whammy dives and feedback, Raw, abrasive production, 100–110 BPM with violent dynamic shifts and sudden stop-start cuts

Iowa-era extremely manic and aggressive nu metal, wild and virtuosic twin lead 7-string guitars in Drop-G with dark dissonant riffs and tight syncopated chugs and infested with aggressive pinch harmonics, Single manic relentless dominant metal drum kit only — punchy double-kick, sharp cracking snare, blistering gravity-blast, rumbling blast-beats, aggressive tom fills, china cymbal accents, fast chaotic transitions, No marching drums, no tribal percussion, no auxiliary drum layers, DJ scratches and distorted samples in the intro, Raw, unfiltered male vocals with manic hype shouts, harsh screamed verses, gang chant choruses and layered screams, Dark, sinister atmosphere, Explosive chant-driven chorus, crushing half-time breakdown, Virtuosic Heroic dissonant guitar solos with whammy dives and feedback, Raw, abrasive production, 130–160 BPM with violent dynamic shifts and rapid relentless pure venomous vocal delivery, ‑Nu Metal Revival, ‑Modern Nu Metal, ‑Industrial Metal, ‑rap rock, ‑alternative metal, ‑djent, ‑post-hardcore, ‑metalcore

Iowa-era extremely manic and aggressive nu metal meets metalcore, virtuosic twin lead 7-string guitars in Drop-D with dark dissonant riffs and tight syncopated chugs, Single manic relentless dominant metal drum kit only — punchy double-kick, sharp cracking snare, aggressive tom fills, china cymbal accents, fast chaotic transitions, No marching drums, no tribal percussion, no auxiliary drum layers, DJ scratches and distorted samples in the intro, Raw, unfiltered male vocals with manic hype shouts, harsh screamed verses, gang chant choruses and layered screams, Dark, sinister atmosphere, Explosive chant-driven chorus, crushing half-time breakdown, Virtuosic Heroic dissonant guitar solos with whammy dives and feedback, Raw, abrasive production, 120–140 BPM with violent dynamic shifts and relentless venomous vocal delivery, ‑Nu Metal Revival, ‑Modern Nu Metal, ‑Industrial Metal, ‑rap rock, ‑alternative metal, ‑djent, ‑post-hardcore, ‑Nu Metal Revival / Modern Nu Metal, ‑Industrial Metal, ‑rap rock, ‑alternative metal, ‑djent, ‑post-hardcore

Iowa-era extremely manic and aggressive nu metal meets metalcore, virtuosic twin lead 7-string guitars in Drop-D with dark dissonant riffs and tight syncopated chugs, Single manic relentless dominant metal drum kit only — punchy double-kick, sharp cracking snare, aggressive tom fills, china cymbal accents, fast chaotic transitions, No marching drums, no tribal percussion, no auxiliary drum layers, DJ scratches and distorted samples in the intro, Raw, unfiltered male vocals with manic hype shouts, harsh screamed verses, gang chant choruses and layered screams, Dark, sinister atmosphere, Explosive chant-driven chorus, crushing half-time breakdown, Virtuosic Heroic dissonant guitar solos with whammy dives and feedback, Raw, abrasive production, 120–140 BPM with violent dynamic shifts and relentless venomous vocal delivery, ‑Nu Metal Revival, ‑Modern Nu Metal, ‑Industrial Metal, ‑rap rock, ‑alternative metal, ‑djent, ‑post-hardcore

melodic moancore deathcore, drop C tuning, dual female vocalists, female fry scream guttural vocals verses, female clean soaring melodic chorus vocals, quivering trembling vocal moan into breakdown, female deathcore fry scream breakdown, pig squeal, deep guttural lows, heavy distorted down-tuned guitars, djent inspired chugging riffs, atmospheric open chords in chorus, slow crushing half-time breakdown, hard hitting snare, double kick drums, thick distorted bass, emotional raw energy, dark suffocating verse tone, explosive clean melodic chorus lift, no synths, no electronics, pure organic band sound, ‑male vocals, ‑piano, ‑synth pads, ‑electronic elements, ‑ambient wash, ‑clean guitar, ‑lo-fi, ‑pop production, ‑choir, ‑backing vocals, ‑auto-tune

melodic moancore deathcore in the style of Not Enough Space Primitive, dual female vocalists, Liv Mitchell-style vicious female fry screams + guttural verses + pig squeals + deep lows, Lizzie Raatma-style soaring emotional clean melodic choruses, quivering trembling vocal erotic moan into breakdown, female deathcore fry scream breakdown, heavy distorted drop-D down-tuned guitars, djent-inspired chugging riffs mixed with aggressive pinch harmonics and atmospheric open chords in chorus, slow crushing half-time breakdown, hard-hitting snare + double kick drums, thick distorted bass, raw emotional dark energy, suffocating verses exploding into explosive melodic chorus lift, pure organic band sound, no synths, no electronics, ‑male vocals, ‑piano, ‑synth pads, ‑electronic elements, ‑ambient wash, ‑clean guitar, ‑lo-fi, ‑pop production, ‑choir, ‑backing vocals, ‑auto-tune

female-fronted metalcore, dual female vocalists, raspy mid-range fry screams and low gutturals, soaring melodic clean vocal chorus with emotional vibrato, dual harmony on chorus, whispered clean vocal intro, verses in fry screams, spoken word pre-breakdown escalating to fry then full gutturals, signature moan before breakdown climax, unison guttural scream post-moan, exhausted clean final chorus, quiet hopeful outro, djent guitar riffs, drop tuned heavy guitars, palm muted chugging, tremolo picking, pinch harmonics, 8 bar guitar solo with feedback and dissonant intervals, heavy bass, blast beats, dynamic drumming, atmospheric feedback between sections, raw live feeling, not overproduced, themes of betrayal and self loss, bitter and aggressive, 130bpm, minor key, deathcore influenced metalcore, heavy midwest emo influence in clean sections, breakdown drops to near silence before gutturals hit, feedback lingers into outro, ‑male vocals, ‑male singer, ‑clean guitar, ‑acoustic, ‑pop production, ‑autotune, ‑synthesizers, ‑keyboards, ‑electronic beats, ‑orchestral, ‑strings, ‑soft rock, ‑emo pop, ‑pop punk, ‑reverb heavy, ‑overproduced, ‑polished, ‑slow tempo, ‑ballad, ‑rap, ‑spoken word only

moancore, deathcore, dual female vocals, down-tuned crunchy distorted guitar, heavy punching bass, tight aggressive drums, pig squeals and guttural moans on verses, soaring emotional clean female chorus, huge contrast between soft and crushing, half-time sludgy breakdown, layered harsh and clean vocals on breakdown, sad and heavy, 130 BPM, no male vocals, raw punchy mix, ‑male vocals, ‑pop, ‑synths, ‑keyboards, ‑orchestra, ‑clean guitar, ‑bright tone, ‑upbeat, ‑rap, ‑auto-tune, ‑soft rock, ‑indie, ‑melodic metalcore, ‑metalcore chug, ‑major key

Dissonant moancore, female-fronted metalcore, dual female vocalists, raspy mid-range fry screams, low gutturals, breathy moancore vocalizations, pained gasps, syncopated moans, haunting dissonant clean vocals, strained emotional vibrato, dual harmony, hushed breathy intro, verses in fry screams, spoken word pre-breakdown escalating to gutturals, signature moan before breakdown climax, unison guttural scream, exhausted hollow clean final chorus, quiet unresolved outro, djent riffs, drop-tuned heavy guitars, dissonant chugging, minor second intervals, tritones, panic chords, tremolo picking, pinch harmonics, piercing feedback, atonal intervals, pitch-shifted textures, bitcrushed industrial grit, heavy bass, blast beats, 130bpm, Locrian mode, raw live production, unsettling atmosphere, -male vocals, -male singer, -clean guitar, -acoustic, ‑no male vocals, ‑no pop, ‑no synths, ‑no keyboards, ‑no orchestra, ‑no clean guitar, ‑no bright tone, ‑no thin guitars, ‑no mid-heavy guitars, ‑no upbeat, ‑no rap, ‑no autotune, ‑no soft rock, ‑no indie, ‑no melodic metalcore, ‑no metalcore chug, ‑no major key, ‑male vocals, ‑pop, ‑synths, ‑keyboards, ‑orchestra, ‑clean guitar, ‑bright tone, ‑upbeat, ‑rap, ‑auto-tune, ‑soft rock, ‑indie, ‑melodic metalcore, ‑metalcore chug, ‑major key

nu-metal, alternative metal, 1994, Los Angeles, Ross Robinson production, Immortal Records, debut album, analog tape, percussive clicky slap bass on top of mix, syncopated detuned chunky guitar chug, boxy dead dry drums, zero reverb, midrange mud wall, distorted boxy guitar groove, bass sounds like wood block clicks, punchy dead kick drum, raw boxy room sound, whispered intimate vocals lips on mic, childlike scat singing, guttural sobbing scream, paranoid dark groove, heavy syncopated rhythm, boxy analog mud, no highs no lows, everything midrange, ‑bass in background, ‑clean bass, ‑smooth bass, ‑reverb, ‑delay, ‑high end shimmer, ‑low end rumble, ‑polished, ‑mastered, ‑bright, ‑clean guitar, ‑lead guitar, ‑guitar solo, ‑modern mix, ‑compression, ‑wide stereo, ‑cinematic, ‑synth, ‑piano, ‑acoustic, ‑death metal, ‑metalcore, ‑falsetto, ‑auto-tune, ‑professional studio sound