2:39

ILYolo
v4.5
FEMALE VOCALS, FEMALE SINGING, FEMALE RAPPING, Beat: Groovy 1980s-inspired disco-pop with funky basslines, glossy synths, rhythmic guitar, no trap elements, Clean, danceable, with bubblegum-bright textures, • Vocals:
• Intro/Verses: Sung with light, flirty tone; clean phrasing, slight head voice mix for sparkle, Verse two is sassier and more rhythmic, • Hook: Rapped playfully with a sing-song bounce; tight flow, clear diction, layered with adlibs for punch, • Post-Hook: Combo of rap and sung lines; catchy, chantable delivery with stereo adlibs and harmony tags, • Outro: Soft spoken/sung fade-out with playful vocal tone and light reverb, • Mix: Vocals crisp and front-facing, slight vintage warmth in the overall EQ, bass and rhythm pushed forward for movement, ‑* do NOT include any trap elements in this song
3:28

Choke.
v4.5
FEMALE VOCALS, FEMALE RAPPING, Beat: Industrial, lo-fi, and horrorcore-inspired—no trap, Features distorted 808s, eerie pads, reversed sounds, phonk-style reverb, and gritty textures, • Vocals:
• Intro/Bridge: Spoken low, with distorted whisper FX and heavy delay for tension, • Verses: Rapped with a dark, theatrical tone; clear enunciation, dynamic pacing, satirical delivery; layered with eerie breath or glitch accents, • Hook: Repetitive, chant-style delivery; dry vocal center with echoed adlibs panned wide; designed for memorability and crowd call-back, • Mix: Vocals sit front with mild grit, beat stays stripped but menacing, Glitch and static FX used for transitions and drama, ‑* NO trap elements in this song
3:27

Kill A Bitch.
v4.5
FEMALE VOCALS, FEMALE RAP, FEMALE SINGING, FEMALE TALKING/SPEAKING, Beat: Dark-pop & horrorcore soundscape with eerie synths, distorted sub-bass, no trap drums, Slow, pulsating rhythm; layered with whispers, reverb-heavy FX, reversed pads, • Vocals:
• Intro/Interlude: Spoken in a slow, unsettling tone with light echo and ambient bleed, • Verses:
• Verse 1 & 3: Rapped, low and venomous with sharp enunciation; slight vocal distortion for menace, • Verse 2: Sung with airy head voice, drifting between sultry and deranged, • Chorus: Sung in a haunting mix of chest and head voice, dramatic tone shifts; harmonized with layered backing vocals, • Post-Chorus: Whispered and breathy with stacked layers for eerie texture, • Mix: Vocals sit forward but drenched in atmosphere; beat stays minimal but moody, All vocals tightly synced with rhythm for hypnotic effect, ‑* NO trap elements in this song
2:54

rocketboy!
v4.5
FEMALE VOCALS, Beat: Hyperpop chaos meets cuntry-techno, Distorted 808s, punky guitars, glitchy synths, heavy dance kicks, with cyber-vocal chops, • Verse 1: Sung with brat-y, flirty energy, Slight autotune, crisp with light distortion for edge, • Chorus: Loud, chanty, layered vocals for stadium effect, Catchy phrasing, doubled for thickness, • Verse 2: Rapped with sharper, faster delivery, Vocals dry, punchy, upfront, Aggressive attitude, • Bridge: Sung in a dreamy, breathy tone, with glitch effects fading in/out for build-up, • Post-Chorus: Simple, repetitive hook, processed with vocal chops, perfect for crowd chants, • Breakdown (na-na-na loop): Robotic, vocoder effect, panned wide, builds to chaotic drop, • Mix: Loud, blown-out hyperpop style, Vocals cut through the noise but stay part of the chaos
2:43

Cum For Me
v4.5
FEMALE VOCALS, Beat: Hard electroclash & ghetto tech with distorted 808s, glitchy synths, techno stabs, and PC Music vocal chops, Fast tempo, pounding club energy, • Verses: Aggressive, vulgar rap flow, Dry, in-your-face vocal mix, Minimal effects to keep it raw, Tight rhythm, sharp delivery, • Hook: Chant-style, repetitive, viral phrasing, Layered doubles for thickness, Adlibs panned wide for hype, • Interlude: Beat cut, Spoken, filthy, ASMR-style tone with heavy reverb, • Bridge: Hypnotic flow, slower bounce, rhythmic delivery for build-up, • Overall Mix: Loud, distorted, abrasive but polished, Vocals cut through, bass heavy & club-ready
