4:52
A dark folk/Americana track in A minor, it opens with sparse acoustic guitar fingerpicking and deep, resonant stand up bass, the stand up need to be prominite traditionaii haunt establishing a moody, male vocals, use a plate reverb haunting groove, Male vocals are intimate and breathy, weaving through tense, ghostly harmonies as the arrangement stays raw and organic, trance 65bmp, emo, female vocals harmonizing on all choruses and any other breakdowns or fillers with the main male vocal, ambient female vocals harmonizing with the male singer on the choruses like a choir a spooky choir, a light atmospheric reverb, ambient
3:38
male vocals old school country acoustic instruments only, reverb on the vocals outlaw country the energy of outlaw bluegrass I want the vocals to sound like outlaw country style vocals bluegrass instruments resonator slizde resonator bluegrass, resonator, drums fiddle and stand up bass stand up bass( needs to alternate between the note and the base note it needs alternate boom boom boom (male vocals harmonies back up vocals chorus ) back up acoustic guitar where they play solos only at the end jam reverb bluegrass
3:05
this is an old school outlaw country mix track drums Bass acoustic guitar another acoustic guitar a slightly over driven electric guitar violin banjo male vocals old school outlaw country raspy gritty powerful raw female vocals on the chorus when it says she's my bitch and I'm her bastard an outlaw country mix track