My tracks - Spoken word

Long-form intimate minimal electronic track (6–8 minutes) at 108 BPM in D minor, strict continuous circular harmonic loop (Dm9 – C – Bbmaj7 – Fadd9) repeating identically throughout the entire track, no key change or modulation, very subtle low 4/4 pulse with soft muted kick, deep warm sub bass sustained and slow-moving, dark and low-register focused production, minimal harmonic movement, no bright high-frequency elements, no sparkling arpeggios, warm analog texture, close-mic French spoken word vocal delivery with calm and restrained tone, subtle reverb with short tails, slow evolving arrangement, dignified melancholic atmosphere, immersive and spacious mix, long gentle fade-out

Cinematic minimal electronic spoken word piece (7–8 minutes) at 104 BPM in D minor with a restrained steady pulse, Circular harmonic progression (Dm – Bb – F – C) clearly evolving through sections, Deep warm bass with subtle movement, layered atmospheric pads, soft piano notes and low string textures gradually entering, Sparse but refined percussion elements (very soft kick and subtle textures, no dominant beat), Intimate French female spoken word delivery, calm and emotionally controlled, close-mic with preserved pauses and breathing, Music gradually expands in depth and harmony without overpowering the voice, No dramatic drop, elegant dynamic evolution, immersive and melancholic atmosphere, long gentle fade-out

Dark spoken word electronic piece at 100 BPM in D minor, No heavy percussion, only a very subtle low pulse or soft ambient rhythm, Slow circular harmonic texture (Dm – C – Bb – Dm) sustained in long evolving pads with deep warm low register focus, Sparse arrangement with wide space and preserved silences, Intimate French spoken word vocal, calm and deliberate, respecting punctuation and pauses, natural breathing audible, no melodic singing, Subtle atmospheric textures gradually evolving, no dramatic build, restrained and introspective mood, immersive and minimal production, slow fade-out