2:32
Denver
v4.5-all
folk, Quirky indie-folk with dry humor; bright acoustic guitar and plucky mandolin, light brushed snare and upright bass, Male vocals, deadpan delivery in the verses; choruses bloom with gang vocals and stomps, Subtle whistling hook in the bridge, room-y handclaps, and a warm, live-in-the-room mix, indie folk
2:24
Turn It Up
v4.5-all
dance, Shiny uptempo dance-pop, bright synth stabs and bouncy sidechained pads over a four-on-the-floor kick, Male vocals ride a tight, syncopated groove in the verses; chorus explodes with stacked gang shouts, risers, and a playful, rubbery bass, Short claps-and-vocal breakdown before the final hook, with airy reverb tails and a crisp, glossy top end
2:47
From The Ashes
v4.5-all
Swelling orchestral epic with male vocals: soft piano and distant choir open, slowly joined by low strings and taiko pulses, Verses stay intimate over evolving strings; chorus explodes with brass fanfares, soaring choir harmonies, and thunderous percussion, Bridge pulls back to near-silence before a final, triumphant full-ensemble push and high vocal belt
4:16
In The Bracken
v4.5-all
folk, Raw modern folk with powerful, smokey female vocals upfront, close-mic’d and intimate, Fingerpicked acoustic guitar and low drone strings build from a hush to a stormy mid-tempo stomp with floor toms and boot-heel percussion, Verses stay sparse and storytelling; chorus opens with stacked harmonies and a rough-edged belt, Final chorus strips back to voice and guitar, ending on a ragged, held note fading into room reverb
3:38
Static Throne
v4.5-all
Dark cinematic synth opera, Slow-build intro with distant choirs and swelling pads, then heavy low synths and sparse taiko hits, Male vocals delivered in a dramatic, almost theatrical tone, with big verb and wide stereo delays, Chorus blooms with stacked harmonies and octave-doubled leads; bridge strips back to eerie drones and glitchy pulses before a final, towering refrain
4:32
Glass Crown
v4.5-all
metal, Darkwave metal hybrid with icy analog synth pads, downtuned guitars in a mechanical chug, and a relentless sidechained bass pulse, Male vocals smothered in reverb and delay, shifting from ghostly half-whispers to rasped howls in the chorus, Sparse, ritual-like drums in the verses, exploding into double-time kicks and splashing cymbals on hooks, Occasional dissonant choir swells and reverse swells to deepen the haunted, cathedral-in-a-machine feel
2:39
Tropical Shock
v4.5-all
Cinematic reggaeton banger built on a tight dembow groove, glossy synth bass, and bright steel drum top-lines, Verse one starts minimal with filtered drums and plucky guitar, then pre-chorus adds risers and vocal stacks, Chorus explodes with layered male vocals, massive gang shouts, and wide steel drum chords, Second half brings a brief breakdown with atmospheric pads, then slams back into a final double chorus for a festival-ready climax, reggaeton, tropical
4:26
Razor Edge
v4.5-all
folk, Moody acoustic score with close-miked steel-string guitar, low tuned for grit; fingerpicked verses that leave space and tension, chorus opens with wider strums and subtle swarm of bowed strings and distant toms, Slow burn build, male vocals up front with a rough, intimate tone; final chorus blooms with stacked harmonies and a lingering reverb tail, acoustic