PUNKARRADAS

Street punk rock, fast and raw male voice

Fast, raw, dirty garage-style punk rock, high tempo, distorted guitars with simple chords, prominent bass, fast, unadorned drums, raspy and screaming vocals, group choruses in the chorus, small venue sound and saturated amplifiers, street attitude, aggressive but honest, DIY spirit, direct energy, no clean production, a feeling of controlled chaos and constant pogoing

punk oi, fast tempo, agresive vocal male

Punk rock / Urban punk Medium-fast tempo (not hardcore) Dry guitars Prominent bass Simple and steady drums Scratchy, almost spoken vocals in verses Group backing vocals in the chorus

Very fast and aggressive punk rock, street punk/garage style, high tempo (190–210 BPM), heavily distorted guitars with simple and raw chords, thick and very present bass, fast and direct drums without embellishments, screamed and raspy voice almost spat out, group choruses in the chorus, dirty and DIY sound, unpolished production, feeling of a small venue and saturated amplifiers, constant energy, attitude of social weariness and collective rage, ideal for pogoing and screaming from the audience

Punk Oi! / Street Punk Medium-fast tempo (not hardcore) Simple, martial drums Prominent bass Guitar with open chords Harpy, almost spoken vocals Shouted group choruses

fast and powerfull punk, fast intro, high-pitched male voice

fast power oi punk, vocal male agresive

Mid-tempo to fast punk rock (160–180 BPM), combative and ironic street punk style, raw guitars with dirty distortion and open chords, very present and marked bass, simple and constant drums without embellishments, raspy lead vocals with a sarcastic tone in the verses and shouted in the choruses, forceful group choruses, critical and biting attitude against political and economic opportunism, clear and direct message, DIY sound, unpolished production, small venue feel, saturated amplifiers, live energy, sharp irony without mocking the victims, street punk with brains and contained bad temper

Festive, streetwise punk rock, fast and danceable tempo (180–200 BPM), very singable barroom punk style, Intro with two voices (male and female) spoken/shouted in a call-and-response style, First verse sung exclusively by a female voice, with an ironic and defiant attitude, Second verse sung exclusively by a male voice, with a mocking and direct tone, From the pre-chorus and throughout all the choruses, bridges, and outro, male-female duet vocals with group backing vocals reinforcing the chorus, Distorted guitars with simple and cheerful chords, prominent bass, fast and straightforward drums, handclaps and shouts in the background, Raw and DIY production, the sound of a small venue and a wild party, live energy, ironic and festive attitude, clear message, and punk humor without solemnity

Fast and hard-hitting punk rock, street punk and modern garage punk style, high tempo (180–200 BPM), heavily distorted guitars with simple and aggressive chords, dirty and very present bass, fast and direct drums without embellishments, raspy and screaming lead vocals with clear phrasing, powerful group choruses in the chorus, critical attitude against digital anonymity and hate on networks, constant energy, DIY sound, unpolished production, feeling of a live performance in a small venue, increasing intensity towards the end with fast instrumentals and a singable closing

Festive and powerful punk rock, medium-fast tempo (170–185 BPM), barroom punk style with a nihilistic and ironic attitude, Distorted and upbeat guitars with simple chords, a prominent and fat bass, steady and danceable drums, raspy and carefree lead vocals, catchy group choruses in the refrain, a crowded bar atmosphere, laughter and shouts in the background, DIY production, a raw but celebratory sound, a sense of collective farewell, a celebration of chaos, the album's final energy, an explosive and ironic closing with a street punk spirit