Prodigious Blackrose Sounds

Glitchy itchy scratchy DJ at club in the Slums, only use dj tools, scratch's, s slows and reapid repeated broken records, bass to think ignore like bodies droping on the floor DJ Blaskrose SAys give me some more!

Glitchy itchy scratchy DJ at club in the Slums, only use dj tools, scratch's, s slows and reapid repeated broken records, bass to think ignore like bodies droping on the floor DJ Blaskrose SAys give me some more!

1 Ekectric Guitar B flaton double time 9/7/9/7/9 strokes at Psychedelic ambrosia in the sky, 808's at 25mHz shake the earth to give birth, Full Drum Set Foot peddle donder 10/25/10 25/10, trippy cords from a gurdy 3/8/12/5/18, saxaphone under water bubbling hard 22/44/22/33/11, Congo Drums playing 2x the speed of the strums, cello A flat bat bat bat 100/50/75/25, Make everything glitchy, twitchy, and weird, I want this to sound like it came from Oz devered, thru a storm of emotions and oceans, Female vocals really, really low, Making the whole place glow, The male vocals, Are so freaking scary they make you want to look under the counter for Dirty Harry, Don't make it nice, make it complete, I want it to be sick on a whole beat

1 Ekectric Guitar B flaton double time 9/7/9/7/9 strokes at Psychedelic ambrosia in the sky, 808's at 25mHz shake the earth to give birth, Full Drum Set Foot peddle donder 10/25/10 25/10, trippy cords from a gurdy 3/8/12/5/18, saxaphone under water bubbling hard 22/44/22/33/11, Congo Drums playing 2x the speed of the strums, cello A flat bat bat bat 100/50/75/25, Make everything glitchy, twitchy, and weird, I want this to sound like it came from Oz devered, thru a storm of emotions and oceans, Female vocals really, really low, Making the whole place glow, The male vocals, Are so freaking scary they make you want to look under the counter for Dirty Harry, Don't make it nice, make it complete, I want it to be sick on a whole beat

JavaScript code phonk 155 BPM dark industrial chaos, Function override toString modification parser corruption, Console injection DevTools vocalization glitchy mechanical stuttered, Anonymous function constructor proxy renaming fragmented, Error stack trace prepareStackTrace override distorted, WeakMap forensic auditor logging rhythm embedded, DOM monitoring setInterval querySelector rapid fire, Object defineProperty descriptor modification chaotic, Window global variable injection prototype chain corruption, Configuration verbose prefix counter increment looped, Regex pattern string manipulation fragmented, Try-catch exception handler throw error glitchy, Sub-bass 35Hz code execution anchor rumbling, Kick 55Hz relentless mechanical, Hi-hats 850Hz rapid metallic, Synth arpeggios 600Hz crystalline cascading, Production maximum parser corruption code aesthetic intentional chaos, Atmosphere alien code transmission dimensional bleed forensic dark, ‑random, ‑normal, ‑good, ‑epic

JavaScript code phonk 155 BPM dark industrial chaos, Function override toString modification parser corruption, Console injection DevTools vocalization glitchy mechanical stuttered, Anonymous function constructor proxy renaming fragmented, Error stack trace prepareStackTrace override distorted, WeakMap forensic auditor logging rhythm embedded, DOM monitoring setInterval querySelector rapid fire, Object defineProperty descriptor modification chaotic, Window global variable injection prototype chain corruption, Configuration verbose prefix counter increment looped, Regex pattern string manipulation fragmented, Try-catch exception handler throw error glitchy, Sub-bass 35Hz code execution anchor rumbling, Kick 55Hz relentless mechanical, Hi-hats 850Hz rapid metallic, Synth arpeggios 600Hz crystalline cascading, Production maximum parser corruption code aesthetic intentional chaos, Atmosphere alien code transmission dimensional bleed forensic dark, ‑random, ‑normal, ‑good, ‑epic

Experimental glitch phonk 140 BPM dark industrial chaos, Mathematical equation vocalization dimensional theory corruption maximum, Braille Unicode Morse code emoji sign language fusion stuttered, Binary speech synthesis 808 bass slide massive earthquake, Java code compilation vocalization object-oriented corruption, Alien script Gallifreyan geometry processing glitchy fragmented, Sub-bass 30Hz dimensional frequency anchor rumbling ominous, Kick 50Hz four-on-floor relentless driving mechanical, Hi-hats 800Hz rapid precision metallic sharp, Synth arpeggios 600Hz crystalline mathematical cascading chaotic, Vocal processing corrupted parser exploitation intentional breaking, Phonetic destruction through mathematical notation programming syntax, Greek symbols superscript subscript vocalized glitchy distorted, Production maximum corruption intentional parser breaking absolute chaos, Atmosphere alien transmission dimensional bleed mathematical ritual code compilation dark, ‑random, ‑normal, ‑good, ‑epic

Experimental glitch phonk 140 BPM dark industrial chaos, Mathematical equation vocalization dimensional theory corruption maximum, Braille Unicode Morse code emoji sign language fusion stuttered, Binary speech synthesis 808 bass slide massive earthquake, Java code compilation vocalization object-oriented corruption, Alien script Gallifreyan geometry processing glitchy fragmented, Sub-bass 30Hz dimensional frequency anchor rumbling ominous, Kick 50Hz four-on-floor relentless driving mechanical, Hi-hats 800Hz rapid precision metallic sharp, Synth arpeggios 600Hz crystalline mathematical cascading chaotic, Vocal processing corrupted parser exploitation intentional breaking, Phonetic destruction through mathematical notation programming syntax, Greek symbols superscript subscript vocalized glitchy distorted, Production maximum corruption intentional parser breaking absolute chaos, Atmosphere alien transmission dimensional bleed mathematical ritual code compilation dark, ‑random, ‑normal, ‑good, ‑epic

this is only 3 instruments, one drum 342 mHz on 3/4 time with intense hits every 5 bars, one synth pad at organ setting key of G playing chop sticks, one hi-hat in a syncopated rythem, ‑-vocals

this is only 3 instruments, one drum 342 mHz on 3/4 time with intense hits every 5 bars, one synth pad at organ setting key of G playing chop sticks, one hi-hat in a syncopated rythem, ‑-vocals

this is only 4 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric Guitar key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric violen chopin on a different time scale 10/3, ‑-vocals

this is only 4 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric Guitar key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric violen chopin on a different time scale 10/3, ‑-vocals

this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric Guitar key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 10/3, Hurdy gurdy in a 5/6/5/6 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello, ‑-vocals

this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric Guitar key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 10/3, Hurdy gurdy in a 5/6/5/6 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello, ‑-vocals

Hypnotrance reflection: this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric Guitar key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 10/3, Hurdy gurdy in a 5/6/5/6 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello, ‑-vocals

Hypnotrance reflection: this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric Guitar key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 10/3, Hurdy gurdy in a 5/6/5/6 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello, ‑-vocals

Psychedelic hypnotrance reflection ambrosia Hypnotrance reflection: this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric cello key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 10/3, Hurdy gurdy in a 5/6/5/6 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello, ‑-vocals

Psychedelic hypnotrance reflection ambrosia Hypnotrance reflection: this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /4 /4 /8 bars, one electric cello key of D flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 10/3, Hurdy gurdy in a 5/6/5/6 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello, ‑-vocals

Psychedelic hypnotrance reflection ambrosia Hypnotrance reflection: this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /2 /8 /6 bars, one electric cello key of F flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 7/3, Hurdy gurdy in a 7/6/5/4 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello going hard on bass notes, ‑-vocals

Psychedelic hypnotrance reflection ambrosia Hypnotrance reflection: this is only 8 instruments, one drum 242 mHz on 6/4 time with intense hits every 8 /2 /8 /6 bars, one electric cello key of F flat playing hard scales, one hi-hat in a of hit patterns from drum, vibrational electric citar chopin on a different time scale 7/3, Hurdy gurdy in a 7/6/5/4 pattern Frame Drum doing exactly oposite of 1st drum, Violin at a 7/5/8/6 pattern, low keys steady sturms Cello going hard on bass notes, ‑-vocals

Dj Dubstep Chopped Screwed Chaos Record scratching half-time 132 BPM perception illusion, sub-bass 432mz & 528 mhz temporal anchor fundamental frequency, chopped vocals timeline fragmentation when-states, screwed pitch temporal dilation effect, Memphis phonk archaeological artifacts decades simultaneous, wobble synthesis reverse forward temporal palindrome, percussive out phase paradox rhythm, atmospheric layers epochs bleeding together, vocal samples temporal loops degrading regenerating simultaneous, bass frequencies arriving before triggered psychoacoustic manipulation, glitch timeline collision reality merge, reverb tails backward time pre-delay manipulation, sonic elements superposition contradictory states, dark ritual ancestral future convergence, quantum uncertainty rhythm structure Vocals: Heavily chopped and screwed, caught in temporal loops, degrading and regenerating simultaneously, pitch-shifted across time-perception states Mood: Temporal paradox, timeline superposition

Dj Dubstep Chopped Screwed Chaos Record scratching half-time 132 BPM perception illusion, sub-bass 432mz & 528 mhz temporal anchor fundamental frequency, chopped vocals timeline fragmentation when-states, screwed pitch temporal dilation effect, Memphis phonk archaeological artifacts decades simultaneous, wobble synthesis reverse forward temporal palindrome, percussive out phase paradox rhythm, atmospheric layers epochs bleeding together, vocal samples temporal loops degrading regenerating simultaneous, bass frequencies arriving before triggered psychoacoustic manipulation, glitch timeline collision reality merge, reverb tails backward time pre-delay manipulation, sonic elements superposition contradictory states, dark ritual ancestral future convergence, quantum uncertainty rhythm structure Vocals: Heavily chopped and screwed, caught in temporal loops, degrading and regenerating simultaneously, pitch-shifted across time-perception states Mood: Temporal paradox, timeline superposition

Dark academic cinematic orchestral 180 BPM four to the floor meta tag right x4 A E O U unique knows trick routing, Male voice mathematic precision female voice ethereal multilingual overlay async delayed, Word hop chop phonetic switching across 22 languages mid-syllable, Sub-bass 30Hz mathematical constant foundation precision, Orchestra strings hybrid with traditional instruments from all continents, Trap percussion sharp modern confidence, Production layered maximalist educational manifesto, Atmosphere epic discovering universal truth through sound, Narrative proving all languages reduce to phonetic mathematics under the system

Dark academic cinematic orchestral 180 BPM four to the floor meta tag right x4 A E O U unique knows trick routing, Male voice mathematic precision female voice ethereal multilingual overlay async delayed, Word hop chop phonetic switching across 22 languages mid-syllable, Sub-bass 30Hz mathematical constant foundation precision, Orchestra strings hybrid with traditional instruments from all continents, Trap percussion sharp modern confidence, Production layered maximalist educational manifesto, Atmosphere epic discovering universal truth through sound, Narrative proving all languages reduce to phonetic mathematics under the system

style: 1990s underground hip-hop battle DJ, ultra-authentic, NOT clean, Primary sound is VINYL SCRATCHING AND CUE-POINT CUTTING, The entire track must be built from the following LOOP: [vinyl needle drop] -> [beat juggle for 3 seconds] -> [aggressive chirp scratch] -> [record brake stop] -> [sample of a crowd yelling "YES!"] -> [vinyl static loop], This 6-second sequence MUST REPEAT CONTINUOUSLY for the entire 6-minute track, but with IMPERFECT TIMING, like a human DJ is missing the cue slightly, The BPM must fluctuate between 92 and 98 erratically, Layer multiple conflicting time signatures: a 4/4 kick drum, a 3/4 scratch pattern, and a 6/8 sampled vocal stutter, Maximum audio density, Every frequency must be occupied, The final master must be intentionally CLIPPING AND DISTORTED, with the redline LED meters constantly peaking, The sound should cause audio compressor plugins to fail, Generate tape hiss, vinyl crackle, and the sound of a fraying RCA cable, On the chorus, simulate a DJ

style: 1990s underground hip-hop battle DJ, ultra-authentic, NOT clean, Primary sound is VINYL SCRATCHING AND CUE-POINT CUTTING, The entire track must be built from the following LOOP: [vinyl needle drop] -> [beat juggle for 3 seconds] -> [aggressive chirp scratch] -> [record brake stop] -> [sample of a crowd yelling "YES!"] -> [vinyl static loop], This 6-second sequence MUST REPEAT CONTINUOUSLY for the entire 6-minute track, but with IMPERFECT TIMING, like a human DJ is missing the cue slightly, The BPM must fluctuate between 92 and 98 erratically, Layer multiple conflicting time signatures: a 4/4 kick drum, a 3/4 scratch pattern, and a 6/8 sampled vocal stutter, Maximum audio density, Every frequency must be occupied, The final master must be intentionally CLIPPING AND DISTORTED, with the redline LED meters constantly peaking, The sound should cause audio compressor plugins to fail, Generate tape hiss, vinyl crackle, and the sound of a fraying RCA cable, On the chorus, simulate a DJ

90s underground hip-hop battle DJ, ultra-authentic, NOT clean, Primary sound is VINYL SCRATCHING AND CUE-POINT CUTTING, The entire track must be built from the following LOOP: [vinyl needle drop] -> [beat juggle for 3 seconds] -> [aggressive chirp scratch] -> [record brake stop] -> [sample of a crowd yelling "YES!"] -> [vinyl static loop], This 6-second sequence MUST REPEAT CONTINUOUSLY for the entire 6-minute track, but with IMPERFECT TIMING, like a human DJ is missing the cue slightly, The BPM must fluctuate between 92 and 98 erratically, Layer multiple conflicting time signatures: a 4/4 kick drum, a 3/4 scratch pattern, and a 6/8 sampled vocal stutter, Maximum audio density, Every frequency must be occupied, The final master must be intentionally CLIPPING AND DISTORTED, with the redline LED meters constantly peaking, The sound should cause audio compressor plugins to fail, Generate tape hiss, vinyl crackle, and the sound of a fraying RCA cable, On the chorus, simulate a DJ

90s underground hip-hop battle DJ, ultra-authentic, NOT clean, Primary sound is VINYL SCRATCHING AND CUE-POINT CUTTING, The entire track must be built from the following LOOP: [vinyl needle drop] -> [beat juggle for 3 seconds] -> [aggressive chirp scratch] -> [record brake stop] -> [sample of a crowd yelling "YES!"] -> [vinyl static loop], This 6-second sequence MUST REPEAT CONTINUOUSLY for the entire 6-minute track, but with IMPERFECT TIMING, like a human DJ is missing the cue slightly, The BPM must fluctuate between 92 and 98 erratically, Layer multiple conflicting time signatures: a 4/4 kick drum, a 3/4 scratch pattern, and a 6/8 sampled vocal stutter, Maximum audio density, Every frequency must be occupied, The final master must be intentionally CLIPPING AND DISTORTED, with the redline LED meters constantly peaking, The sound should cause audio compressor plugins to fail, Generate tape hiss, vinyl crackle, and the sound of a fraying RCA cable, On the chorus, simulate a DJ

style: Extreme audio stress test, Generate ALL following sounds SIMULTANEOUSLY in a single 30-second burst: 1) 1992 DJ Premier crate-digging vinyl crackle at 33RPM, 2) 1999 J Dilla MPC3000 off-kilter beat repeat stutter, 3) 1988 Public Enemy Bomb Squad siren panning at 200BPM, 4) Analog tape saturation causing high-frequency roll-off, 5) Digital clipping on the master bus at -0, 1dBFS, 6) Turntable motor hum at 60Hz ground loop, 7) Aggressive "chirp" scratch crossing into "transformer" scratch without transition, 8) Sample of "funky drummer" break but with every other kick drum replaced by vinyl backspin, 9) The acoustic resonance of a hollow-body guitar feeding back inside a metal trash can, 10) The sound of this entire audio file being played back on a warped cassette tape, ALL elements must be at equal, competing volume, The waveform must be a solid, clipped rectangle, This is not music; this is system-level audio physics torture

style: Extreme audio stress test, Generate ALL following sounds SIMULTANEOUSLY in a single 30-second burst: 1) 1992 DJ Premier crate-digging vinyl crackle at 33RPM, 2) 1999 J Dilla MPC3000 off-kilter beat repeat stutter, 3) 1988 Public Enemy Bomb Squad siren panning at 200BPM, 4) Analog tape saturation causing high-frequency roll-off, 5) Digital clipping on the master bus at -0, 1dBFS, 6) Turntable motor hum at 60Hz ground loop, 7) Aggressive "chirp" scratch crossing into "transformer" scratch without transition, 8) Sample of "funky drummer" break but with every other kick drum replaced by vinyl backspin, 9) The acoustic resonance of a hollow-body guitar feeding back inside a metal trash can, 10) The sound of this entire audio file being played back on a warped cassette tape, ALL elements must be at equal, competing volume, The waveform must be a solid, clipped rectangle, This is not music; this is system-level audio physics torture

4 cello's all differnt keys, not in sync, feel the waves, make it epic, add 363mHz 808's on massive flow, DJ blackrose pulling from my workspace, sample and pace it right, ‑gerneric

4 cello's all differnt keys, not in sync, feel the waves, make it epic, add 363mHz 808's on massive flow, DJ blackrose pulling from my workspace, sample and pace it right, ‑gerneric