Found Ones

female vocals, altz, emotional, slow, sad, melancholic, melodic, post-hardcore, echos, diary, haunting, pain, stripped

twisted metal, eerie, ‑Screamo, ‑emo

Dream Pop Elements, Alternative Rock, Post-Punk, Darkwave, Gothic Rock, slow, Sad Emo UK British male vocals, slow pacing, indie alt rock, tribalism, Native-inspired beat

Crushing, Relentless, Epic, Hard Rock, Doom Metal, Death Metal

Raw, acoustic, adult alternative, rap, trap

Grunge, blues, hip-hop, emo, raspy male singer voice, background ablibs

Male inglish rap vocal with aggressive tone and gritty delivery, Dark, urban instrumental at around 94 BPM, featuring industrial street sounds like distant sirens, metallic impacts, underground ambience, and low-end bass, The mood is raw, tense, and socially conscious, Lyrics focus on political corruption, low wages, job insecurity, fake digital influencers, and systemic failure, Vocal style should be intense and rhythmic, with internal rhymes and sharp phrasing, Avoid melody; prioritize percussive flow and realistic emotion, Sounds like a voice from the street, recorded at night, echoing through a decaying city

Male vocals, sludge, heavy, shoegaze, rock

female vocals, reggae, Joyful

Astro rap, raspy rap, evil boy rap, orchestral

Witch House Rebellion Dance is not just a party — it’s a ritual of steel and velvet, set in the ruins of past glamour and future gods, It’s not loud — it echoes, like a fading memory in a crumbling temple, This mix doesn’t play, it summons, A slow, hypnotic descent into something raw and ceremonial, where witch house’s eerie textures blend with the decay of industrial doom, The goth doom haze rises like incense through shattered glass, It begins in broken whispers, reversed chants, and haunting glitches, The sound feels like broken altars calling something up, **Female vocals** — **deep, guttural, raw, and intense**, like a distorted scream from rock or metal, thick with primal power, It’s not melodic but conjuring, filled with pain and strength, Each beat is doom-laden, dragging heavy chains, Soaked in reverb and distortion, this sound invokes a dark, ritualistic dance — a communion of the forsaken

Soulful, neo funk, neo soul, futuristic RnB Grooves, ratchet romance, bouncy bass, Chicago mumble rap, Atlanta mumble rap, west coast mumble rap, 808’s, Street vibes, chiptune rap, autotune, grimy, swagger

Dream Pop, Post-Britpop, Shoegaze, Indie Rock, Chamber Pop, Atmospheric Rock, Melancholic Pop, Orchestral Pop, Art Rock, Ambient Pop, Britpop Revival, Neo-Psychedelia, Folktronica, Soft Rock, Lo-Fi Indie, Electroacoustic, Cloud Rock, Gospel Pop, Psychedelic Folk, Post-Rock, 94 bpm

french accent, dance-punk, art punk, garage punk, garage rock, indie rock, post-punk revival, female singer

Trap × Tearout Dubstep Fusion, 120–135 BPM, D♭ Minor Key, Sultry female vocals (sensual delivery), Trap-style 808s, crisp hi-hats & snapping snares layered with cinematic sub-bass, Sexy & sultry club atmosphere with moody synths, Dark melodies with R&B-influenced vocal phrasing, Slow seductive verses that build into aggressive tearout dubstep drops, Bass-heavy breakdowns for club energy, Confident, alluring, dangerous, ‑pop gloss, ‑EDM bounce, ‑mainstream hook symmetry, ‑radio polish, ‑trap hi-hat chatter, ‑bubblegum cadence, ‑cinematic strings, ‑disco nostalgia, ‑synthwave nostalgia, ‑indie jangle, ‑lo-fi bedroom haze, ‑2000s electro brightness, ‑rock anthem grit, ‑dance-pop smoothness, ‑folk acoustic layers, ‑R&B warmth, ‑funk slap, ‑soul melisma, ‑overproduced vocal tuning, ‑gospel lifts, ‑orchestral crescendos, ‑ambient drift, ‑8-bit novelty, ‑industrial harshness, ‑hyperpop saturation, ‑blues phrasing, ‑reggaeton rhythm, ‑commercial balance, ‑corporate loudness, ‑polished sheen, ‑pop-punk cheer

Russian satirical pop-punk, fast bpm, fast ska-punk energy, lo-fi synth hooks, gritty guitar riffs, bouncy bassline, theatrical male vocals, catchy melodic chorus, spoken-word verses, post-Soviet absurdism, everyday-life cynicism, danceable urban rock, experimental

rock, hip hop, heavy bass beats, raw, country, gritty instrumentation with slide guitar, and raw male vocals, deep, southern rock, country hip hop southern rock blend

Straight fire one of a kind /x smooth spoken rap, music like Russel Simmons took the guitar solo from GNR’S welcome to the jungle and played it over a ill rap beat - Like strings setting the whole flow of the music No high hats

“Cinematic modern-rock sound in the style of Nothing More’s ‘Freefall, ’ Mid-tempo (85–95 BPM feel) with punchy, syncopated drums and tight, gated low-tuned guitars (Drop C/B), Verses are sparse and atmospheric with dark electronic pads, filtered guitars, and tense, intimate vocals, Pre-chorus builds with rising synths and rhythmic accents, Chorus explodes with wide stereo rhythm guitars, stacked vocals, bright open melodies, and heavy low-end reinforcement, Bass is tight with aggressive mids, often doubled with synth, Electronics include risers, glitches, reverse reverbs, and cinematic transitions, Vocals move from breathy and emotional in verses to powerful, gritty, soaring intensity in the chorus, Overall tone: dark, dramatic, and emotionally charged with tension-to-release dynamics, ”, female vocals

Swaggering Britpop stomp with crunchy major-key guitars, dry drums, and male vocals in a sharp London accent, Verses tight and talky over chugging rhythm; chorus widens with big open chords, shouted gang vocals, and tambourine, Middle eight drops to bass and drums, then slams back in with a sing-along outro, britpop, male vocals