Remixes

Detroit Techno, House, Soulful, hypnotic, and energetic, evoking the raw, underground vibe of 1990s Detroit Techno clubs with the funky, uplifting groove of House, Octave One, MK

Techno, 1990s Acid Techno (inspired by New Order’s *Confusion - Pump Panel Reconstruction Mix*), Intense, and driving, evoking the raw, underground energy of 1990s rave and techno clubs with a sci-fi, futuristic edge, influenced by Pump Panel, Josh Wink, Hardfloor, Plastikman

Detroit Techno, Melodic, Hypnotic, Powerful — combining machine soul with emotional depth

Uplifting Funky House x Avant Garde Jazz x Massive Attack, Electronic, Funk, Jazz, House, Trip-Hop, Jazztronica, Breathless, smooth, sultry with improvisational scat undertones mood or emotion: Euphoric, groovy, surreal, sensual musical sound: Slap bass & wah guitar, jittery high-hats, swirling electric piano, hazy sub-bass, chopped jazz horns, chilled pads

UK Speed Garage bounce, Swung 2-step rhythm with driving sub basslines, Wobbly filtered Reese bass drops, Soulful, chopped vocals with echo/delay FX, Lush pads and dreamy Rhodes keys, Skippy hi-hats, vinyl crackle, shuffle groove

UK Speed Garage bounce, Swung 2-step rhythm with driving sub basslines, Wobbly filtered Reese bass drops, Soulful, chopped vocals with echo/delay FX, Lush pads and dreamy Rhodes keys, Skippy hi-hats, vinyl crackle, shuffle groove

Breakbeat, Lo-Fi Big Beat, Funky Trip-Hop

Dub Techno, Glitch House, Glitchcore, Deep Melodic Techno, Wonky Techno, Deep Techno, androgynous vocal, intimate & hypnotic delivery, deep/melancholy groove, dark, spacious, glitch-processed mix, Glitchy effects like Afex Twin, Dub Techno like Basic Channel, Deep Melodic Techno like Tale of Us, with dark menacing basslines and wonky patterns

French house, acid house, techno, 135 BPM, Roland TB-303, Juno-106, Boss MT-2 distortion, raw analog, filtered disco elements, side-chain compression, warehouse rave, hypnotic loops, minimal techno, late 90s French House and Techno, underground dance, vinyl warmth, robotic vocals, vocoder, aggressive house, extended DJ mix, Homework era production

DRUM AND BASS 172 BPM, NOT house NOT breakbeat NOT jazz, authentic 1997 Bristol drum and bass production, complex two-step Amen break patterns, syncopated snare rushes, fast breakbeat science 170-175 BPM, prominent melodic upright double bass as featured instrument WITHIN drum and bass arrangement, deep rolling sub-bass on off-beats, warm breaks with crisp digital snares, soulful chopped vocal stabs sampled technique, liquid funk drum and bass NOT liquid house, atmospheric dnb pads, ragga-influenced vocal cuts, sophisticated UK drum and bass NOT breakbeat hardcore, double bass intro establishing melodic theme then maintained throughout drum and bass framework, professional dnb mixdown, layered break programming, organic instrumentation in electronic drum and bass context, paranoid energy, breakbeat drumming 170+ BPM mandatory, vintage dnb aesthetic, reese bass undertones, rolled snares, jungle-influenced but refined intelligent drum and bas

Detroit techno, Inner City, suburban Techno, 909 drums, acid bassline, electric Rhodes stabs, synthetic strings, processed vocal shots, hypnotic synth pads, driving four-to-the-floor, electronic percussion, 128 BPM, ‑No aggressive sounds, ‑no hard techno, ‑no industrial elements, ‑no distorted kicks, ‑no harsh synths, ‑no breakbeats, ‑no dubstep elements, ‑no trap hi-hats, ‑no EDM buildup clichés, ‑no big room house, ‑no excessive sidechain pumping, ‑no metallic percussion, ‑no drill sounds, ‑no modern pop production