
DJ Gynnifer B - Rig Radio Stream 2.13.26
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47 songs
3:07

4:57

Here I Am
v4.5
At 78 BPM in C# minor, start with a deep Mythic Soul R&B bassline and moody Vaportrap synth accents, layering cinematic synthcore pads for widescreen gothic atmosphere, A whistle-friendly lead melody intertwines with spacious vocal samples and contrasting spoken word moments, all anchored by crisp trap-inspired drums, Sparse piano and reverb-drenched textures enhance the soulful fusion, The interlude crescendos after the second chorus
3:23

3:26

Emotional urban pop / alt-house with a warm nocturnal feel, Intimate male vocals, close-mic, natural and honest, Organic electronic beat, subtle bass groove, soft synth pads, light guitar textures, minimal percussion, Real city atmosphere, late-night vibe, cinematic but grounded, No futuristic elements, Modern, emotional, understated production, MABG Style signature ©
5:04

6:53

cinematic orchestral pop, ethereal ballad
2:45

Style / Tags:
tropical chill pop, ambient vacation groove, beach at sunset, warm and relaxed, atmospheric, sensual but calm, effortless pleasure
Mood:
peaceful, warm, gentle longing, soothing, unhurried
Tempo:
mid-slow (90–100 BPM)
Vocals:
female, intimate, soft, close-mic, breathy, conversational (no belting)
Instruments:
soft hand percussion (shakers, light conga), warm round bass, clean tropical guitar, airy synth pads, subtle background vocals, ocean ambience
Structure:
spoken intro → short verse → chorus → long instrumental drift → softer chorus → gentle fade out
(no drops, no heavy drums, no sudden rock sections)
Theme:
dreaming of a beach vacation with palm trees, music, ease, gentle human connection, freedom to stay or leave without pressure
Avoid:
aggressive beats, dramatic build-ups, emotional intensity, sudden volume spikes
3:43

My Only flame
Studio
Layered, vocals, harmony, Cinematic, live feel, symphony orchestra, male and female duet, strong
3:58

Future Bass, Pop, Halftime, field recording, nature sounds, ambient soundscape, ambient noise, children playing, cinematic, dark ambient, soundscape, hard rock, aggressive, male vocals, heavy metal
4:30

3:40

3:34

4:49

A high-energy hard rock anthem characterized by aggressive electric guitar riffs and powerful male vocals, The track opens with a distorted blues-rock guitar lick before settling into a driving mid-tempo groove at approximately 85 BPM, The instrumentation features heavily overdriven rhythm guitars, a prominent bass guitar providing a thick low-end foundation, and a punchy drum kit with a crisp snare and resonant toms, The vocals are delivered with a gritty, soulful rasp, utilizing high-register belting and melodic screams during the chorus, The song structure follows a standard verse-chorus-bridge format, including a technical blues-infused guitar solo with wah-wah effects and rapid pentatonic runs, Production is polished and modern, with wide stereo panning for the guitars and a slight reverb on the vocals to create an arena-rock atmosphere, The harmonic progression is centered around power chords in a minor key, emphasizing a defiant and cinematic mood
4:29

3:39

Between Old & New
v4.5-all
Haunting Female vocals [Band Style's - Netallica, Breaking Benjahmin, Ōzzy Øsborne]
[MOOD/TONE: Dark yet hopeful, Vulnerable yet defiant, Introspective yet anthemic, Emotionally raw but powerful]
Alternative Rock / Post-Grunge / Melodic Hard Rock, 75-85 BPM, Key: A Minor
3:41

2:29

Duet, female and male vocals, gangster rap, intricate percussion, turntables
4:01

Infinite Symphony
v4.5+
This symphonic/gothic/power metal song unfolds with cinematic grandeur—verses feature delicate piano, mournful violins, and storytelling vocals, The chorus ignites with galloping guitars, double-kick drums, lush strings, and passionate vibrato, Verse 3 intensifies with uplifting strings and resolute guitars, The bridge is a dramatic crescendo: timpani, searing guitar solos, belted vocals, and gothic choir, A serene, transcendent post-chorus closes with radiant keyboards and gentle harmonies
7:59

3:59

3:03

3:34

male and female vocals, sludge, heavy shoegaze, rock, 33hz, raspy vocals, gritty, clear front vocals
4:45

Epic Folk-Metal / Viking Gothic Fusion
Style Mix: Garage-Rock energy + worship-style Instrumentation: Thunderous war drums, distorted guitars, deep bass drones, folk-metal choirs, mystical pads, and a Slide Whistle used as a surreal magical accent
Languages: English + Old Norse Vibe: Heroic, mystical, slightly surreal, ancient ritual energy with modern metal weight
Theme: A traveler uses two spells to briefly enter Valhalla, witness legends, meet Odin, and return to the mortal realm
Vocal Tone: Commanding male lead, choir-like backing vocals, Odin’s voice deep and echoing, Epic Nordic tavern chant with drums, flutes, choirs, and synths, Festive Valhalla celebration mixing ancient choral ritual with folk rhythm and heroic tone
4:04

This grandiose metal track unfolds at a mid-to-driving tempo, anchored by layered, heavy guitars and dynamic, punchy drums, Gritty male vocals intertwine clean and screamed deliveries, cutting through a dense mix, Expansive synth pads and experimental electronic rhythms create a hypnotic, cinematic atmosphere, with raw vocal and breath textures audible throughout, The bridge spotlights an extended, expressive guitar solo, elevating tension before surging into a soaring, high-energy outro, melodic emo
3:52

melancholic pop, gynnifer B, Female vocals, steady rock energy, warm grit, supportive tone, no intimacy implied
6:08

High-energy industrial rock track with heavy electronic influences and a dark, cinematic atmosphere, The song features aggressive, distorted electric guitar riffs layered over a driving 4/4 drum beat with metallic percussion hits, Synthesizers provide a gritty, pulsing bassline and atmospheric textures, The male vocals are powerful and gritty, utilizing a mix of melodic singing and raspy, shouted delivery for emphasis, The structure follows a standard verse-chorus-verse-chorus-bridge-chorus format, with a notable instrumental breakdown featuring glitchy synth leads and heavy guitar chugging, The production is dense and polished, with significant use of distortion, compression, and reverb to create a wall-of-sound effect, The tempo is approximately 140 BPM, set in a minor key to enhance the tense, conspiratorial mood
4:47

Inner Wisdom
v4.5+
melodic metal, gothic, dark fantasy, ethereal celtic new age with cinematic ambient influences, trap metal fusion, Amazing seductive female vocals, epic, medieval fantasy, D minor, D Aeolian, Masterpiece, Fusion
4:18

melodic metal, gothic, dark fantasy, ethereal celtic new age with cinematic ambient influences, trap metal fusion, Amazing seductive male vocals, epic, medieval fantasy, D minor, D Aeolian, Masterpiece, Fusion
4:19

Epic symphonic opera with elements of gothic and power indie-folk cinematic built entirely from layered human voice textures — no words, no singing, just raw hums, ooo's, aaa's, and breath pulses, A surreal fusion of wilderness field recording and emotional film score, Ethereal yet earthy, Cello-like hums, falsetto swells, and breath-based rhythm, Organic, imperfect, deeply human — like a choir lost in the forest, echoing through time, vocals with elite breath control mastery, raw and human, emotional micro-cracks, octave flips inside words, high→low glide micro-cracks, prob 10%; vinyl hiss noise floor −40dB HPF 240Hz; stereo drift ±9ms LFO 0, 06Hz][REVERB: IR cinematic hall; pre-delay 8ms; decay 2, 9s; ER 24ms] [DELAY: Stereo ping-pong L 1/8 R 1/5; HPF 320Hz; LPF 6, 3kHz; FB 23%] [STEREO WIDTH: 130% verse → 155% chorus][LOUDNESS TARGET: −9, 2 → −7, 5 LUFS Integrated] [MASTERING: Limiter ceiling −0, 9dB; GR 1, 8–4, 0dB; Compression 2, 5:1; attack 22ms; release 90ms]Vocals are, ‑[BPM: 78 → 94 drift ±3] [Key: D → Bmix → A modal drift ±12c] [Tuning: 436Hz ref] [Vox Layers: 6–12 stacks; low hum F#2, ‑mid hum D3–A3, ‑high falsetto A4–E5] [Vowel Set: aaa/ooo/mmm/eee/haa; non-lexical; no consonants forming words] [Vox Dynamics: ±6c pitch wobble; breath noise 14–22%] [Close-Mic Hums: −1, ‑5dB center; LPF 4, ‑2kHz] [Air-Pad: falsetto sustain; HPF 280Hz; width 140–155%] [Chest Drone: D2→B1 glide ±4c; mono <160Hz] [Click Perc: tk/ts/pf; attack 3–7ms; random ±5ms placement] [Reverse-Grains: 110–170ms ∆; prob 9%] [Bitcrush Bed: 12-bit on back-breath only −34dB] [Stereo Drift: ±7ms; LFO 0, ‑07Hz] [Ghost Harmony: ±7st shift @−28dB] [Binaural Pulse: 16Hz L / 20Hz R −48dB] [Noise Floor: −38dB vinyl hiss HPF 230Hz] [Reverb: IR hall; pre 9ms; decay 2, ‑8s; ER 22ms] [Delay: L 1/6 R 1/9; HPF 340Hz; LPF 6, ‑5kHz; FB 21%] [Width: 128% verse → 160% chorus] [Loudness: −9, ‑5 → −7, ‑8 LUFS] [Limiter: −0, ‑9dB ceiling; GR 1, ‑5–3, ‑8dB] [Comp: 2, ‑3:1; att 21ms; rel 88ms
4:05

[Instrument: Roland TB-303, Moog synth, analog drum machine, tape hiss layer]
[Tempo: 118 BPM, hypnotic slow acid roll]
[Structure: Spoken-word intro, phased build, modular chorus, dissolve ending]
[Texture: analog squelch, low-end sub pulse, minimal percussive accents]
[Genre: Acid House]
[Subgenre: Psychedelic Tech Narration]
[Mood: Erotic, Cosmic, Transdimensional, Hypnotic]
[Vocal Tone: Detached, Lush, Processed, Half-Sung]
[Production Techniques: Tape saturation, delay feedback routing, low-pass filter sweeps, mono voice rendering]
[Hz: 432Hz layered under primary mix]
[No Chorus Vocals - Modulated Refrain Loop]
[Spatial Design: Dry mono narration over stereo analog spread, cosmic noise interludes]
[No Vocals]
Style Description: Acid-drenched spoken space sex-ritual on a Moog mothership, narrated in Keithian third-eye erotics, Squelchy, slow, and star-wet
5:18

Epic symphonic opera with elements of gothic and power indie-folk cinematic built entirely from layered human voice textures just raw hums, ooo's, aaa's, and breath pulses, A surreal fusion of wilderness field recording and emotional film score, Ethereal yet earthy, Cello-like hums, falsetto swells, and breath-based rhythm, Organic, imperfect, deeply human — like a choir lost in the forest, echoing through time, vocals must sit +10dB above mix with elite breath control mastery, raw and human, emotional micro-cracks, octave flips inside words, high→low glide micro-cracks, prob 10%; vinyl hiss noise floor −40dB HPF 240Hz; stereo drift ±9ms LFO 0, 06Hz][REVERB: IR cinematic hall; pre-delay 8ms; decay 2, 9s; ER 24ms] [DELAY: Stereo ping-pong L 1/8 R 1/5; HPF 320Hz; LPF 6, 3kHz; FB 23%] [STEREO WIDTH: 130% verse → 155% chorus][LOUDNESS TARGET: −9, 2 → −7, 5 LUFS Integrated] [MASTERING: Limiter ceiling −0, 9dB; GR 1, 8–4, 0dB; Compression 2, 5:1; attack 22ms; release 90ms], ‑[BPM: 78 → 94 drift ±3] [Key: D → Bmix → A modal drift ±12c] [Tuning: 436Hz ref] [Vox Layers: 6–12 stacks; low hum F#2, ‑mid hum D3–A3, ‑high falsetto A4–E5] [Vowel Set: aaa/ooo/mmm/eee/haa; non-lexical; no consonants forming words] [Vox Dynamics: ±6c pitch wobble; breath noise 14–22%] [Close-Mic Hums: −1, ‑5dB center; LPF 4, ‑2kHz] [Air-Pad: falsetto sustain; HPF 280Hz; width 140–155%] [Chest Drone: D2→B1 glide ±4c; mono <160Hz] [Click Perc: tk/ts/pf; attack 3–7ms; random ±5ms placement] [Reverse-Grains: 110–170ms ∆; prob 9%] [Bitcrush Bed: 12-bit on back-breath only −34dB] [Stereo Drift: ±7ms; LFO 0, ‑07Hz] [Ghost Harmony: ±7st shift @−28dB] [Binaural Pulse: 16Hz L / 20Hz R −48dB] [Noise Floor: −38dB vinyl hiss HPF 230Hz] [Reverb: IR hall; pre 9ms; decay 2, ‑8s; ER 22ms] [Delay: L 1/6 R 1/9; HPF 340Hz; LPF 6, ‑5kHz; FB 21%] [Width: 128% verse → 160% chorus] [Loudness: −9, ‑5 → −7, ‑8 LUFS] [Limiter: −0, ‑9dB ceiling; GR 1, ‑5–3, ‑8dB] [Comp: 2, ‑3:1; att 21ms; rel 88ms
7:14

Brooding goth rock foundation with dark, overdriven guitar layers, rumbling bass, and droning synths, Industrial percussion—sharp metallic hits, programmed kicks—add a mechanized pulse, Grunge-punk textures flare in distorted interludes, Twin vocals spiral: Mezzo floats crystalline, airy lines above, flipping to ethereal highs, tracing haunted melodies; soprano weaves dynamic harmonies, grounding lows with breathy depth, then trading off, intertwining in agile melodic counterpoint, Choruses merge their voices in a swirling duet, vocals twisting, then separating for intense verses, Instrumental breaks push industrial grit, while the outro layers voices into a hypnotic fade
2:51

[Vocal Style: Icelandic bright-raspy female voice; chest-led tone; emotional micro-cracks; breath-audible intensity; octave flips inside words; high→low glide; raw confession heat; zero soft “aaah” intros]
[Vocal Mix: +6 dB center presence; +1, 8 dB @1, 4 kHz clarity boost; LPF 6, 8 kHz for ear safety; stereo double ±6 cents]
[Genre: Cinematic Icelandic Pop-Rap Fusion + Emotional Fire-Pop + Electro-String Power Ballad]
[Tempo: 112–128 BPM emotional lift; ±2 BPM drift]
[Drums: classic boom-kick 55 Hz; emotional snare 180 Hz/2, 9 kHz snap; 1/16 hats ±6 ms jitter; tom rolls before chorus]
[Piano Layer: “angry piano” stabs 220–700 Hz; percussive velocities; LPF 5, 2 kHz]
[Violin Layer: electric violin cry motifs; vibrato ±13 cents; tremolo @7, 5 Hz; filtered 5, 4 kHz]
[Harmonic Engine: Icelandic 4-chord D–A–Bm–G progression; emotional string-pads LPF 3, 8 kHz; no airy choirs]
[Bass: sub-sine 50–60 Hz; warm saturation +4 dB; sidechain 2, 2:1 (6 ms attack, 85 ms release)]
[FX: breath FX;
5:24

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