Held ! Sessions

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS-8), immersive 3D] breakbeat, nostalgic, britpop, guitar pop, power pop, 90's british rock vibes, kawaii and clean female vocals "ano's style", medium-fast tempo, britpop, psychedelic, downbeat with TR-808 drums and reverb snare, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, glockenspiel, xylophone and marimba repeat catchy and rhythmic loops, These three instruments form polyrhythms, building momentum for the breakbeat, uplifting, 90s rock, Catchy song melody, This is a song o admiration for "blue in blue-san"

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS-8), immersive 3D] This song's key is A major, breakbeat, nostalgic, britpop, guitar pop, power pop, 90's british rock vibes, kawaii and clean female vocals "ano's style", medium-fast tempo, britpop, psychedelic, downbeat with TR-808 drums and reverb snare, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, glockenspiel, xylophone and marimba repeat catchy and rhythmic loops, These three instruments form polyrhythms, building momentum for the breakbeat, uplifting, 90s rock, Catchy song melody, This is a song o admiration for "blue in blue-san"

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS-8), immersive 3D] This song's key is "A major", breakbeat, aggressive, nostalgic, britpop, guitar pop, power pop, 90's british rock vibes, bright male vocals "1965 Beatles's style", medium-fast tempo, psychedelic, downbeat with TR-808 drums and reverb snare, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, uplifting, 90s rock, Catchy song melody, This is a song of admiration for "blue in blue-san"

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS-8), immersive 3D] This song's key is "A major", breakbeat, aggressive, nostalgic, britpop, guitar pop, power pop, 90's british rock vibes, a male baritone vocals *David Bowie's style*, medium-fast tempo, psychedelic, downbeat with TR-808 drums and reverb snare, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, uplifting, 90s rock, Catchy song melody, This is a song of admiration for "blue in blue-san"

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS-8), immersive 3D] This song's key is "A major", breakbeat, aggressive, nostalgic, britpop, guitar pop, power pop, 90's british rock vibes, baritone male vocals "David Bowie's style", medium-fast tempo, psychedelic, downbeat with TR-808 drums and reverb snare, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, uplifting, 90s rock, Catchy song melody, This is a song of admiration for "blue in blue-san"

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D]  new wave, post-pun, synthpop, 128 bpm, 1985 dry-thin, minimal metallic plate<0, 6s;no cinematic width;slight phase-bias L≈6°;low ambience(tape hiss/50Hz hum/neon clicks);single 80ms echo low-mix;cold, sparse, observational, a male vocal like David Bowie's style, Bass(primary emotional narrator):electric finger-style;high-register 7–12f;short motifs(2–3 notes rise→fall);expressive micro-swells;soft attack+mid-note lift;slight push-pull 0–12ms(mostly late);avoids strong roots;prefers 3rd/5th/9th;dry DI;no chorus;no reverb;centre-forward;mid-high articulation, Synths:sparse single-layer analog leads;brittle controlled highs;slow minimal chorus(synths only), Drums:TR-808 dry, thin, weak;no fills;mechanical drift, Rules:no synth bass;no pads;no fullness;no builds;no emotional lift;keep timing drift;keep arrangement sparse

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D] Breakbeat, Jpop, funky pop, a kawaii female vocal, Catchy melody, Bright, dynamic, splendid, hopeful, Performance with synth, Tabla, glockenspiel, xylophone, marimba, and TR-808, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, glockenspiel, xylophone and marimba repeat catchy and rhythmic loops, These three instruments form polyrhythms, building momentum for the breakbeat, The synthesizer plays a catchy solo phrase during the intro and interlude, its tone reminiscent of the Prophet-5 style, The motif: We are now the future selves we once dreamed of becoming

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS-8), immersive 3D] This song's key is "D major", breakbeat, aggressive, nostalgic, britpop, guitar pop, power pop, 90's british rock vibes, a male baritone vocals *David Bowie's style*, medium-fast tempo, psychedelic, downbeat with TR-808 drums and reverb snare, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, uplifting, 90s rock, Catchy song melody, This is a song of admiration for "blue in blue-san"

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D] This, song's key is "F major", **a baritone vocal like *David Bowie's* style**, electric guitar arpeggios, piano-driven, Twin TR-808 kits, climactic ending, emotional ballad, loud sound "Rickenbacker 4001-style bass", bring pops, bright, joyful, inspirational, Catchy melody, Bright, dynamic, splendid, hopeful, Performance with synth, Tabla, glockenspiel, xylophone, marimba, and TR-808, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, glockenspiel, xylophone and marimba repeat catchy and rhythmic loops, The synthesizer plays a catchy solo phrase during the intro and interlude, its tone reminiscent of the Prophet 5 style, The motif: Let's keep singing our songs together

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS-8), immersive 3D], This song's key is "G major", breakbeat, aggressive, nostalgic, britpop, guitar pop, power pop, 90's british rock vibes, a baritone male vocals *David Bowie's style*, medium-fast tempo, psychedelic, downbeat with TR-808 drums and reverb snare, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, uplifting, 90s rock, Catchy song melody, This is a song of admiration for "blue in blue-san"

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D] This, song's key is "F major", **a baritone vocal like *David Bowie's* style**, electric guitar arpeggios, piano-driven, Twin TR-808 kits, climactic ending, emotional ballad, loud sound "Rickenbacker 4001-style bass", bring pops, bright, joyful, inspirational, Catchy melody, Bright, dynamic, splendid, hopeful, Performance with synth, Tabla, glockenspiel, xylophone, marimba, and TR-808, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, glockenspiel, xylophone and marimba repeat catchy and rhythmic loops, The synthesizer plays a catchy solo phrase during the intro and interlude, its tone reminiscent of the Prophet 5 style, The motif: Let's keep singing our songs together

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D] Breakbeat, Jpop, funky pop, a kawaii female vocal, Catchy melody, Bright, dynamic, splendid, hopeful, Performance with synth, Tabla, glockenspiel, xylophone, marimba, and TR-808, Twin TR-808 kits, one TR-808 lays down a solid beat throughout the entire track, another TR-808 lays down breakbeat rhythms, Tabla-driven rhythmic compositions, featuring hypnotic hand-played tabla and TR-808 patterns as the primary groove, glockenspiel, xylophone and marimba repeat catchy and rhythmic loops, These three instruments form polyrhythms, building momentum for the breakbeat, The synthesizer plays a catchy solo phrase during the intro and interlude, its tone reminiscent of the Prophet-5 style, The motif: We are now the future selves we once dreamed of becoming

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D]  new wave, post-pun, synthpop, 128 bpm, 1985 dry-thin, minimal metallic plate<0, 6s;no cinematic width;slight phase-bias L≈6°;low ambience(tape hiss/50Hz hum/neon clicks);single 80ms echo low-mix;cold, sparse, observational, baritone male vocal like David Bowie's style, Bass(primary emotional narrator):electric finger-style;high-register 7–12f;short motifs(2–3 notes rise→fall);expressive micro-swells;soft attack+mid-note lift;slight push-pull 0–12ms(mostly late);avoids strong roots;prefers 3rd/5th/9th;dry DI;no chorus;no reverb;centre-forward;mid-high articulation, Synths:sparse single-layer analog leads;brittle controlled highs;slow minimal chorus(synths only), Drums:TR-808 dry, thin, weak;no fills;mechanical drift, Rules:no synth bass;no pads;no fullness;no builds;no emotional lift;keep timing drift;keep arrangement sparse