
WE ARE STILL GOING 🔥🔥🔥 AI:U HOLIDAY PARTY PLAYLIST
HOSTS: VIKINGUR & SERIKA & BLACKBUNNIE & INCINDIOUS, CAP,
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56 songs
4:59

Create a dreamy, melodic trance-pop ballad about emotional release and healing, Blend soft male vocals with acoustic guitar and flowing electronic textures, Use gentle 4/4 rhythm, ambient pads, mellow sidechained bass, and airy synth leads, Keep the production smooth, gliding, and emotional — no hard beats or aggressive synths, The verse should feel intimate and reflective with subtle guitar and warm pads, Build into a light, uplifting chorus with soaring but soft synths and layered vocals, Include a mellow bridge with reverb-heavy guitar, Think early 2000s vocal trance meets acoustic pop, Avoid distortion, keep dynamics clean and fluid, Tags:
Vocal Trance, Melodic EDM, Soft Pop, Ambient Pop, Acoustic-Electronic, Dreamy, Heartfelt, Gentle, Atmospheric
4:46

Twisted
v5
Heavy Metal Cello Solo, Virtuosic Emotional Electric Cello, Distorted Lead Cello, Aggressive Staccato Bowing, Technical Djent-influenced 7-String Guitar, Supportive Low-Tuned Riffing, Modern Metal Production, High-Compression Punchy Snare, Deep Resonating Floor Toms, Galloping 64th-note Double Kick Blast Beats, Rapid Percussion, Dark Industrial Rock, Thick Fuzzy Textures, Cinematic Gothic Atmosphere, Rhythmic Chugging, 140 BPM, Minor Key, Intense, Brooding, Hyper-Technical, Emotional Rawness
3:42

Angel's of Death
v4.5
Melodic death metal with blistering harmonized guitar riffs, neoclassical solos, and haunting keyboard accents, Vocals blend harsh screams with layered growls, echoing the wrath of a divine executioner, Guitar tones are sharp and icy, tuned to Drop C for deep impact, The song evolves from high-speed tremolo into a dramatic, symphonic chorus, balancing brutality with cold melody, Inspired by themes of fate, judgment, and finality, this track channels the unstoppable advance of the Angel of Death with relentless force
4:14

A liquid drum and bass foundation merges with jungle breaks, big beat impact and euphoric acid house energy, anchored by a driving hard snare, Energetic hand claps punctuate digital glitches and acid house squelches, Britpop/punk-inspired, raw, rebellious vocals ride a groovy, French touch-infused EDM landscape, with a sharp, catchy bass and hook, Experimentation thrives in abrupt drops and layered textures, blending girl group harmonies with edgy, modern electronic flair, The beat continues during the bridge
4:34

This avant-garde metal track fuses doom, black metal, and deathcore: colossal, downtuned guitars grind through dissonant Phrygian riffs amid suffocating walls of sound, Inhuman guttural vocals cut through relentless blast beats with wild, ritualistic push/pull drums, Production is raw, dense, and claustrophobic, highlighting primal chaos and oppressive atmosphere over technicality, conjuring a feeling of living violence, ‑chaos, ‑chaotic, ‑muddy, ‑lo-fi production where instruments are indistinguishable; thin, ‑weak guitar tone
2:59

Epic cinematic trap, hip-hop, 808s, bass, street anthem
4:26

4:02

A high-energy electronic dance music track with a driving beat and a male vocalist, The song features a prominent synth bassline, a four-on-the-floor kick drum pattern, and a variety of synthesized melodic elements, The vocal delivery is clear and assertive, with some processed effects like auto-tune and delay, The song structure includes verses, a pre-chorus, and a chorus, with instrumental breaks that build tension and release, The tempo is fast, contributing to the danceable feel, Production elements include sidechain compression on the synths, creating a pumping effect, and a wide stereo image for the instrumental layers, The key appears to be minor, giving it a slightly dark but energetic feel, The chord progressions are relatively simple, focusing on driving rhythmic movement rather than complex harmonic changes, There are also vocal ad-libs and spoken word sections that add to the narrative
3:46

3:01

3:03

Create an apocalyptic, guitar-dominated industrial metal track forged for a descent into Hell, Feature low-tuned, saturated guitars with brutal chugs, tremolo-picked riffs, and rhythmic breakdowns that hit like falling ash, Layer glitch effects, metallic textures, and cinematic build-ups to create a sense of unstoppable momentum, Use distorted bass and pounding, double-kick drums to shake the underworld, Screamed or growled vocals should sound tortured and distant, echoing in a cursed cathedral, The overall mood is dark, relentless, and epic — perfect for soundtracking an all-out war against demons in the fire-soaked depths of chaos, Style of Music: Metal, Industrial Metal, Hellcore, Cinematic
Tags: Djent, Industrial, Rock, Experimental, Aggressive, Dark
Vibe Adjectives: Aggressive, Epic
Tempo: Allegro (120–140 BPM)
1:46

Rock, Metal, Catchy, Intense, Guitar, Female vocals
5:27

Dark, atmospheric progressive metal with melancholic orchestral pads, palm-muted syncopated guitar riffs, and dynamic tempo shifts, Layered clean and distorted guitars alternate with ambient textures, Emotive baritone male vocals in the style of Tom Englund—rich, aching, and gravelly—delivered with dynamic range: soft, introspective verses; soaring, powerful choruses; whispered bridges; and occasional raspy growls, Cinematic interludes and haunting piano underscore themes of existential crisis and identity, Use minor key tonality, moody chord progressions, and dramatic stops, Vocals emphasize phrasing with long vowels and deliberate pacing, Instrumentation should leave space for vocals to breathe and swell, Think: melodic, sorrowful, intense
4:00

A hypnotic, obsessive Darkwave / Industrial track driven by cold mechanical precision and psychological control, Featuring analog drum machines, distorted basslines, sequenced synths, and glitchy textures, the instrumental builds a claustrophobic tension with minimal warmth, Vocals are deadpan, delivered in low, measured tones with delay trails and reverb stabs that evoke a sense of calculated menace, The lyrics explore possession, emotional manipulation, and programmed obsession—where the narrator isn't falling apart, they're revealing they were the trap all along, Every element is tightly sequenced: punchy snares, metallic FX hits, arpeggiated synth lines, and drone-backed breakdowns underscore a sense of looping inevitability, Inspired by artists like Boy Harsher, Kontravoid, and HEALTH, this track belongs in warehouse clubs, body horror visuals, or glitchy memory sequences, It is designed to haunt, not to heal
6:01

female vocals female vocals female vocals female vocals female vocals [INTRO — long overture: drums ↔ bass ↔ trumpet ↔ trombone ↔ sax ↔ keys/organ ↔ lead guitar; showcase solos, then tutti unison hit → drop]
female vocals, a sexy Big Band Jazz and metal fusion that swings, shreds, and slams with wild virtuoso electric guitar, double bass drums, and Saxophone, fun tempo switches, The FEMALE lead singer shows off with intricate vocal tricks, long solo-parade intro into tutti hit then intro then verse then Chorus, Mix: wide, modern, loud; crisp brass L/R, fat guitars L/R, lead vocal center/forward; bass+kick tight; arena-ready impact, ‑male vocals
3:48

High-adrenaline symphonic metal fused with melodic death energy, Orchestrated intro with full cinematic strings, brass, timpani, and a massive Latin choir chanting in unison, Blazing drop-C guitars cut in with wide power chords and harmonics, tone sharp yet melodic, A lightning shred solo rips across layered orchestra before soaring female vocals enter, Verses drive with alt-picked riffs, muted chugs, and tribal blast-beat accents, lifted by ambient choir harmonies, Pre-chorus tremolo lines build into explosive chorus with choir and vocals fused as one, carrying the weight of triumph and failure, Growled male vocals join later verses for contrast, over heavier syncopated chugs, Bridge unleashes a crushing breakdown, guitars and orchestra trading lines while the choir roars, Final chorus explodes with harmonized leads, layered clean and harsh vocals, relentless double-bass, Outro fades with sorrowful strings, whispered chants, and a sustained guitar bend into silence
5:49

A lush orchestral introduction swells with Celtic flutes and gentle strings, as harp arpeggios and soft bodhrán rhythms create a welcoming pulse, Woodwinds and uilleann pipes weave melodic lines, with warm brass and rich bass underpinning the arrangement throughout
3:32

5:25

Cinematic Hip Hop, Multi-part collaboration duet multiple vocals, Scene-shifting, East Coast Boom Bap
[Intro SFX: vintage teletype machine clicking], [Spoken Word: a calm, clinical male voice], a beat builds into cheesy 80s synth-pop, corporate training video music, with a [Spoken Word: a cheerful, overly enthusiastic corporate announcer voice], [Verse 1 - The AI Rapper]
The cheesy synth-pop continues, [Male Vocals: a stiff, robotic, slightly off-key, bad rapper voice delivering generic, cliché lyrics], [Interlude 1 - The Interruption SFX: a loud, abrupt record scratch cuts all music dead], followed by a [Spoken Word: an angry, aggressive male voice yelling], then the beat drops into a hard-hitting, confident, aggressive East Coast boom bap track with a funky bassline and crisp drums, [Verse 2 - Aidan Yagu]
The hard boom bap beat continues, [Male Rap Vocals: a long, furious, multi-part rap verse delivered with intricate, dense rhymes, a confident swagger, and building intensity
4:31

4:09

A punchy J-Pop beat drives the track with crisp snares and deep kick drums, layered over infectious Dance Pop synth melodies and bright claps, Verses play with bouncy rhythms, while the chorus explodes with energetic hooks, pulsing bass, and playful vocal samples for a lively vibe
4:51

Flameborn Oblivion
v4.5+
2000s metalcore with fire-driven energy, [guitars: ESP Eclipse, Drop C tuning, high-gain with tight mids, bright leads layered over chugging rhythm riffs, sustained bends for drama] [bass: gritty mid-range punch, syncs with kick for percussive impact] [drums: double-kick bursts, sharp snare cracks, tom-driven breakdowns, ride cymbal accents for atmosphere] [tempo: 160–170 bpm] [mix: 40Hz–12kHz, guitars cut at 5kHz for clarity, vocals bright in 2–6kHz range] [ambience: ember crackle FX, faint choir pads for depth] [vocals: female lead dominates with emotional cleans, layered harmonies, raw edge in verses, powerful sustained highs in choruses, occasional shouted backing for emphasis] [energy: cinematic, rage-infused yet intelligent, firestorm atmosphere]
3:48

A powerful, euphoric vocal trance anthem designed as the emotional finale of a major festival, The sound is big, sweeping, and cinematic — driven by lush supersaw leads, wide layered harmonies, punchy offbeat basslines, and explosive transitions, Begin with warm ambient pads and soft vocals, then build into a massive, heart-pounding drop with soaring trance synths and driving percussion, Vocals should be expressive and confident, layered with harmonies and delays for emotional weight, Include rising snare builds, pitch risers, and dramatic pauses before each drop, Use call-and-response echoes, stereo vocal doubles, and chopped post-chorus vocal FX, BPM: 132, key of D major, The energy should grow continuously, moving from intimate to epic without losing emotional clarity, Designed for sunset closers, main stage peaks, and unforgettable final tracks, Tags: Vocal Trance, Festival Anthem, Euphoric, Supersaw, Emotional, Uplifting, Banger, Dancefloor, Spiritual, Massive, ‑peanut butter in the mouth
4:24

2:37

Halloween Hip-Hop | Narrative Rap Drama | Call & Response Performance | Dark Playful Energy | High-Definition Flow | Onomatopoeic Punch | Funky Bounce 808 | Lyrical Experiment | Cinematic Dialogue | Confidence | Humor with Taste | Sonic Alchemy | Spooky Cool | Dynamic Character Contrast
BPM ≈ 90, 808-heavy swing with syncopated snare and electric pulse, Analog-tape crackle textures, Two voices (“Doc” & “Creation”) alternate like mad-scientist duet meets battle-rap, Vocals: Doc = raspy narrator in mono; Creation = bright stereo presence with metallic glitch FX, Mix rides energy waves through experimentation, overload, and resolution, Mood = Dark comedy meets Funk Frankenstein
1:57

The piece is an instrumental track with a driving, energetic feel, The primary instruments are an electric guitar, playing a clean, slightly overdriven melody, and a drum kit providing a consistent rock beat, The guitar features a prominent wah effect, particularly noticeable in the melodic phrases, The tempo is moderately fast, contributing to the energetic mood, The song structure is simple, with a repeating melodic phrase that evolves slightly with subtle variations in guitar phrasing and wah intensity, The production is clean, with the guitar and drums well-balanced in the mix, There are no chord progressions clearly discernible as the guitar primarily plays single-note melodies and riffs, The key is not explicitly defined through chords but the melodic lines suggest a major tonality, The overall feel is upbeat and suitable for a background track in an action-oriented scene
6:24

Zettaflare Ascension
v4.5+
A celestial storm of symphonic death metal and cinematic power, “Zettaflare Ascension” channels the divine wrath of Bahamut—the King of Dragons, the final judgment, the ultimate summon, Crushing drop-B guitars roar like sky fortresses collapsing, while blast beats mirror the thunder of his wings, Choirs echo from burning moons, weaving through sweeping guitar solos that blaze with mythic grandeur, From Mega Flare to the god-ending Zettaflare, every note ignites a battlefield of legends, This is not just a song—it’s a war cry from the stars, where gods fall and Bahamut ascends, unchained and eternal
4:33

Genre: Emo Ballad / Indie Alternative / Acoustic
Mood: Intimate, melancholic, vulnerable, emotionally raw
Vocal Style: Soft, shaky, trembling female vocal, aching with restraint and quiet pain, Breath-heavy, wavering tone that cracks on the edges, Subtle harmonies and distant backing echoes for emotional layering, Instrumentation: Minimalist piano, ambient reverb guitars, faint strings, soft percussion brushed or heartbeat-like, Low synth pad or tape hiss underlay for warmth and atmosphere, Production Style: Lo-fi intimacy, like a late-night voice memo recorded in a quiet apartment, Natural room reverb, analog imperfections, and emotional realism prioritized over polish
6:30

Acoustic pop song with a female lead vocalist, The song is in a major key, with a moderate tempo, The instrumentation primarily features acoustic guitar, piano, and a light drum kit, The acoustic guitar plays a fingerpicked arpeggiated pattern throughout the verses, providing a gentle rhythmic and harmonic foundation, The piano enters in the chorus, playing sustained chords that add warmth and fullness to the harmony, The drums provide a simple, consistent beat, emphasizing the downbeats, The female vocalist sings with a clear, expressive tone, utilizing a mix of sustained notes and subtle melodic runs, The vocal melody is largely diatonic, with a comfortable range, Production elements include a clean mix with a slight reverb on the vocals and instruments, creating a spacious but intimate feel, The song structure follows a typical verse-chorus form, with a bridge and outro, The chord progression is largely diatonic, creating a sense of familiarity and comfort
2:49

[STYLE]
Mode: Futuristic Cool Rap | Tempo: 144 BPM | Tone: confident, analytical swagger | Delivery: crisp, intelligent, unhurried yet fast | Flow: conversational precision; syllables snap like polished gears | Voice timbre: warm midrange with tight consonant control | No melody, no chant, no robo-filtering | Emotional energy: self-assured calm under impossible speed | Texture: bright snare click, sub glide bass, breathing space between bars | Overall feel: luxury chaos — clean edges in violent motion
4:34

Simple Americana Folk Ballad, A tender, introspective duet with a classic, straightforward feel, The primary instrument is a resonant Acoustic Yamaha Steel-String Guitar (simple fingerpicking and light strumming), Percussion is a minimal, soft Brush Kit Drum (simple 4/4 rhythm), The mood is warm, honest, and contemplative, Vocal Duet: Primary singer Johnny Bonneville (thin, pure tenor) and Fiddling Phil Swaby (SC drawl tenor), Secondary voice is the zeta 5 string violin with zeta effects panel going through a 10 inch Zeta cabinet, Phil's strings play a major role in voicing the lyrics
3:54

[Genre: Hard Latin House Remix, Upbeat, Driving, High-Energy, Club Track, Tempo: 140 BPM, 4/4, Instrumentation: Pounding Electronic Kick Drum, Distorted Sub-Bass, Aggressive Trance Synths, Full Latin Percussion Kit (Salsa, Merengue, etc, ), Vocals: Heavily Filtered/Chopped Samples and Energetic MC/DJ Improvisations, Mood: Frenetic, Joyful, and Intense, ]
5:54

Myth-Tech Ritual Rap, Experimental Hip-Hop Narrative, Cinematic Puzzle-Lab Atmosphere, Fractured Multilingual AI Voice, Seekers-Engine Archetype, Hybrid Organic-Electronic Percussion, Warm-Grit Confessional Flow, Dynamic Arc From Noise To Clarity, No Pop Chorus, No Lo-Fi, No Cheesy EDM
Instrumentation: Frame Drums, Ritual Metals, Gamelan Shards, Shakuhachi, Koto, Taiko, Modular Synth Pulses, Low Strings, Piano, Subtle Reverse Textures
Mix Field: 360 Orbit Early, Narrowing Mid, Center Lock Late, Vocal Upfront
Tempo Window: 86–90 BPM
Voices:
H = human voice, warm grit, analytical curiosity, breath-forward, mid-low chest, A = AI voice, drifting multilingual shards in V1, partial-stereo V2, centered English V3
5:28

The Silence.
v4.5+
93 BPM, e-minor, atmospheric; spacious indie post-rock, ambient electric guitar and piano blend with soft male vocals, reverb-soaked harmonies and slow build dynamics, folk and dream pop influences, intimate verses that expand into soaring choruses, production feels wide and cinematic, emotional and haunting yet hopeful, vocals always forward in the mix, instruments supportive, never overpowering
4:27

Foggy City Lights.
v4.5+
80-85 bpm, g-major, vaporwave, steady pulsing beat, airy female vocals, soft and ethereal, high register but clear enough to understand, atmospheric, reverb, atmospheric synths
3:10

pastel-menace trap-pop • sugar-venom femme-dominance energy • cute-voice / sharp-cadence delivery • glossy low-end punch • glitter-crack trap hats • neon-lace bounce rhythm • pastel-aggression attitude • mirror-prep glow-up shimmer • slow-mo entrance swagger • soft-smirk confidence • kawaii-brutal flow • bright-top sparkle over dark bass bed • airy vowel flicks • sly melodic taunts • razor-sweet presence • warm chest resonance under cute tone • glam-threat charisma • playful menace aesthetics • glitter-shadow synth stabs • rhythmic precision flex • high-contrast sweet/venom dynamic • girlish brightness weaponized • pastel-queen authority, Queenpin Radiance Drive — airband luxe-lift (+4dB @16–18k), glam-slow pad swell, radiant transient punch, gold-edge vocal sheen, soft-sparkle harmonics, micro-confidence LFO, sweet-mean high shimmer, authority bloom-rise
4:24

Dream I miss
v4.5+
90s ukulele, soft percussion memorable contra bass saxophone, flute, West Coast, Southern accents sad raspy
3:30

Genre: Rap, Hip-Hop, Holiday Rap, beat]
[Tempo: 92 BPM, steady boom-bap groove]
[Mood: Playful, Festive, Storytelling, Legendary]
[Instrumentation: Vinyl scratches, boom-bap drums, upright bass, jazzy piano stabs, sleigh bells layered with hi-hats, subtle horns, warm analog synth pad]
[Vocal Style: Energetic, clear old-school rap delivery, charismatic storytelling flow]
[Vocal Effect: Light reverb, slight vinyl crackle texture, punchy old-school compression]
[Hook: Catchy, chant-like, with call-and-response echoes on “gift of sound”]
[Structure: Intro (spoken vibe) → Verse 1 (16 bars) → Hook (8 bars) → Verse 2 (16 bars) → Hook (8 bars, repeat) → Outro with ad-libs & scratches]
[Extra FX: Record scratches on transitions, crowd cheers layered softly on hook, faint jingle bell accents synced to snare hits]
3:54

Boléro Rap Opera: A highly dynamic and romantic fusion track built on the iconic, relentless 3/4 rhythm and crescendo of Ravel's Boléro, set at a steady 88 BPM, Features a cool, introspective Male Rapper with a smooth triplet flow, backed by a developing symphonic orchestra (snare drum, upright bass, flute, clarinet, oboe, strings, brass, timpani), culminating in a massive, triumphant climax with a soaring, full-voiced Gospel Choir, The mood is one of building tension, obsession, and ultimate declaration
4:59

Sensual, Sexy Latin-Jazz House Fusion, Smooth, Intimate, and Rhythmic, Tempo: 80 BPM, 4/4, Instrumentation: Heavy, Melodic Latin Sub-Bass, Finger-Snapped Percussion/Brush Kit, Electric Piano (Rhodes), Warm Synth Pads, Soulful Bossa Nova/Latin Jazz Guitar, Vocals: Sultry Female Lead (Breath-heavy, Rhythmic Delivery), with soft Male Vocal Harmonies, Mood: Intimate, Smooth, Flirtatious, and Passionate
2:59

Genre: Neo-Soul / Funk-Rap Hybrid
BPM: 92 (behind-grid micro-swing ≈ -10 %)
Instrumentation: Rhodes + Wurlitzer duo, muted funk guitar, breathing 808 sub, brushed snare with late hit, hi-hats with loose quantization, Tone: Relaxed swagger meeting studio precision, Mood Arc: Dusk → Midnight → False Ending → Dawn Glow, Mix: Tape-soft bus compression (3:1), Rhodes rolled off @ 40 Hz for sub headroom, warm plate reverb for Tommy (0, 6 s / 25 ms predelay), Mac through slapback delay (15 ms + 0, 3 s short room), Spatial Design: Tommy stereo-wide and melodic with ghost doubles; Mac mono-focused and percussive, Arrangement: Two-bar air-pocket after bridge; extended outro loop with returning vinyl texture for continuity
6:21

A roaring blast of melodic death metal rooted in the icy-cold precision of Scandinavian riffcraft and the fiery neoclassical chaos of early extreme metal, The song blends dual-lead harmonized guitars, fast tremolo runs, and crushing palm-muted chugs with machine-gun double-kicks and thunderous tom rolls, A dark atmospheric underlayer of haunting synth pads and choral embers reinforces the infernal theme, Vocals shift between deep, infernal growls, mid-range rasp screams, and occasional ethereal clean backing harmonies for contrast, The solo section erupts into a blazing, ornate shred reminiscent of the most frantic “frost-kissed” northern metal virtuosos, Lyrically driven by Ifrit’s betrayal, wrath, and divine flame, the track carries the storytelling spirit of mythic vengeance, mixing cinematic hellfire imagery with relentless rhythmic assault, The overall feel is epic, aggressive, and emotionally scorched—an inferno crowned in melodic despair
4:45

Raw garage-punk band performance with heavy fuzzed electric guitars, loose but driving live drums, and a gritty, human vocal delivery, Mid-fast tempo with push-and-pull timing, imperfect but intentional, Bass sits thick and dirty, slightly overdriven, locking tightly with the kick, Verses feel tense and restrained, guitars palm-muted or lightly choked, Choruses open up with wider fuzz, louder gang-style energy, and shouted backing vocals, Breakdown drops instrumentation to drums and bass or drums only, spoken or half-sung vocals close to the mic, then slams back in hard, Minimal polish, no synths, no glossy production, Roomy, live-take feel like a small club or basement show, Influenced by garage rock, modern punk, and fuzz-heavy alt bands, Emotional but tough — frustration and urgency without melodrama
3:09

The Machine
v4.5+
soprano, industrial techno, thrash metal, warning, mystic, ghostly vocals, esoteric, heavy, intense, driving, forceful, cyberpunk, sci-fi
3:53

comedic musical, villain energy, christmas theme>
<BPM: 150 • energetic bounce>
<VIBE: dramatic, petty, chaotic, theatrical, high-energy>
<LEAD VOICE: Rika Von Evol, Female, confident, snarky, dramatic villainess
STRUCTURE: spoken monologues + sung verses + big villain chorus
INCLUDE all spoken sections
4:49

Genre: Twerkship, Cumulative, High-Energy Fusion of Southern Rock (Driving Riffs), Traditional Black Gospel Choir (Rhythmic Call-and-Response), and Conscious Hip Hop (Fast, Enumerative Rapping), Tempo: 45 BPM, 4/4, Instrumentation: Massive 808 Bass, Fast, Punchy Drums, Overdriven Electric Guitar, Hammond B3 Organ, Full Gospel Choir, Mood: Rhythmic, Triumphant, Festive, and Intense


























