Playlist cover art

Cool songs

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22 songs
3:28Song Image
3:27Song Image
Modern metalcore, Alternative Metal, Emotional, Melancholic, Melodic, Post-hardcore
4:12Song Image
Pop, Metal, sweet female vocal, Yakousei, [power metal-pop], death
3:44Song Image
Experimental Nu Metal
3:22Song Image
Female vocals, [female screamo] metal, metalcore, solo, electrical, scream vocals
3:12Song Image
Female vocals, [female screamo] metal, metalcore, solo, electrical, scream vocals
3:20Song Image
Female vocals, metalcore, solo, electro, melodical, pop, emo
3:23Song Image
Emo-acoustic indie rock w/ intricate fingerpicking, atmospheric electric layers, dynamic builds, confessional vocals, melancholic yet cathartic delivery, ambient swells, raw emotional storytelling
2:58Song Image
Metalcore, sad, emo, post-hardcore, haunting
3:26Song Image
5:18Song Image
post post hardcore, post Pop punk, post hardcore, post emo, post easycore, post emocore, post nu wave, post indie rock, smooth vocals, painful expression, singer, Wong writer, rock, anthem, clear eq
3:38Song Image
Melodic Metalcore, mid-tempo, powerful drums, anthemic, emotional, [gritty powerful male vocal], THX
4:26Song Image
Rock, Nu-Metal, Punk, Post-hardcore, Electronic-rock, Alternative-metal, Synthesizer, Clear-Vocals, Emo
2:50Song Image
nu metal, alternative rock, soul, pop punk
3:28Song Image
Emo, acoustic screamo, melancholy, emotional crescendo
4:18Song Image
Technical, Djent, Melodic metalcore, lo-fi Progressive [Sad], Cinematic, Atmospheric, post-hardcore
3:41Song Image
Cinematic tribal orchestral × industrial guitars, Intro: deep taiko, frame drums, wind, male throat drones, Verse: bone flutes, bowed strings with quarter‑tone glides, airy synth pads, whispered female chant “Kxanì lu, ” Pre‑Chorus: stacked polyrhythms, distorted brass swells, high string clusters, Chorus: war‑drum ensemble, heroic horns, tremolo violins, drop‑tuned guitars, sub‑bass surges; mass mixed choir answers solo male on Na’vi hook “Tsaheylu, ma Ikran, ” Bridge: rhythm collapses to metallic impacts, distant cluster‑choir; call‑and‑response chants “Eywa tsun nìtxan / Kame ngāri, ” One colossal low‑brass “braaam” then silence; drums re‑enter, Final Chorus: octave‑up choir and soaring strings, triumphant yet terrifying, Choir‑chant outro: slow Na’vi hymn (“Eywa’eveng… Eywa ngahu”) over drones, shaku flutes, fading taiko, 15 ms Haas delay widens choir; center solo vox dry, Divine, ominous, goosebump‑inducing, ≤ 4 min
4:34Song Image
6:29Song Image
melodic metalcore electronic pop, cinematic, progressive, dynamic, djent, post-hardcore, glitchcore, R&B, EDM fusion, [emotional female vocals] [screaming vocals] [Pro Studio]
4:29Song Image
Opens with an eerie electronic horror intro, merging synth textures and distant guitar effects, Launches into explosive new metalcore and electronicore riffs, blending rapid drums and aggressive screamed vocals, Shifts to a melodic, catchy hook with J-Rock flair and dynamic clean vocals, A crushing, breakdown featuring syncopated guitars follows, then cycles back with electronic flourishes and relentless energy
4:54Song Image
[Atmospheric alternative metal] featuring dynamic tempo with seductive dark atmosphere creating addiction struggle tension, [instrumentation] dark atmospheric pads with industrial percussion elements, clean guitar arpeggios building to heavy distorted guitars, controlled powerful drums with wall of sound production, subtle string arrangements for emotional depth, [production] seductive danger aesthetic with explosive release moments, clear vocal clarity through heavy arrangements, atmospheric elements maintaining space for emotional processing, [vocal approach] whispered seductive intro building to powerful female-fronted metal declarations, conversational vulnerability growing to triumphant strength, hate-love conflict audible in delivery, [fusion DNA] atmospheric alternative metal meeting industrial elements for authentic addiction transcendence storytelling