3:08

folk rap, acoustic hip-hop, southern gospel, 127 BPM, D minor, whispered baritone vocals, dual acoustic guitars, bridge guitar duel, 808 sub-bass pocket, Gretsch kick mics, concert tom fills, loud Sax---stabs, Rhodes chord swells, tambourine shuffle, audience ambience, Motown snap, dusty vinyl crackle, stuttered master bus, saturated low end, uplifted defiance
3:22

Mystic Mix
v5.5
folk rap, acoustic hip-hop, southern gospel, 127 BPM, D minor, whispered baritone vocals, dual acoustic guitars, bridge guitar duel, 808 sub-bass pocket, Gretsch kick mics, concert tom fills, Sax stabs, Rhodes chord swells, tambourine shuffle, audience ambience, Motown snap, dusty vinyl crackle, stuttered master bus, saturated low end, uplifted defiance
2:37

Loophole
v5.5
Recorded live with audience/ roots rock, folk rap, bluesy ballet, double mic Ocean wave drum making wave-----sounds sustained in big atmosphere loud horn stabs and bass sax riffs bass---sax 100 to 300 BPM, steel-string fingerstyle, melodic lead guitar, open tuning harmonics, percussive string slaps, thumb bass pulse, double mic acoustic guitars, dry close mix, minimal room reverb, aggressive toms, Gretsch drum kit, 808 sub-bass pulse, syncopated off-beats, live audience horns stabs and slides ragtime piano, anthem surge bridge goes from big room to center stage and breaks away dynamically, ethno deep 808 bass Vocals are deep bass male and deep baritone male side chain vocals
4:01

Love Runs Deep
v5.5
Recorded live with audience folk rap, acoustic hip-hop, southern gospel, 127 BPM, D minor, whispered baritone vocals, dual acoustic guitars, bridge guitar duel, 808 sub-bass pocket, Gretsch kick mics, concert tom fills, loud Sax---stabs, Rhodes chord swells, tambourine shuffle, audience ambience, Motown snap, dusty vinyl crackle, stuttered master bus, saturated low end, uplifted defiance bpm 130
3:31

Hey....Hey hey
v5.5
432 Hz folk rap, acoustic hip-hop, live audience ambience, baritone chant vocals, fingerpicked acoustic guitar, lap steel slides, saxophone stabs, wind chimes accents, tambourine shuffle, mechanical drum machine, 4 4 kick snare, rhythmic static, distorted guitar feedback, harmonic stabs, tempo shift 90 140, call and response, warm room reverb, road-worn nostalgia ragtime keys Bass drop 808s
4:27

High Tones
v5.5
Recorded live with audience acoustic southern gospel, 80s rock ballet smooth groove D minor, whispered baritone vocals, dual acoustic guitars, bridge guitar duel, 808 sub-bass pocket, Gretsch kick mics, concert tom fills, loud Sax---stabs, Rhodes chord swells, tambourine shuffle, audience ambience, Motown snap, dusty vinyl crackle, stuttered master bus, saturated low end, uplifted defiance stuttered master bus, all vocals are airy and deliver a immersive soft approach some are whispered no vocals are too loud bpm 125
3:19

Nutin Honey
v5.5
ambient folk, 808 sub-bass pocket, dual acoustic guitars, fingerpicked steel-string, distant ocean field recordings, white noise sweeps, pulsating with long delay 909 kick, offbeat open hats, TB 303 acid riff, filter cutoff rise, Tambourine shuffle percussion, plate reverb, analog saturation, sidechain pumping, compressed room tone, nocturnal drift, urgent momentum, 128 BPM, syncopated 16ths
3:56

Track opens with acoustic guitar riff recorded live with audience Uplifting Smokey quartz energizing seductive crystals Strymon blue sky guitar plays D minor track gets louder as it plays to build grandeur long bass drops, big drop, film music, gothic atmosphere, atmospheric synth pads 808s Gretsch full drum kit 4 on the floor
3:01

Play that Music
v5.5
Master volume gets louder as it plays Recorded live audience folk rap, acoustic hip-hop, southern gospel, master volume is extra loud to build Grandeur all vocals are phone filtered 128 BPM, syncopated tambourine shuffle, 909 kick, offbeat open hats, 808 sub-bass pocket, TB 303 acid riff, dual acoustic guitars, fingerpicked steel-string, grand piano chords, horn section stabs, plate reverb, analog saturation, sidechain pumping, bittersweet grandeur, urgent momentum
3:22

Do You Believe
v5.5
Track gets louder as it plays ambient new age, melodic dance, 117 BPM, live audience ambience, male bass lead, baritone lead vocals, airy soprano harmonies, phone filter vocals, sax flourishes, ragtime piano, Fender acoustic strumming, hand percussion, synth arpeggios, spacious bass pads, vintage 80s sheen, plate reverb, deep delay, call and response chants, 70 BPM intro, full throttle opening
2:12

Toquer Falls
v5.5
hip house, folk rap, acoustic hip-hop, southern gospel, dream soul, male ad libs, phone filtered vocals, call and response hooks, tremolo guitar, dual acoustic guitars, fingerpicked steel-string, grand piano chords, horn section stabs, TB 303 acid riff, 808 sub-bass pocket, 909 kick, syncopated tambourine shuffle, plate reverb, tape saturation, bittersweet grandeur
3:33

Sun Tucked
v5.5
soft mid-tempo outlaw-country no big vocal octave rises highway singalong dark deep-bass male vocals leads quiet dark soprano female vocals sit back in the mix bpm 128
