2:40
Song #113
v4.5-all
Smoky vintage Russian chanson, male vocals, mid‑tempo shuffle with upright bass, cabaret piano, soft accordion, and brushed snare, Verses stay intimate like a late-night bar story; chorus swells with backing “o-o-o” harmonies and tambourine, Slight tape wobble and room reverb for that worn, nostalgic feel, chanson
3:22
Song #114
v4.5-all
Warm acoustic easy listening; brushed kit, upright bass, and nylon-string guitar, Male vocals, intimate close-mic verses that sit just above a soft piano bed; chorus blooms with light strings, simple tambourine, and stacked harmonies, Energy arc rises gently from coffeehouse calm to a cozy, sing-along lift, then settles in a tender, content outro, easy listening, uplifting
2:34
Popcorn
v4.5-all
Bouncy bedroom-pop at 120bpm over a bright drum machine groove, tight rhythm guitar and playful synth plucks, Verses stay minimal with dry female vocals and close-mic intimacy; chorus explodes with stacked harmonies, claps, and a round, simple bass line, Subtle ear-candy (vocal chops, little risers) between sections to keep it fun and hooky
4:22
9:15
v4.5-all
Warm indie-pop groove at mid tempo, brushed kit and round bass under jangly electric guitar, Verses stay intimate with close-mic male vocals and soft keys; chorus widens with stacked harmonies, tambourine, and a simple sing-along hook, Light organ pads bloom in the bridge, then everything drops to vocal + guitar for the final chorus entry before the band glides back in
4:54
Last Bus
v4.5-all
rock, Smoky layered blues rock with twin guitars trading licks, overdriven tube warmth and a lazy shuffle groove, Verse guitars sit in the lower neck with bent-note fills; chorus opens with stacked rhythm guitars and wide organ pads, Bass walks around the kick in a greasy pocket, drums ride the hats then dig into the snare on choruses, Male vocals, ragged but soulful, doubled on the hook with call-and-response ad-libs, blues
2:44
Hey Hey Hey
v4.5-all
Bouncy pop-punk groove with clean crunchy guitars and a walking bass line, Drums keep it upbeat and tight, with shout-along gang vocals in the chorus, Male vocals leaning comedic and conversational; occasional record-stop pauses for punchlines, Bright mix, snare up front, backing “hey!” chants on hooks
3:19
5 More Minutes
v4.5-all
rock, Aggressive alt-rock with crunchy guitars and slamming, room-mic’d drums; tom-heavy verses under a distorted bass drone, then an explosive, chant-along chorus with gang vocals, Male vocals, half-snarled, half-melodic; bridge drops to kick-and-floor-tom pulse before a final full-band hit and feedback tail
3:22
Two-Factor Heart
v4.5-all
Relentless dark techno groove at 132 BPM, male vocals, Distorted kick and sub growl locked to a four-on-the-floor pulse, metallic percussion flickering like glitchy UI, Verses spoken-sung, close and cold; chorus opens with a shouted hook and octave-doubled vocal, drenched in delay, Sparse, buzzy synth stabs in the verses; chorus adds a rising saw pad and crowd-chant backing, Occasional filtered breaks that snap back with a harsher, sidechained wall of sound, techno