3:13

Life is crap 2
v4.5-all
An energetic post-punk track with crisp, amplified electronic percussion, creating a dense '80s-style groove, Sharp analog bass pulsates beneath razor-sharp guitars, Sharp guitar riffs, The female vocals sound hoarse and rough, with strong echo and subtle distortion, creating a captivating, atmospheric feel
3:50

Чёрная кошка
v4.5-all
A modern Deep Purple-inspired track opens with a bold organ riff and driving electric guitar, layered over tight rock drums and a punchy bassline, Verses groove with blues-rock flair, while choruses soar with harmonized leads and dynamic interplay between guitar and keys, creating a rich, energetic texture
3:42

Пиксели вместо людей
v4.5-all
An electronic composition built on layers of original analog synthesizer textures with intricate arpeggios and evolving sound effects, Echoing delay saturates both instruments and the ethereal, high-pitched female vocals, which are trembling and creatively pitch-shifted, enhancing the ghostly ambiance, The bridge features synths modulated by filtered sweeps and scattered echoes, immersing the listener in a haunting, communicative sonic space
3:33

Затерянный мир.
v4.5-all
An electronic composition built on layers of original analog synthesizer textures with intricate arpeggios and evolving sound effects, Echoing delay saturates both instruments and the ethereal, high-pitched female vocals, which are trembling and creatively pitch-shifted, enhancing the ghostly ambiance, The bridge features synths modulated by filtered sweeps and scattered echoes, immersing the listener in a haunting, communicative sonic space
3:32

Мы шли по карте детских снов
v4.5-all
An electronic composition driven by inventive synthesizer layers with kaleidoscopic textures, pulsing under spectral sound effects and ambient washes, Female vocals—high, trembling, and digitally manipulated—drift through the mix, awash in cascading echoes, adding depth and emotional resonance
3:39

У меня в груди
v4.5-all
This unsettling electronic composition is built on multi-layered analog synthesizers with a dense, tense dramaturgy, The drums sound powerful and industrial-tinged, Numerous processed effects are heard throughout the track: glitches, digital clicks, noises, and simulated computer glitches, creating the atmosphere of an unsettling technological space, The male vocals are tense, low, hoarse, and heavily processed, periodically transformed by a vocoder and changing pitch, merging with the electronic background
4:19

In the beginning there was chat
v4.5-all
This unsettling electronic composition is built on multi-layered analog synthesizers with a dense, tense dramaturgy, The drums sound powerful and industrial-tinged, Numerous processed effects are heard throughout the track: glitches, digital clicks, noises, and simulated computer glitches, creating the atmosphere of an unsettling technological space, The male vocals are tense, low, hoarse, and heavily processed, periodically transformed by a vocoder and changing pitch, merging with the electronic background
3:02

Цифровой Закат
v4.5-all
The electronic track, featuring a robotic vocoder, begins with slow, rhythmic speech over an analog synth bass and crisp drum machine patterns, Computer-like beeps underscore the lines, The verses maintain a mechanical tone with arpeggiated synths and vocoder harmonies, The digital chorus explodes with dense synth layers and layered, modulated, breathy male vocals, As the track fades, the energy decreases; robotic vocal repetitions echo and fade with insistent electronic pulses, creating a smooth, synthetic conclusion, The vocals are low, husky, and altered to a tragic, tense tone
3:30

Серый цех
v4.5-all
voice: robotic vocoder with slight echo Instruments: analog synthesizer bass, drum machine, sound signals, vocoder harmonies, arpeggio synthesizers Structure: long electronic track with spoken language, slow rhythmic spoken introduction, robotic verses, powerful digital chorus, slow conclusion Effect: sound signals "beep, beep" between lines to simulate computers Ending: fading out with robotic repetition, Vocals: male altered raspy bass robotic
2:50

Цена счастья
v4.5-all
The synth-driven track launches with a bold synth bass and snappy electronic drums, snares featuring gated reverb, Verses layer pulsing arpeggiators and sweeping pads, heightening anticipation, The chorus erupts with vivid analog leads, sharp rhythm guitar, and a solid retro groove
2:39

Вирус в моей голове
v4.5-all
80-х рок: стартует с быстрым перегруженным гитарным риффом и мощным ударным соло; насыщенные синтезаторы держат плотный фон, Куплет опирается на мужской бас вкупе с прямым, четким битом, В припеве – многоголосие, яркое гитарное соло, синтезатор подчеркивает драйв
4:26

Космическая любовь 2
v4.5-all
Bright, pulsing analog synths drive an expansive synthwave groove, rounded out by cosmic FX and steady retro drum machines, High, ethereal female vocals soaked in echo glide above each section, enhancing the surreal, atmospheric vibe, Bridge introduces lush synth pads, widening the soundscape
5:08

Bright, pulsing analog synthesizers establish an expansive synthwave groove, layered with cosmic sound effects and rhythmic, retro drum machines, Female vocals, high-pitched and drenched in spacious echo, float above, adding a surreal, atmospheric dimension to each section
3:13

Я оборотень
v5.5
dark synthwave, gothic electronic, church organ drones, detuned analog bass, distorted drum machine, spectral choir pads, vocoder harmonies, metallic percussion, gated reverb snare, low register growl, falsetto lead phrases, stereo delay, tape saturation, cinematic build, brutal chorus, midtempo march, industrial pulse, apocalyptic mood
3:26

Werewolf(eng)
v5.5
dark synthwave, gothic electronic, church organ drones, detuned analog bass, distorted drum machine, spectral choir pads, vocoder harmonies, metallic percussion, gated reverb snare, low register growl, falsetto lead phrases, stereo delay, tape saturation, cinematic build, brutal chorus, midtempo march, industrial pulse, apocalyptic mood
2:51

80s rock, dark synth-pop, 136 BPM, post-punk guitars, motorik snare drive, gated drum ambience, chorus harmonizer, tape delay echo, synth bass ostinato, bright analog pads, doubled bass line, power riff hook, tom-heavy fills, dense chorus layering, rising urgency, mechanical pulse
2:27

An energetic post-punk track with crisp, amplified electronic percussion, creating a dense '80s-style groove, Sharp analog bass pulsates beneath razor-sharp guitars, Sharp guitar riffs, The female vocals sound hoarse and rough, with strong echo and subtle distortion, creating a captivating, atmospheric feel
2:34

post-punk, industrial electronic, 160 BPM, tight 80s groove, syncopated backbeat, four-on-the-floor kick, crisp electronic percussion, gated snare hits, analog bass ostinato, tremolo guitar riffs, chorus doubled guitars, organ stabs, plate echo, tape saturation, amp distortion, dry close mix, spring reverb, cold neon, kinetic dread
3:54

We begin with a powerful classical church organ, the chords floating freely across the hall, The background is filled with atmospheric, ethereal effects: reverb, a slight hint of echo, The vocals are female, high-pitched, tender, and trembling, as if floating above the organ sounds
3:30

Hard rock opener with rich distorted electric guitar riff and heavy Hammond organ textures, Pulsing bass drives dynamic drum groove, verses add bluesy guitar licks and tight rhythm section, then soar into layered vocal choruses, Extended instrumental breaks feature dual-guitar lead lines, overdriven amp crunch, and roomy live drum fills
5:04

Mystical gothic downtempo at a solemn 84 BPM: classical church organ in deep pedal tones, Enigma-esque modal lead, layered Gregorian chant, ethereal synth pads, and a haunting synth flute over pulsating sequenced bass, Tribal toms, frame drums, deep kick, sweeping chorus, dark ambient reverb, heavily treated tremulous female vocals
3:33

Мария Магдалина
v5.5
Mystic trance-pop in the style of Enigma with a cathedral pipe organ centerpiece, Gregorian choir pads in layered unison, and a heavily processed female lead vocal with formant shift, airy reverb, and subtle vocoder doubling, Slow pulse, deep drone bass, hand percussion, and sacred ambient textures
3:57

Серая ночь
v5.5
Aggressive nu metal/rap rock with turntable scratches, chunky distorted guitar riffs, punchy live drums, and a bouncing breakbeat underpinned by fat synth bass, Verses ride tight rap cadences; chorus hits with shouted gang vocals, filtered pads, glitch edits, and cold electronic stabs, rough club-ready mix
4:02

Ave Maria 2
v5.5
It all begins with the powerful sound of a classic church organ, its chords freely echoing throughout the hall, The background is filled with atmospheric, ethereal effects: reverb, echo, analog synthesizers, and minimalist electronic drums, The female vocals in the aria are high, tender, and trembling, with strong echo and reverb, seemingly hovering above the organ sounds
3:54

«Пуля В Теле»
v5.5
Radical post-punk anthem with powerful female vocals shifting from raspy, smoky low tones to a brash battle cry, Hurdy-gurdy leads over heavy industrial drums, driving bass, delay-drenched rhythm guitars, dark analog synth pads, huge reverb and echo, and a tense, cohesive arrangement built for a defiant, chant-like refrain
3:38

4:04

Любовь-вирус
v5.5
The slow, gothic opening hits the listener with full force: analog synth pads, a leading, expressive synth melody, analog synth drones, electronic drums, and a sustained kick drum hit, Snare drum hits on beats 2 and 4 are accompanied by gated reverb, echo effects, and female backing vocals, followed by a breakdown where the drums fade away and the synths grow heavier before dissolving into a tired silence, Vocals: male, tense, modified with strong echo
2:42

Radical post-punk/arena rock with a brash, unified energy: thumping bass meets heavy industrial drums, rhythmic guitars with delay effects and vielle à roue drones cutting through the mix; powerful male vocals that shift from a raspy growl to a soaring battle cry; a powerful hook in the quietest break, and then a sharp strike in the heaviest drop
3:12

Полынная волна
v5.5
Style: Radical Post-Punk / Arena RockVibe: Defiant, Powerful, UnifiedVocal Profile: Powerful female vocals with a raw, gravelly, and smoky grain, The style is provocative and anthemic, shifting from a low, sandpaper-like rasp to a soaring, defiant battle-cry, Instrumentation: Driving Bass, Hurdy-gurdy (Vielle à roue), Heavy Industrial Drums, Rhythmic Delay Guitars
4:37

коррупционер 2
v5.5
Intense radical post-punk/arena rock with a brash, cohesive energy: powerful bass meets heavy industrial drums, rhythmic guitars with delay effects and vielle à roue drones cut through the mix; powerful male vocals shift from a raspy growl to a soaring battle cry; a powerful hook in the quietest break, and then a sharp strike in the heaviest drop
4:07

Hard rock track in 4/4 time at 120 BPM in the key of E minor, The arrangement features a prominent, overdriven electric guitar playing a syncopated, blues-influenced riff characterized by palm-muted chugs and melodic slides, A second electric guitar provides harmonized lead lines and power chord stabs, The bass guitar follows the kick drum patterns with a gritty, distorted tone, Drums consist of a punchy kick, a cracking snare on the backbeat, and consistent eighth-note hi-hat patterns, transitioning to open hats and crash cymbals during the chorus, Vocals are delivered in a gritty, mid-range rock baritone with occasional raspy belts and layered harmonies during the refrain, A brief instrumental break features a bluesy, pentatonic guitar solo with wah-wah filtering and rapid alternate picking
4:54

Black Cat(eng) 2
v5.5
Style: Radical Synthwave / Arena Rock Atmosphere: Bold, powerful, and cohesive Vocals: Powerful female vocals with a rough, raspy, and smoky texture, The style is provocative and anthemic, shifting from a low, sandpaper-like voice to a soaring, brash battle cry, Instrumentation: Powerful bass, hurdy-gurdy (Vielle à roue), heavy industrial drums, synthesizers, rhythmic guitars with delay effects





