3:11

The Rizzy Corner
v4.5-all
rock, Crunchy garage-rock guitars riding under dusty lo-fi drums; male vocals with a lazy, swaggered delivery, Verses feel intimate and close-mic’d, bass slightly overdriven; chorus widens with doubled vocals and bright lead guitar line, Subtle tape warble and vinyl crackle glue it together, with a brief mid-song break where the beat drops to just drums and bass before crashing back in, lo-fi, beats
3:30

rap, Laid-back smooth-jazz rap-rock hybrid: brushed kit, warm walking bass, smoky Rhodes, and a reverb-kissed guitar riff, Male vocals half-rapped, half-sung; verses sit tight in the pocket, chorus lifts with stacked harmonies and a fatter backbeat, Subtle horn stabs and organ swells add grit as the last hook rides out, rap rock, smooth jazz
3:39

Why Did Mook Jigg Eat My Son?
v4.5-all
rap, Playful 2010s rap over brushed jazz drums and upright bass, muted trumpet fills peeking between bars, Hook flips into a crooned, old-timey country-jazz chorus with pedal steel and barroom piano, Verses stay bouncy and storytelling-focused, ad-libs tucked close, Energy grows each section, then drops to a wry, half-spoken outro, Male vocals, hip hop, country, jazz
3:23

Mook Jigg in ’99
v4.5-all
rock, Cyberpunk jazz-rock with swagger: crunchy overdriven guitars locked to a swung, syncopated drum groove, walking bass weaving with glitchy synth stabs and warped brass hits, Verses stay tight and talky; chorus explodes with wide, shout-along gang vocals and soaring lead, Brief middle breakdown with filtered drums and slapback vocal, then full-band hit for the final hook, jazz
2:53

4:04

Alternative hard saxophone rock, with slight cutecore
4:47

Alternative hard rock with some saxophone
3:49

2:57

3:29

4:35

Blaster Flowers for Mook Jigg
v4.5-all
rock, Gritty funk-rock ballad with male vocals; clipped, syncopated drums and rubbery bass under a reverb-soaked Strat, Verses feel close and conversational, riding a tight pocket; chorus explodes with wide distorted chords, gang shouts, and octave-doubled lead, Bridge drifts into spacious, sci‑fi pads and tom rolls before a final, raw chorus that cuts instruments back for the last hook line, funk rock, ballad
3:17

3:49

Jamer the Big Black Gamer
v4.5-all
1989 classic rock with guitar solo, aggressive bass
4:05

Upbeat indie-pop, dark reggae, banjo, indie-pop punk, light electronic
2:34

4:20

3:44

4:36

5:12

3:30

5:14

3:55

4:10

4:36

Roblox Pokémon Nights
v4.5-all
rap, Laid-back smooth-jazz rap-rock hybrid: brushed kit, warm walking bass, smoky Rhodes, and a reverb-kissed guitar riff, Male vocals half-rapped, half-sung; verses sit tight in the pocket, chorus lifts with stacked harmonies and a fatter backbeat, Subtle horn stabs and organ swells add grit as the last hook rides out, rap rock, smooth jazz, punk
4:06

Peak For Real
v4.5-all
country punk rock ballad Alternative rock, Hard rock, Post-grunge Alternative rock, Nu metal, Rap rock, Electronic rock
5:05

4:34

The Epic Holiday Throwdown
v4.5-all
Blues punk, electric guitar rock, futuristic synths
4:28

6:07

4:48

3:19

4:46

R&B soul, yacht rock, distortion guitar, slight punk
3:53

5:27

4:39

5:04

3:59

4:22

Orchestral mandolin harmonica punk, deep 808s, reverb-heavy, echos, hurdy-gurdy, long instrumental sections
3:58

Modern Day Wild West
v4.5-all
Orchestral mandolin harmonica punk, deep 808s, reverb-heavy, echos, hurdy-gurdy, long instrumental sections
4:58

Chair Dimension Blues
v4.5-all
Orchestral futuristic harmonica punk, deep 808s, reverb-heavy, echos, marching band, long instrumental sections
3:49

Time Warp Through The Decades
v4.5-all
Futuristic harmonica punk, deep 808s, reverb-heavy, echos, fungus, long instrumental sections
4:35

Smoth jazz rap rock, pop indie-punk banjo
3:54

Mongolian punk, Chinese banjo rock, 70s soul, rough vocals, deep bass, ocarina, movie score, wavy, keytar
3:54

4:55

energetyczny, deep bass voice, high-octane, hopeful, crescendo, epic piano, acid techno, country punk
4:06

4:04







