3:11
The Rizzy Corner
v4.5-all
rock, Crunchy garage-rock guitars riding under dusty lo-fi drums; male vocals with a lazy, swaggered delivery, Verses feel intimate and close-mic’d, bass slightly overdriven; chorus widens with doubled vocals and bright lead guitar line, Subtle tape warble and vinyl crackle glue it together, with a brief mid-song break where the beat drops to just drums and bass before crashing back in, lo-fi, beats
3:30
rap, Laid-back smooth-jazz rap-rock hybrid: brushed kit, warm walking bass, smoky Rhodes, and a reverb-kissed guitar riff, Male vocals half-rapped, half-sung; verses sit tight in the pocket, chorus lifts with stacked harmonies and a fatter backbeat, Subtle horn stabs and organ swells add grit as the last hook rides out, rap rock, smooth jazz
3:39
Why Did Mook Jigg Eat My Son?
v4.5-all
rap, Playful 2010s rap over brushed jazz drums and upright bass, muted trumpet fills peeking between bars, Hook flips into a crooned, old-timey country-jazz chorus with pedal steel and barroom piano, Verses stay bouncy and storytelling-focused, ad-libs tucked close, Energy grows each section, then drops to a wry, half-spoken outro, Male vocals, hip hop, country, jazz
3:23
Mook Jigg in ’99
v4.5-all
rock, Cyberpunk jazz-rock with swagger: crunchy overdriven guitars locked to a swung, syncopated drum groove, walking bass weaving with glitchy synth stabs and warped brass hits, Verses stay tight and talky; chorus explodes with wide, shout-along gang vocals and soaring lead, Brief middle breakdown with filtered drums and slapback vocal, then full-band hit for the final hook, jazz
2:53
4:04
Alternative hard saxophone rock, with slight cutecore
4:47
Alternative hard rock with some saxophone
3:49
2:57
3:29
4:35
Blaster Flowers for Mook Jigg
v4.5-all
rock, Gritty funk-rock ballad with male vocals; clipped, syncopated drums and rubbery bass under a reverb-soaked Strat, Verses feel close and conversational, riding a tight pocket; chorus explodes with wide distorted chords, gang shouts, and octave-doubled lead, Bridge drifts into spacious, sci‑fi pads and tom rolls before a final, raw chorus that cuts instruments back for the last hook line, funk rock, ballad
3:17
3:49
Jamer the Big Black Gamer
v4.5-all
1989 classic rock with guitar solo, aggressive bass
4:05
Upbeat indie-pop, dark reggae, banjo, indie-pop punk, light electronic
2:34
4:20
3:44
4:36
5:12
3:30
5:14
3:55
4:10
4:36
Roblox Pokémon Nights
v4.5-all
rap, Laid-back smooth-jazz rap-rock hybrid: brushed kit, warm walking bass, smoky Rhodes, and a reverb-kissed guitar riff, Male vocals half-rapped, half-sung; verses sit tight in the pocket, chorus lifts with stacked harmonies and a fatter backbeat, Subtle horn stabs and organ swells add grit as the last hook rides out, rap rock, smooth jazz, punk
4:06
Peak For Real
v4.5-all
country punk rock ballad Alternative rock, Hard rock, Post-grunge Alternative rock, Nu metal, Rap rock, Electronic rock
5:05
4:34
The Epic Holiday Throwdown
v4.5-all
Blues punk, electric guitar rock, futuristic synths
4:28
6:07
4:48
3:19
4:46
R&B soul, yacht rock, distortion guitar, slight punk
3:53
5:27
4:39
5:04
3:59
4:22
Orchestral mandolin harmonica punk, deep 808s, reverb-heavy, echos, hurdy-gurdy, long instrumental sections
3:58
Modern Day Wild West
v4.5-all
Orchestral mandolin harmonica punk, deep 808s, reverb-heavy, echos, hurdy-gurdy, long instrumental sections
4:58
Chair Dimension Blues
v4.5-all
Orchestral futuristic harmonica punk, deep 808s, reverb-heavy, echos, marching band, long instrumental sections
3:49
Time Warp Through The Decades
v4.5-all
Futuristic harmonica punk, deep 808s, reverb-heavy, echos, fungus, long instrumental sections
4:35
Smoth jazz rap rock, pop indie-punk banjo
3:54
Mongolian punk, Chinese banjo rock, 70s soul, rough vocals, deep bass, ocarina, movie score, wavy, keytar
3:54
4:55
energetyczny, deep bass voice, high-octane, hopeful, crescendo, epic piano, acid techno, country punk
4:06
4:04
